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Wadada Leo Smith: Najwa
by Maurizio Comandini
Il trombettista Wadada Leo Smith chiama a raccolta i suoi fedelissimi per una nuova scorribanda nei territori dell'emozione, con la sua tromba spiritata che guida il cammino con saggezza e ferma determinazione, tracciando le linee guida attraverso le quali poi tutti i musicisti saranno chiamati a dare il proprio ampio contributo nella tessitura narrativa dei cinque ...
From Choro to Chaos
by Chris M. Slawecki
Berkeley Choro Ensemble The View from Here Self-Produced 2017 Like its organic natural wonders, the music of Brazil seems to flourish in different forms and styles of beauty. But much of its music has grown from the root of choro: Born in the mid-to late-1800s from the joining ...
December 2017: Ronald Shannon Jackson, Gregory Porter, Kamasi Washington
by Patrick Burnette
The holiday season may be behind us, but the Jazz Bastard Podcast keeps rolling on. Here's a look at December's episodes. On podcast 130, we celebrate our fifth anniversary by discussing four recordings by quintets. Rare recordings by Kenny Cox and the Contemporary Jazz Quintet evoke Miles Davis' second great quintet for us and ...
Wadada Leo Smith: Najwa
by Dan McClenaghan
Trumpeter Wadada Leo Smith's introductory liner notes to Najwa begin with Muddy Waters, so we'll begin there, too. Wadada Leo Smith was born in 1941, in Leland, Mississippi, around the time Alan Lomax showed up down in Clarksdale, Miss., to record--among many others--McKinley Morganfield, aka Muddy Waters. The Lomax field recordings of Waters and ...
James Blood Ulmer: Baby Talk
by Mark Corroto
It was a predestined meeting. This collaboration between the legendary guitarist James Blood Ulmer and the band The Thing. Ulmer, who cut his teeth with the soul jazz organists Hank Marr, Larry Young and Big John Patton before collaborating with Ornette Coleman's electric free jazz/funk harmolodic music, expanded upon Coleman's ideas, incorporating rock music with players ...
Craig Taborn and his multiple motion
by Giuseppe Segala
Craig Taborn is among the most creative musicians on today's scene. His music is shaped by a deep intellectual curiosity towards a wide range of artistic forms and sources of knowledge. His technical, stylistic, emotional and mental versatility have allowed him to collaborate with a large range of recognized masters in diverse styles of contemporary jazz. ...
Il moto multiplo di Craig Taborn
by Giuseppe Segala
Prima di leggerne le parole precise ed esaurienti nell'intervista, è il caso di ricordare alcune cose di Craig Taborn, pianista quarantasettenne che si colloca ai massimi livelli della scena contemporanea. In primo luogo la sua profonda curiosità intellettuale, che lo porta a un intreccio di interessi nei confronti di forme diverse dell'espressione artistica e della ...
Bill Frisell / Thomas Morgan: Small Town
by John Kelman
In Emma Franz's revelatory documentary, Bill Frisell: A Portrait, the guitarist talks about the many guitars he owns, and how he rarely gets to plays them--the consequence, amongst other things, of the plight musicians face when traveling by air these days. Not three months after the film's premiere at South By Southwest this past March, comes ...
Rob Reddy: Citizen Quintet
by Alberto Bazzurro
Allievo di Ken McIntyre e Dave Liebman, attivo sulla scena jazzistica alla testa di propri gruppi a partire dalla fine degli anni Ottanta, e in parallelo in seno a formazioni dirette da Reggie Workman e Ronald Shannon Jackson, il sopranista Rob Reddy ha maturato nel corso degli anni una visione alquanto personale del fare jazz, come ...
Joe Morris: Shock Axis
by Mark Corroto
I am applying for a NEA grant to test my theory that you can judge an album by it's cover. For instance, The Rolling Stones' Exile on Main St (RSR, 1972) and The Clash's London Calling (CBS, 1979) are two albums where you just knew what to expect by gazing at the covers. In the jazz ...
