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Paolo Fresu Devil Quartet: Desertico
by Dan Bilawsky
Italian trumpeter Paolo Fresu has always been more angel than devil, though he's fronted quartets that name check both of those respectively heavenly and hellish entities. His horn work is coolly lyrical and spellbinding, regardless of the setting it's found in, but Fresu also has an impish side to his personality that takes over at certain ...
Graham Bond: Wading in Murky Waters
by Duncan Heining
Organist and saxophonist Graham Bond was the most important and influential musical pioneer to emerge from British jazz in the 1960s. High praise indeed, but in his case it is warranted. His legacy might be defined less by the music he recorded and more by the impact he had on subsequent generations of musicians. However, that ...
Eskelin - Alcorn - Formanek: Mirage
by Glenn Astarita
The Rolling Stones, Yes, and other prominent bands have incorporated the pedal steel guitar into the rock vernacular. Here, pedal steel guitarist Susan Alcorn extends this instrument beyond customary Americana or Country & Western formats and becomes the link between modern jazz champions, tenor saxophonist Ellery Eskelin and bassist Michael Formanek. She builds a bridge for ...
Let it Blurt: The Life and Times of Lester Bangs, America's Greatest Rock Critic
by Nenad Georgievski
Let it Blurt: The Life and Times of Lester Bangs, America's Greatest Rock CriticJim DeRogatis352 PagesISBN: 0767905091Crown Publishing2000If anyone ever writes a history on rock criticism and music journalism, certain names--like Peter Guralnick, Greil Marcus, Simon Frith and especially Lester Bangs--will surely lead off ...
Jeff Williams: The Listener
by C. Michael Bailey
It may be a poor-man's explanation, but here it goes: bebop begat hard bop begat the freer post-bop. Free jazz emerged among them. What next? Jeff Williams' The Listener. The greater freedom of post bop compared to its predecessor is given more freedom, but not so much that the music descends into the ravenous particles of ...
U2: Achtung Baby 20th Anniversary edition
by Nenad Georgievski
Every once in a while, a record will appear that will change the way to which music is listened, which will expand concept of music and its essence and boundless potential. A record of such importance has the ability to disrupt and shake the space-time continuum of musical history, serving as a signpost to everything that ...
The Led Zeppelin Papers: Sacred Cows, Led Zeppelin and Does the Song Remain the Same?
by C. Michael Bailey
"Sacred cows make the tastiest cheeseburgers" --after Abbie Hoffman (1936-1989) I have always said of popular culture, that like a McDonald's cheeseburger, it is to be consumed but never considered. Much of music is nothing more than a reflection of popular culture and certainly falls beneath that grand proclamation. A good deal of hip ...
Meet C. Michael Bailey
by AAJ Staff
I currently live in: Bryant, AR I joined All About Jazz in: 1997 What made you decide to contribute to All About Jazz? In 1997, the Internet was such a new place. I saw a fledgling request from one Michael Ricci asking for jazz articles for his new website, All About Jazz. ...
Boz Scaggs: Memphis
by Doug Collette
Boz Scaggs made a household name for himself with the ultra-slick Silk Degrees (Columbia, 1975), but he had already established a solo career for himself in the wake of departing The Steve Miller Band in 1968. Memphis further reaffirms the selective approach the vocalist, guitarist and songwriter has brought to his career in recent years, at ...
John Beasley: Everyone Loves John
by Scott Mitchell
Keyboardist John Beasley (aka “The Bease" to friends and family) is a musician's musician and one of the busiest professionals in the game. His biography and list of credits are so broad and deep that they could fill an NFL playbook.If NASA or MIT were to invent a device that could measure creative and ...
