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7

Article: Album Review

Idle Hands: Solid Moments

Read "Solid Moments" reviewed by Dan Bilawsky


Producer and Posi-Tone co-head Marc Free wears a lot of hats, including those of curator and cooperative chemist. Since 2018, Free has been piecing together various outfits and concepts, tipping his hat to touchstones, adding new slants to his label's rich catalog and engaging in outreach and audience development in the process. Not content to simply ...

Results for pages tagged "Sam Dillon"...

Musician

Sam Dillon

Sam Dillon is a saxophonist, woodwind player, composer and teacher based in New York. In 2013 Sam was selected as a semifinalist in the Thelonious Monk International Saxophone Competition. As a semifinalist, Sam performed at The Smithsonian Institute in Washington D.C. for Wayne Shorter, Jimmy Heath, Branford Marsalis, Bobby Watson and Jane Ira Bloom. Most notably, Sam has performed at Carnegie Hall, Jazz @ Lincolin Center, Symphony Space, Smoke Jazz Club, The Iridium, Yoshi's Jazz Club, Smalls Jazz Club, The 55 Bar, The Zinc Bar, The Kitano Hotel, Cornelia Street Cafe and live on WBGO 88.3 FM

Album

Force Field

Label: Posi-Tone Records
Released: 2019
Track listing: Force Field; Go For The Jugular; Straight Up And Down; Shift; Two Part Problem; Flight Of Mind; Hit It; Marionette; Dexterity.

5

Article: Album Review

Sam Dillon: Force Field

Read "Force Field" reviewed by Dan Bilawsky


It doesn't take long to realize that Sam Dillon is on to something here. With drummer Anwar Marshall and bassist David Wong laying a grooving foundation on the opening title track, the tenor saxophonist sets off on a mighty chromatic quest. The lines, and what rumbles beneath them, set up an open playing field where pianist ...

2

Article: Take Five With...

Take Five with Pete Coco

Read "Take Five with Pete Coco" reviewed by AAJ Staff


About Pete Coco A mainstay on the New York jazz scene, bassist Pete Coco recently released his debut album as a leader, Lined with a Groove, featuring drummer Matt Wilson and pianist Sullivan Fortner. The LP is an homage to his mentors and influences, with fresh arrangements of tunes by bassists including Ron Carter, Milt Hinton, ...

2

Article: Album Review

Something Blue: Maximum Enjoyment

Read "Maximum Enjoyment" reviewed by Paul Rauch


Maximum Enjoyment is a curated effort by Posi-Tone producer Marc Free to feature the label's artists individually and collectively. The recording features a talented front-line of alto saxophonist Alexa Tarantino, trombonist Nick Finzer, and tenor saxophonist Sam Dillon, backed by an uber rhythm section featuring pianist Art Hirahara, bassist Boris Kozlov, and drummer Rudy Royston.

Album

Out in the Open

Label: Cellar Live Records
Released: 2018
Track listing: I Hear a Rhapsody; Peace; Out in the Open; Triste; Night and Day; Everything Happens to Me; Untitled; New Blues; Third Stone from the Sun.

2

Article: Album Review

Michael Dease: Bonafide

Read "Bonafide" reviewed by Geannine Reid


Trombonist Michael Dease was born in Augusta, Georgia. His propensity for the arts landed him at John S. Davidson Fine Arts Magnet High School, where he studied saxophone, voice and trumpet. During his senior year, after sage advice from another Augusta, Georgia jazz mainstay, Wycliffe Gordon, Dease pointed his ambition towards the trombone, what would ultimately ...

7

Article: Album Review

Sam Dillon: Out in the Open

Read "Out in the Open" reviewed by Jack Bowers


One thing that must be said for Cory Weeds, the head man at Canada's Cellar Live Records: he knows talent when he sees and hears it. Tenor saxophonist Sam Dillon, who leads an excellent quartet on Out in the Open, his debut recording for Cellar Live, is a case in point. While Dillon is essentially unknown ...

6

Article: Album Review

David White Jazz Orchestra: The Chase

Read "The Chase" reviewed by Jack Bowers


Flashpoint, released three years ago (in 2011), introduced listeners to a splendid New York-based orchestra led by composer / trombonist David White. On The Chase, White proves that Flashpoint was indeed no fluke, guiding what is essentially the same ensemble through its paces on half a dozen of his admirable charts. There is one sizable difference, ...


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