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James Brandon Lewis e il Questionario di Proust
by AAJ Staff
All About Jazz: Il tratto principale della mia musica. James Brandon Lewis: Le emozioni e il suono la fanno da padrone! Le melodie, sia predeterminate che spontanee. Musica angolare, onesta, vulnerabile, rischiosa, urgente, con groove, funky e libera, che viene dal cuore. AAJ: La qualità che desidero nei musicisti che suonano ...
Brian Charette: Alphabet City
by C. Andrew Hovan
Clearly producer Marc Free loves the jazz organ. His roster on the Posi-Tone label includes two of the best up and coming talents, Jared Gold and Brian Charette. Of his three albums for the label, Alphabet City may be Charette's best effort yet. While the previous Good Tipper relied too heavily on quirky versions of some ...
Luis Perdomo: Twenty-Two
by Dan Bilawsky
In 1993, a twenty-two year old pianist named Luis Perdomo left Venezuela and arrived in New York City, eager to further his education and pursue his musical dreams. Now, twenty-two years later, Perdomo can certainly look back with a sense of accomplishment, having made a significant impact on the scene through his leader dates and important ...
Dave Douglas: There's Wisdom Everywhere in the Universe
by Dave Wayne
We're republishing this June 2013 in celebration of the 10 year anniversary of Dave Douglas's Greenleaf Music record label. When All About Jazz last spoke with trumpeter, multi-bandleader, teacher, composer, marathon runner, podcaster, and record label head honcho Dave Douglas in November, 2011, he was in the Ukraine on the last leg of a ...
Doug Webb: Triple Play
by Dan McClenaghan
Is there a better way to say “Jazz" than a wailing saxophone? Tenor sax guy Doug Webb has found a one: three wailing saxophones, a killer organ guy and a dynamic, full-of-surprises, rhythmic wizard of a drummer, on Triple Play. His fifth recording on Posi-Tone Records--a label that follows closely in the footsteps of ...
Brian Charette: Alphabet City
by Bruce Lindsay
Alphabet City is organist Brian Charette's ninth album, titled for the part of Manhattan where he lives (in the building which featured on the cover of Led Zeppelin's Physical Graffiti, apparently). He's alongside guitarist Will Bernard and drummer Rudy Royston, both familiar names on numerous other releases for Posi-tone Records: a standard, though high quality, organ ...
Brian Charette: Alphabet City
by Dan Bilawsky
Organist Brian Charette brings his A-game to Alphabet City. But who would expect anything else from this consummate artist? After delivering a covers-heavy program with two different trio lineups on Good Tipper (Posi-Tone, 2014), Charette returns here with an all-originals outing that finds him in the company of guitarist Will Bernard and drummer Rudy Royston.
Pete Rodriguez: El Conde Negro
by Dan Bilawsky
Pete Rodriguez isn't a purist. He knows his salsa, as one would expect of the offspring of famed salsa vocal icon Pete “El Conde" Rodriguez, and he knows his jazz. But this trumpeter-vocalist sees no need to draw strong separation between the two. In creating El Conde Negro, Rodriguez mines Nuyorican musical veins and jazz lodes, ...
Doug Webb: Triple Play
by David A. Orthmann
As tempting as it is to simply consign a blowing session label to Triple Play, a three tenor saxophone plus rhythm date led by Doug Webb, there's ample evidence that something more disciplined and structured is afoot. For one thing, eight of the disc's eleven tracks are under six minutes--in other words, there's not a lot ...
Alex Norris Organ Quartet: Extension Deadline
by Dan Bilawsky
Extension Deadline isn't the first organ-based date that trumpeter Alex Norris put together. It is, however, the first one to see the light of day. In the liner notes for this satisfying quartet outing, Norris notes that he recorded an organ-centric record in the '90s, but that record was shelved. So it is with great satisfaction ...
