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9

Article: Album Review

Natsuki Tamura: Koki Solo

Read "Koki Solo" reviewed by Karl Ackermann


Birthday celebrations have found their way into jazz recordings since the Louis Armstrong era. Illinois Jacquet, Duke Ellington, Oscar Peterson, and Jaco Pastorius have directly baked the cake into album titles while other artists have taken an indirect approach to celebrating. Satoko Fujii broke the mold in 2019 with a new release each month in commemoration ...

2

Article: Radio & Podcasts

Mario Pavone, Broken Shadows, Dan Rosenboom & Maria Grand

Read "Mario Pavone, Broken Shadows, Dan Rosenboom & Maria Grand" reviewed by Maurice Hogue


The much-respected and much-loved bassist Mario Pavone passed away in May. With great strength and fortitude and supreme dedication to the music he loved, he completed two full albums earlier this year. You'll hear a couple of tracks from one of the recordings Blue Vertical, released by Out Of Your Head Records. R.I.P. Mario. It was ...

14

Article: Album Review

Step In: Voilà La Tendresse

Read "Voilà La Tendresse" reviewed by Karl Ackermann


Step In is the international trio of Italian pianist Carlo Morena, Chilean drummer Felix Lecaros, and the renowned New York bassist Joe Fonda. Morena and Fonda started playing together in 1990, later adding drummer Jeff Hirshfield and adapting the current trio name. George Schuller later replaced Hirshfield before Lecaros took over the throne. Voilà La Tendresse ...

7

Article: Album Review

Paul Bley Trios: Touching & Blood Revisited

Read "Touching & Blood Revisited" reviewed by Mark Corroto


Pianist Paul Bley (1932—2016) wasn't just a witness to jazz history, he was a key contributor. Bley performed with Lester Young, Charlie Parker, Charles Mingus, and Sonny Rollins, yet his true sound was set in motion when he performed with Ornette Coleman in California, evidenced by Live At The Hillcrest Club 1958 (America Records, 1971). While ...

8

Article: Album Review

Natsuki Tamura: Koki Solo

Read "Koki Solo" reviewed by Dan McClenaghan


In 1983, pop vocalist Cyndi Lauper said, “Girls Just Want to Have Fun." She probably still sings it. Trumpeter Natsuki Tamura has always wanted to have fun, too, playing--in his early days--jazz standards in Japanese clubs where hostesses in negligees sat at stage-side tables drinking room temperature tea masquerading as whiskey at the expense of ardent ...

3

Article: Radio & Podcasts

Wadada Leo Smith, The Red Microphone & Clean Feed Releases

Read "Wadada Leo Smith, The Red Microphone & Clean Feed Releases" reviewed by Maurice Hogue


Trumpet master and composer Wadada Leo Smith continues to produce astonishing original music. Zeroing in on the age of 80 seems to have no impact. There are two new releases from the Finnish Tum label to show Smith's creativity: Sacred Ceremonies with Bill Laswell and Milford Graves and the other a solo set. Some of Clean ...

3

Article: Album Review

The J. & F. Band: Me And The Devil

Read "Me And The Devil" reviewed by Mark Corroto


We are back to the whippin' post with Me And The Devil, the fourth Allman Brothers-inspired release from Long Song Records, and the third by The J&F Band; and while it is far from being a guilty pleasure, the music does beg to be heard at high volume. In 2016, drummer Tiziano Tononi, bassist ...

1

Article: Radio & Podcasts

Piotr Damasiewicz, Three-Layer Cake & Fujii/Tamura

Read "Piotr Damasiewicz, Three-Layer Cake & Fujii/Tamura" reviewed by Maurice Hogue


Highlights: Polish trumpeter Piotr Damasiewicz's “Polska"—very powerful music with the roaring Power Of Horns ensemble pushing Damasiewicz all the way; pianist Satoko Fujii and trumpeter Natsuki Tamura offering more proof that they are the most formidable duo in free jazz; Three-Layer Cake—the trio of bassist Mike Watt, guitarist Brandon Seabrook and drummer Mike Pride with a ...

20

Article: Under the Radar

A Different Drummer, Part 3: Pino Basile & Mizuki Wildenhahn

Read "A Different Drummer, Part 3: Pino Basile & Mizuki Wildenhahn" reviewed by Karl Ackermann


The Swish Knocker, And More Early on in his career, the late Milford Graves abandoned the snare drum, substituting the resonance of the toms for the snare parts. He believed music of the drum reverberated from within the drummer and the listener without the need for extraneous instrumentation. Tyshawn Sorey's approach to music speaks to contempt ...

1

Article: Radio & Podcasts

One Man’s Jazz Show 1200th Show Special

Read "One Man’s Jazz Show 1200th Show Special" reviewed by Maurice Hogue


This episode of One Man's Jazz marks the 1200th since its very first show at CKUW FM in Winnipeg. It moved over to taintradio.org in early 2012. One of the mantras of the show has always been that the show was about the music and the musicians who make it. I had no illusions of becoming--let ...


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