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3

Article: Profile

Introducing Nir Felder

Read "Introducing Nir Felder" reviewed by Angelo Leonardi


La recente uscita di Golden Age, debutto da leader di Nir Felder (Okeh 2014), conferma i positivi riconoscimenti che il chitarrista ottiene sulla scena musicale di New York. A partire da maestri come Greg Osby, Terri Lyne Carrington o Jack DeJohnette, molti jazzmen l'hanno coinvolto nei loro organici, facendolo conoscere oltre la cerchia del suo pubblico ...

2

Article: Lyrics

Save the Date - Aprile 2014

Read "Save the Date - Aprile 2014" reviewed by Luca Canini


Come promesso il mese scorso, diventa fisso l'appuntamento con “Save the Date." Riparte il viaggio su e giù per lo Stivale a caccia delle migliori proposte, dei migliori festival, delle iniziative più stuzzicanti. Una guida tascabile compilata seguendo solo e soltanto l'ispirazione e le tracce della musica che piace (a noi). 2 Aprile--Piacenza: ...

5

Article: Album Review

Mike DiRubbo: Threshold

Read "Threshold" reviewed by Edward Blanco


New York-based alto saxophonist Mike DiRubbo is one of the most recognizable and formidable forces in the jazz world today. A former student of the late great jazz icon Jackie McLean and a fixture in the Big Apple's vibrant jazz scene, DiRubbo is no novice. He has a substantial discography, and experience performing with some of ...

2

Article: Album Review

Mike DiRubbo: Threshold

Read "Threshold" reviewed by Hrayr Attarian


Mike DiRubbo's eight disc as a leader, Threshold finds the ever inventive alto saxophonist in a solidly hard bop environment that is reminiscent of Blue Note records of the 1950s but has a clear modern edge. In addition to leading a superb and sympathetic quintet, DiRubbo penned eight of the nine tracks on this riveting record ...

6

Article: Multiple Reviews

Four From The Posi-Tone Pile

Read "Four From The Posi-Tone Pile" reviewed by Dan Bilawsky


Some labels release a few records a year; some put out a record every month or two; and then there are those, like the Los Angeles-based Posi-Tone Records, that prefer to push even more music through the pipeline. As 2014 came into being, Posi-Tone began an ambitious release schedule, putting out a new ...

3

Article: Album Review

Camille Thurman: Origins

Read "Origins" reviewed by Hrayr Attarian


Vocalist, multi-instrumentalist Camille Thurman is not just another girl singer accessorizing with a horn. She is a first class saxophonist that blows the proverbial roof off the place and an accomplished stylist who uses her vocal cords like she does her various woodwinds, with agility and sophistication. Her sophomore effort Origins is a testament ...

5

Article: Album Review

Camille Thurman: Origins

Read "Origins" reviewed by C. Michael Bailey


Camille Thurman may have started as a vocalist, but on her Hot Tone debut, Origins, the flexes her breath, blowing through every instrument that transmits wind. Thurman rides the wave created by bassist/vocalist Mimi Jones, creator of Hot Tone Records with the release of her Balance (2014). A third artist makes a trio in this flood ...

14

Article: Album Review

Rudy Royston: 303

Read "303" reviewed by Dan Bilawsky


Drummer Rudy Royston's actions speak louder than his words. Royston oozed modesty, comfort and a touch of humor when he addressed the audience at a pre-release show for 303 during New York's Winter Jazzfest, but he gave off a much different sense of himself when he put sticks to skins during that same set. One minute ...

6

Article: Interview

Jon Cowherd: Mercy, Mercy Me

Read "Jon Cowherd: Mercy, Mercy Me" reviewed by Ian Patterson


There's more to pianist Jon Cowherd than meets the eye. Best known for his fifteen-year tenure in the Brian Blade Fellowship--with whom he has recorded four outstanding albums--Cowherd has also played and recorded with singers such as Rosanne Cash, Cassandra Wilson, Iggy Pop and Joni Mitchell. Though he's led his own small groups in New York ...

9

Article: Interview

Brian Landrus: The Low End Theory

Read "Brian Landrus: The Low End Theory" reviewed by Daniel Lehner


Specialists don't usually have the luxury of controlling much of their destiny. For a low woodwind expert like Brian Landrus, it would be of little surprise to anyone to find that, though he'd have the freedom to experiment with sounds and timbres for his own records, he would be little more than a hired gun for ...


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