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Sam Jones

Sam Jones was a solid jazz bassist with impeccable technique, who could also swing and groove with the best of them. Most associated with his tenures with Cannonball Adderley, and then Oscar Peterson, he also went on to front his own bands and left a reputable recorded legacy as a leader. Sam Jones was born in Florida on Nov. 12, 1924, starting his career playing in local bands. By 1953 he was playing with Tiny Bradshaw , then after moving to New York in 1955 he joined up with the groups of Kenny Dorham, Cannonball Adderley, Dizzy Gillespie, and Thelonious Monk. But it would be with the Cannonballs Adderley Quintet, from 1959 to 1966, where he would establish his reputation. Paired up with stellar drummer Louis Hayes, in what has proven to be a benchmark rhythm section for being “in the pocket.” There have been few better. He also did solo projects during the early sixties and released some fine sides for Riverside, where he was able to stretch out on some of his cello oriented pieces. Jones went on to replace Ray Brown in the Oscar Peterson Trio in from 1966 to 1970

Source

Label: Concord Music Group
Released: 2020
Track listing: Pace; The Message Continues; Source; Together Is A Beautiful Place To Be; Stand With Each Other; Inner Game; La Cumbia Me Está Llamando; Before Us In Demerara & Caura; Boundless Beings.

The Complete Recordings

Label: Phono
Released: 2020
Track listing: CD1: Nutville; The Way You Look Tonight; Star Eyes; Minor Move; Everything Happens To Me; Good Old Soul; Up Tight’s Creek; Theme For Doris; Miss Hazel; True Blue; Nothing Ever Changes My Love For You. CD2: Back To The Tracks; Street Singer; The Blues And I; For Heaven’s Sake; The Ruby And The Pearl; Talkin’ About; One For Myrtle; Dhyana; David The King; Stranger In Paradise; The Waiting Game.

ARTICLE: ALBUM REVIEW

Nubya Garcia: Source

Read "Source" reviewed by Ian Patterson

London-born and raised she may be, but saxophonist-composer Nubya Garcia's music is pan-global in outlook, reflecting her Guyanese/Trinidadian heritage on one hand, and an openness to music in general, on the other. It should come as no surprise that her full-length debut is laced with Afro-Caribbean and South American rhythms, for Source is a personal proclamation--a ...

ARTICLE: ALBUM REVIEW

Nubya Garcia: Source

Read "Source" reviewed by Chris May

Tenor saxophonist and composer Nubya Garcia's first full-length album has been a long time coming—but the wait has been worth it. Source is a cracker and more than fulfills the weighty expectations that built up in anticipation of its arrival. It was back in 2017 that Garcia debuted with the EP Nubya's 5ive (Jazz ...

Composer Tributes: Strayhorn, Shorter, Monk and Sam Jones

Read "Composer Tributes: Strayhorn, Shorter, Monk and Sam Jones" reviewed by Jerome Wilson

There always seem to be albums coming out that pay tribute to accomplished jazz composers. Here are some newer ones, three on very familiar names and one on an often overlooked musician. John Di Martino Passion Flower: The Music of Billy Strayhorn Sunnyside Records 2020 Pianist John ...

ARTICLE: RADIO

Lee Konitz Tribute and New Releases

Read "Lee Konitz Tribute and New Releases" reviewed by Bob Osborne

On this edition a celebration of the music of jazz giant Lee Konitz together with some new releases: Denman Maroney brings an inventive and creative approach to the piano with his new album. Exploring different aspects of the keyboard with his “hyperpiano" he delivers a fresh and exciting sound. JUNO-nominated Canadian jazz ...

ARTICLE: ALBUM REVIEW

The TNEK Jazz Quintet: Plays the Music of Sam Jones

Read "Plays the Music of Sam Jones" reviewed by Jack Bowers

The late Sam Jones is mainly remembered as an earnest craftsman whose perceptive bass lines undergirded the likes of Cannonball Adderley, Oscar Peterson, Cedar Walton, Barry Harris, Kenny Dorham, Bobby Timmons, Bill Evans and a host of other jazz masters. Jones, however, had another special albeit lesser-known talent, one that is addressed here, almost forty years ...

ARTICLE: ALBUM REVIEW

The New York - Paris Reunion Quintet: Live at the Bird's Eye Jazz Club, Basel

Read "Live at the Bird's Eye Jazz Club, Basel" reviewed by David A. Orthmann

Many of us dearly miss those life-affirming nights in jazz clubs when a band can do no wrong, blowing as if there's no tomorrow, and temporarily washing away the workaday realities of existence. The New York-Paris Reunion Quintet's Live at the Bird's Eye Jazz Club, Basel takes some of the yearning and emptiness out of waiting ...

ARTICLE: LIVE REVIEW

Brilliant Corners 2020

Read "Brilliant Corners 2020" reviewed by Ian Patterson

Brilliant Corners 2020 Various Venues jny:Belfast, N. Ireland February 27 to March 7, 2020 Maybe it's global warming, for just as the first bloom of spring in these strange times appears in February, so too, Brilliant Corners starts ever earlier. From its first, modest edition over three days ...


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