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125

Article: Take Five With...

Take Five With Lauren Henderson

Read "Take Five With Lauren Henderson" reviewed by AAJ Staff


Meet Lauren Henderson:Lauren Henderson is a Massachusetts-born singer and songwriter. With eclectic vocal influences and a style that spreads across genres, she produces a distinct yet versatile sound. Her diverse musical background is rooted in jazz and expands to rhythm and blues, Latin, soul, gospel, classical, fusion, neo-soul, pop, Nuevo-flamenco and many other forms. ...

143

Article: Album Review

Christian McBride Big Band: The Good Feeling

Read "The Good Feeling" reviewed by Larry Taylor


With all that Christian McBride has accomplished in his 30 year jazz career, The Good Feeling is his first recording fronting a big band. This formidable bassist has had a versatile career as leader, sideman, composer and arranger; he has appeared with a galaxy of star players from jazz, as well as rock ...

188

Article: Extended Analysis

The Twenty 20s: Uh! Oh!

Read "The Twenty 20s: Uh! Oh!" reviewed by Chris May


The Twenty 20sUh! Oh!Self Produced2011 Late summer 2011 has produced two off-piste jazz vocal gems. The first was CTI Masterworks' reissue of Jackie Cain and Roy Kral's A Wilder Alias (CTI, 1974). The second is Hetty Kate and The Twenty 20s' Uh! Oh!. The disc focuses, lovingly, ...

121

News: Recording

Miles Davis Quintet: Live in Europe 1967: The Bootleg Series Vol. 1

Miles Davis Quintet: Live in Europe 1967: The Bootleg Series Vol. 1

The explosive transformation of Miles Davis' “second great Quintet" with Wayne Shorter (tenor sax), Herbie Hancock (piano), Ron Carter (bass), and Tony Williams (drums) is laid bare on Miles Davis Quintet: Live in Europe 1967: The Bootleg Series Volume 1. Culled from original state-owned television and radio sources in Belgium, Denmark, France, Germany, and Sweden, the ...

245

Article: Multiple Reviews

Gerry Mulligan / J.J. Johnson / Sarah Vaughan / Misha Mengelberg & Piet Noordijk: Live At Concertgebouw

Read "Gerry Mulligan / J.J. Johnson / Sarah Vaughan /  Misha Mengelberg & Piet Noordijk: Live At Concertgebouw" reviewed by David Rickert


The Concertgebouw in Amsterdam was a stop for quite a few notable jazz musicians during the 1950s and '60s, and for the past few years the Dutch Jazz Archive has released a concert from their archive at the rate of one per year. Judging by what has been released, it seems that many of these musicians ...

272

Article: Interview

Nick Hempton: The Way It Is

Read "Nick Hempton: The Way It Is" reviewed by David A. Orthmann


The Business (Positone, 2011) is a milestone in the career of Nick Hempton. Since arriving in the USA from his native Australia in 2004, the 35-year-old saxophonist, composer, and bandleader has slowly but surely worked his way up the ladder of the notoriously competitive New York City jazz scene. Hempton's second date as a leader is ...

170

News: Recording

Sarah Vaughan: Roulette Years

Sarah Vaughan: Roulette Years

Jazz artsts' recordings in the late 1950s and early '60s were often a direct reflection of their labels' budgets, producers' visions and arrangers' whims. Count Basie, for example, sounded a bit stiff and buttoned up on Verve but unleashed on Roulette. Sonny Stitt sounded thought out and on point on Roost but a bit let's-get-this-over-with on ...

69

News: Performance / Tour

European Jazz Invasion Tours with New Album: Some Open Dates Still Available

Formally known as “Group A" during the 2008 IASJ Meeting in Riga, Latvia, these wonderful young musicians quickly fused into a special space. Tears were shed, and many people were emotionally moved by their final performance. After a week of challenging, inspiring, and creative work, they realized that it wasn't the end and decided to stick ...

92

News: Event

NEA Jazz Masters Program Morphs into Museum of Jazz Masters

By Fradley Garner It's happened every year since 1982, but it won't again after 2012, when the honors- loaded gravy train arrives at its 30th and last stop. The National Endowment for the Arts' Jazz Master Awards, America's highest honor in its own music genre, then goes the way of the space shuttle. For three decades, ...

103

News: Obituary

NEA Statement on the Death of NEA Jazz Master Frank Foster

NEA Chairman Rocco Landesman's Statement on the Death of NEA Jazz Master Frank Foster “On behalf of the National Endowment for the Arts, it is with great sadness that I acknowledge the passing of 2002 NEA Jazz Master Frank Foster. An extraordinary saxophonist, composer, arranger, bandleader, and educator, Frank Foster's contributions to jazz are numerous. We ...


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