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14

Article: Album Review

Chris Washburne: Rags And Roots

Read "Rags And Roots" reviewed by James Nadal


The year 1917 stands out in music history, for that was the year of the first jazz recording, (Livery Stable Blues by Original Dixieland Jass Band) and marks the death of ragtime pianist/composer Scott Joplin. To commemorate these events, and the century that ensued, trombonist Chris Washburne takes a musical exploration back through time on Rags ...

31

Article: Live Review

Festival International de Jazz de Port-au-Prince, 2017 - Part 1

Read "Festival International de Jazz de Port-au-Prince, 2017 - Part 1" reviewed by Mark Sullivan


Part 1 | Part 2 Festival International de Jazz de Port-au-Prince Port-au-Prince, Haiti March 4-11, 2017 Haiti: the only nation in the world established as the result of a slave revolt; home of Vodou. Haiti: poorest country in the Western Hemisphere; subject to devastating hurricanes and earthquakes. Most potential visitors ...

Album

Inner Dialogue

Label: Truth Revolution Records
Released: 2015
Track listing: Inner Intro; Breathe; White And Blue; After Life; Yo-Yo; Choucoune; Beauty; And Now I Know; Bells; Nardis; Open The Door; More; Haitian Sunrise.

7

Article: Album Review

Jesse Fischer: Day Dreamer

Read "Day Dreamer" reviewed by James Nadal


If there is a recognition for a musician in perpetual engagement to his craft, Jesse Fischer would certainly be in the running. The versatile pianist, arranger, engineer, and producer has been on a creative tear since 2011 when he released “Homebrew" with his group Soul Cycle. This was quickly followed in 2012 by “Retro Future," under ...

13

Article: Album Review

Enoch Smith Jr.: Misfits II: Pop

Read "Misfits II: Pop" reviewed by Chris M. Slawecki


Growing up in the Pentecostal Church of God by Faith (in Rochester, NY) has been the biggest musical influence on pianist Enoch Smith, Jr. He titled his 2010 self-produced debut Church Boy and continues to serve as full-time Director of Music and Worship and pianist for Allentown (NJ) Presbyterian Church. “Growing up and playing mostly in ...

9

Article: Album Review

Ajoyo: Ajoyo

Read "Ajoyo" reviewed by Chris M. Slawecki


Multi-reed player Yacine Boulares has picked up, and left behind, musical footprints literally all around the world. He was born in North Africa (Tunisia) but grew up in Paris, where he studied philosophy at the Sorbonne and jazz performance at the National Conservatory and New School for Jazz. As a Fulbright scholar, Boulares continued his musical ...

12

Article: From the Inside Out

Music’s Where You Find It

Read "Music’s Where You Find It" reviewed by Chris M. Slawecki


Ajoyo Ajoyo Ropeadope 2014 Multi-reed player Yacine Boulares has picked up, and left behind, musical footprints literally all around the world. He was born in North Africa (Tunisia) but grew up in Paris, where he studied philosophy at the Sorbonne and jazz performance at the National Conservatory and New School ...

3

Article: Album Review

Ajoyo: Ajoyo

Read "Ajoyo" reviewed by James Nadal


The best recorded music is sometimes the result of life altering circumstances stimulating the creative impulses in receptive musicians, which then take the idea into the studio. By chance, multi-reed player and composer Yacine Boulares was turned on to the infectious rhythms of Cameroon, leading to the record Ajoyo, a delightful hybrid of expressive vocals highlighted ...

8

Article: Album Review

Sarah Elizabeth Charles: Inner Dialogue

Read "Inner Dialogue" reviewed by Dan Bilawsky


Trying to categorize or label vocalist Sarah Elizabeth Charles is a futile pursuit. Is she a hypnotic modern jazz vocalist? Is she a neo-soul experimentalist with jazz and R&B inflections oozing from her vocal cords? Is she an incredible talent, bewitching and beguiling with her every vocal gesture? Is she all of that, yet something completely ...

News: Festival

Festival International de Jazz de Port-au-Prince 2014

By Shannon J. Effinger Experiencing the rhythms of Haitian music for the first time in college was overwhelming to the senses. It was perhaps my first visceral connection to both jazz and my own Trinidadian heritage. My upbringing deprived me of the latter being culturally assimilated into the American culture. Visiting Haiti for the first time ...


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