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Sam Newsome
Born:
Samuel Augustus Newsome was born on April 28, 1965 in Salibury, MD. He is the youngest of three boys. He began playing music at 12 years old when his family relocated to Hampton, VA. By the time he was 15 years old he began playing professionally around town with local R & B bands along with his high school classmate bassist James Genus. It was during high school that he became serious about studying jazz and began taking lessons after school with saxophonist Steve Wilson. It was Steve who introduced him to recordings of jazz legends such as Charlie Parker, John Coltrane, and Sonny Rollins. In 1983, after graduating high school, Sam received the Kool Jazz Festival scholarship to attend the prestigious Berklee College of Music in Boston, Mass
Something Else! Festival 2019
by Mike Chamberlain
Something Else! St. John the Evangelist Church Hamilton, Ontario June 20-23, 2019 I must confess that I spend very little time in churches, so I would not normally be inclined to spend the first weekend of summer in one. But sometimes exceptions must be made, and such an exception ...
OGJB Quartet & The Last Poets
by Maurice Hogue
There's no way to use geographical borders to define this music called jazz. For instance, the Freequestra from Slovenia: led by acclaimed guitarist Samo Salamon— the ensemble wends its way with power and emotion through Salamon's new Free Sessions Vol.2, a rollicking excursion through the avant-garde. Or in the case of OGJB, a quartet of four ...
Experimentalists: Talking with Adam Berenson, Dana Jessen, and Abdul Moimême
by Karl Ackermann
The newly opened Théatre des Champs-Elysées was sold out on the night of May 29, 1913. The well-heeled Parisian audience had come to enjoy the much-anticipated premiere of Igor Stravinsky's “Rite of Spring" which featured the choreography of the acclaimed Russian ballet dancer Vaslav Nijinsky. Some accounts of what transpired that night appear to be exaggerated. ...
Mick Rossi, Le Rex, & Emile Parisien
by Maurice Hogue
Creativity must be recognized, particularly the kind endures. The AACM (Association for the Advancement of Creative Musicians) continues this day, just as it did over 50 years ago, inspiring, pushing forward, and setting the standard for creative music. Only the players change. The premier performing group of the AACM today is the AACM Great Black Music ...
Jazz At Atlas Kicks Off 2019 Season With Thumbscrew
This cooperative project features a trio of gifted musicians and composers—guitarist Mary Halvorson, bassist Michael Formanek and drummer/percussionist Tomas Fujiwara—performing their own compositions and selected standards with an exacting prowess wed to a liberated swing that is glorious to behold. Thumbscrew performs on Saturday, March 30 at 8 PM. Tickets are $20 in advance and $25 ...
A Conversation with Violinist Meg Okura
by UDEiGWE
Meg Okura is a distinguished violinist/composer who has been decorated with several awards. Her latest album, Ima Ima, is a collection of well thought out and very well executed compositions that stem out of her role as a mother. Join Meg and I as we talk about composing, motherhood, David Bowie, and other somewhat related things. ...
Eli Wallace: Barriers
by Karl Ackermann
Eli Wallace is best known as the keyboard half of the piano/drum improvising duo Dialectical Imagination with Rob Pumpelly. Listeners familiar with Wallace's work in that setting and with the trio Cataclysmic Commentary, with tenor saxophonist Ben Cohen and Dave Miller on drums, know that Wallace is not averse to swimming against the current. The California ...
Sam Newsome, Jean-Michel Pilc: Magic Circle
by Neri Pollastri
Non molto noto in Italia, Sam Newsome va oggi annoverato tra i massimi specialisti del sax soprano, che suona sfruttandone molte delle nascoste peculiarità timbriche e spesso anche “preparandolo" con singolari artifici tecnici. Autore di ben tre lavori in solitudine, qui ne mette a frutto l'esperienza dialogando con il pianista francese Jean-Michel Pilc. La registrazione arriva ...
Meg Okura: IMA IMA
by Dan Bilawsky
Heritage isn't merely defined by blood and DNA. It's about who we are, who we choose to become, and what we take from the past to bring to our individual present and presence. So says this most personal of albums from Meg Okura & The Pan Asian Chamber Jazz Ensemble. “Ima"--the Hebrew word ...
