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266

Article: Album Review

Ray Brown’s Great Big Band: Kayak

Read "Kayak" reviewed by Robert J. Robbins


Not to be confused with the late, legendary bassist of the same name, San Francisco-based bandleader/arranger Ray Brown, an ex-trumpeter with the Stan Kenton and Full Faith and Credit big bands, drives his own nineteen-piece ensemble populated by the Bay Area's A-list musicians. Brown, whose percussionist father pioneered jazz education in the public schools of Long ...

457

Article: Live Review

53rd Monterey Jazz Festival: A Distinctive New Orleans Flavor

Read "53rd Monterey Jazz Festival: A Distinctive New Orleans Flavor" reviewed by Larry Taylor


To summarize the high spots of the 2010 Monterey Jazz Festival would certainly take more than one lead paragraph. From Sept. 17 through 19 at the Monterey, California, Fairgrounds, there was a pervasive New Orleans spirit in the air and the music. This was emphasized by the appearances of Trombone Shorty on Saturday afternoon, and Harry ...

182

Article: Unsung Heroes

Sammy Cahn, Vernon Duke, and Earl Zindars

Read "Sammy Cahn, Vernon Duke, and Earl Zindars" reviewed by Sean Dietrich


Standards are the language of jazz. Standards represent music that have withstood the ruthless test of time. Songs built by craftsman, instead of limericks scribbled by American idols adorned in sequins and leather chaps. Music that has been constructed to last, built with the brick and mortar of harmony and melody. And yet, too often, the ...

813

Article: Big Band Caravan

David Berger Jazz Orchestra / Sheryl Bailey / UNC–Greensboro

Read "David Berger Jazz Orchestra / Sheryl Bailey / UNC–Greensboro" reviewed by Jack Bowers


David Berger Jazz Orchestra Sing Me a Love Song: Harry Warren's Undiscovered Standards Such Sweet Thunder 2010 If composer Harry Warren is remembered at all, it is for such blockbuster hits from the 1940s as “Chattanooga Choo-Choo" (the country's first million-selling record), “I've Got a Gal in Kalamazoo" ...

439

Article: Bailey's Bundles

The State of OA2 Records 2010: Nelda Swiggett and Debbie Poryes

Read "The State of OA2 Records 2010: Nelda Swiggett and Debbie Poryes" reviewed by C. Michael Bailey


The umbrella record label Origin Arts has three imprint labels beneath it: Origin Records, founded in 1997 by Seattle drummer John Bishop, focusing primarily on prominent jazz artists from the Northwest United States. OA2 records was begun in 2002 with the aim of broadening Origin's talent attention countrywide. Origin Classical was later founded with not simply ...

198

Article: Album Review

Marc Copland: Alone

Read "Alone" reviewed by Edward Blanco


Pianist Marc Copland goes it Alone with his first solo album on the German Pirouet label and the follow-up to his highly regarded Hatology solo disc, Time Within Time (2005). Alone follows the last of his New York Trio recordings Night Whispers (2009), where the pianist was joined by bassist Drew Gress and drummer Bill Stewart; ...

342

Article: Album Review

Freddy Cole: The Dreamer In Me

Read "The Dreamer In Me" reviewed by Marcia Hillman


This CD ably captures Freddy Cole in a live set at New York”s Dizzy's Club Coca Cola, from February 2008. Cole sings his way through a selection of non-overdone material, accompanying himself on piano on five of the tracks (the remaining piano chores delightfully handled by John DiMartino). The rest of the band includes Jerry Weldon ...

797

Article: Interview

Nicole Henry: Giving It All

Read "Nicole Henry: Giving It All" reviewed by Esther Berlanga-Ryan


Inspiration usually comes by surprise. Jazz vocalist Nicole Henry can tell us all about it. Sometimes we know there is a certain direction we want to go, but can't figure out what the road looks like. And for a brief, terrifying and always meaningful minute of our lives, we stand in a crossroad to nowhere, wondering ...

337

Article: Album Review

Caltech Jazz Bands: The Variety Pack

Read "The Variety Pack" reviewed by Edward Blanco


The California Institute of Technology's Caltech Jazz Bands present their third album of largely big band music, offering selected charts by musicians and composers identified with the music from one end of the jazz spectrum to the other. The Variety Pack lives up to its title, with fourteen songs touching upon a variety of jazz styles ...


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