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Sam Jones
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Sam Jones was a solid jazz bassist with impeccable technique, who could also swing and groove with the best of them. Most associated with his tenures with Cannonball Adderley, and then Oscar Peterson, he also went on to front his own bands and left a reputable recorded legacy as a leader. Sam Jones was born in Florida on Nov. 12, 1924, starting his career playing in local bands. By 1953 he was playing with Tiny Bradshaw , then after moving to New York in 1955 he joined up with the groups of Kenny Dorham, Cannonball Adderley, Dizzy Gillespie, and Thelonious Monk. But it would be with the Cannonballs Adderley Quintet, from 1959 to 1966, where he would establish his reputation. Paired up with stellar drummer Louis Hayes, in what has proven to be a benchmark rhythm section for being “in the pocket.” There have been few better. He also did solo projects during the early sixties and released some fine sides for Riverside, where he was able to stretch out on some of his cello oriented pieces. Jones went on to replace Ray Brown in the Oscar Peterson Trio in from 1966 to 1970
Craft Mines the Vaults: New Moodsville Titles from Red Garland, Frank Wess, and Coleman Hawkins
by C. Andrew Hovan
When it comes to independent record labels of the past that ventured across such a broad musical landscape, few could rival the efforts of Bob Weinstock and his Prestige imprint. Recognizing the advantages of appealing to multiple markets, Weinstock expanded well beyond his core jazz catalog, issuing rare blues titles through the Bluesville subsidiary and turning ...
New Reissue Series Offers A First-Class Ticket To Moodsville
by Joshua Weiner
With the rise of consumer culture in the 1950s and 1960s, hi-fi systems on which to play newly available stereo records became de rigueur for those who aspired to sophisticated leisure time. A wide variety of “mood music" albums, from classical to exotica to jazz, promised the perfect soundtrack for any emotional state or social gathering. ...
Ronnie Cuber: Baritone Boss
by Mark McKergow
Ronnie Cuber (1941-2022) made his mark on the jazz world as a versatile and muscular baritone saxophonist. Born in New York on Christmas Day 1941, he started on tenor saxophone but switched to baritone at 17, attracted by the vacant chair in Marshall Brown's Newport Jazz Youth Band (which also featured lifelong colleagues Eddie Gomez and Michael ...
Fred Hersch: The Touch of Genius
by Ken Dryden
The sound of Fred Hersch at the piano is so distinctive, a couple of bars is usually enough to identify him. The mainly self-taught Cincinnati native excelled early, playing jazz in his home town before leaving to study with pianist Jaki Byard at the New England Conservatory of Music. From there, Fred moved to New York ...
Gabe Katell: Hear, It Is
by Jack Bowers
After years of paying his dues by gigging around with groups large and small in southern California, baritone saxophonist Gabe Katell has recorded Hear, It Is, the first album with his name above the marquee, and an impressive one it is, both musically and strategically. To ensure its musical success, Katell enlisted the help ...
Looking Ahead
Label: Craft Recordings
Released: 2025
Track listing: Lautir; Curtsy; Geo's Tune; They All Laughed; Head Shakin'; Dianna.
I Thought About You
Label: Livia Records
Released: 2025
Track listing: I Thought About You; Litha; Smiling Billy; Unit 7; November Girl; Straight No Chaser; All Blues; November Girl - alt.
Bill Evans Trio: Haunted Heart: The Legendary Riverside Studio Recordings (Remastered 2025)
by Mark Corroto
On May 6, 1954, Roger Bannister ran the first sub-four-minute mile, a barrier many believed human beings could never break. Today, any elite miler can run that time, which makes Bannister's accomplishment harder for modern sports fans to fully appreciate. Something similar happens when listening to pianist Bill Evans' two Riverside studio sessions, Portrait in Jazz ...
Jazz&Wine of Peace 2025
by Neri Pollastri
Jazz&Wine of Peace 2025 Varie sedi Cormòns 23-26.10.2025 L'edizione 2025 del Jazz&Wine of Peace, la ventottesima, era anche la prima con un nuovo direttore artistico: a Mauro Bardusco, che da sempre curava la rassegna e che--nonostante la sua scomparsa nel luglio dell'anno scorso --aveva progettato anche la quasi totalità di quella ...
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