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John Alvey: Loft Glow

by Chris May
Such is the proliferation of albums which in the 2020s are taking jazz in new and exciting directions--see AAJ's Best Jazz Albums of 2024: All-Star Break Edition round-up here--that it is easy to pass over albums which have their feet firmly planted in the tradition, and which show no ambition to redefine it, but which are ...
Kasan Belgrave Takes Off

by Paul Rauch
As a jazz journalist, attending summer festivals is almost a rite of passage, a journey to a place where so many pieces of the international jazz community are gathered in one spot to sample, or to indulge oneself. Over the years, accompanied by repeated visits, the sights and sounds of the festival locations become clearer and ...
Is That Jazz?

by Troy Hoffman
James Brown's funky beats, brought to you by drummer, Clyde Stubblefield, are the most popularly sampled in hip hop, but what about jazz? Has it not significantly impacted hip hop as well? The answer is of course, yes. Especially during the late '80s and early '90s golden-era of the genre. Some of the style's most iconic ...
How Artificial Intelligence Could Distort The Music Industry

by Brian Eaton
In a dimly lit studio, where the hum of vintage amplifiers once mingled with the human touch of fingers on strings and keys, a new player has emerged--artificial intelligence. As the music industry races toward the future, AI has the potential to replace key personnel, including songwriters, producers, recording engineers, and session musicians. This technological revolution, ...
Mere Noisemakers

by Troy Hoffman
Drummers used to be predominantly known as mere noisemakers (not musicians) coming out of the Vaudeville-era, where percussionists were seen as background tools. They often carried out sound effect cues, sent from studios to theaters, for silent films. This left drummers with the responsible task of mimicking the sounds of hurricanes, car crashes and thunderstorms from ...
Ron Carter: Anything Goes

by Arnaldo DeSouteiro
Ronald Levin Carter (born Ferndale, Michigan, on May 4, 1937) needs no introduction. Let's just say that he is the bassist's bassist. On Ron's hands, the bass and the man become the same entity, the same person. Played by Ron Carter, the acoustic bass sounds like... Ron Carter! That's why he is one of the three ...
Samara Joy at The Carver

by Katchie Cartwright
Samara Joy The Carver Community Cultural Center Jo Long Theatre San Antonio, Texas June 1, 2024 Samara Joy, 24, describes herself as a rookie despite her numerous awards, including three Grammys and the prestigious Sarah Vaughan International Jazz Vocal Competition, not to mention her acclaimed recordings as a leader, all ...
Ron Carter & Art Farmer: Live at Sweet Basil

by Scott Gudell
If one wanted to capture a 'who's who' snapshot of the jazz icons of the mid-'70s, into the '80s and beyond, one of the best ways to start was to see if they had added their name to the list of artists who recorded and/or released a 'Live at Sweet Basil' collection. The New York City ...
CTI Acid Jazz Grooves by Various Artists

by Arnaldo DeSouteiro
The CD you are holding in your hands is a very special compilation. It's the celebration of CTI as one of the most sampled" labels on Earth! For the past ten years, many CTI tracks have been cut up, sampled, scratched and looped to create new songs for a new audience. Many of the selections on ...
Ron Carter and Russell Malone at the Museum of Modern Art

by Paul Reynolds
Ron Carter and Russell Malone Museum of Modern Art New York, NYMay 28, 2024 This is really something. I thought maybe 15 people would show up," Ron Carter said in modest surprise as he scanned the massive crowd that packed the sculpture garden at the Museum of Modern Art--and even spilled ...