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5

Article: From the Inside Out

One Day in Brazil, 50 Years in Germany

Read "One Day in Brazil, 50 Years in Germany" reviewed by Chris M. Slawecki


Tony Adamo Was Out Jazz Zone Mad Ropeadope 2018 Some African cultures preserved their history not by the written but by the spoken word, kept by oral cultural historians known as griots. On Was Out Jazz Zone Mad, vocalist Tony Adamo aspires to serve in this same role, ...

7

Article: Album Review

Eric Dolphy: Musical Prophet: The Expanded 1963 New York Sessions

Read "Musical Prophet: The Expanded 1963 New York Sessions" reviewed by Troy Dostert


Although his iconic Out to Lunch! (Blue Note, 1964) is one of a handful of undisputed avant-garde jazz masterpieces, Eric Dolphy's stature has never quite risen fully to the level of the jazz titans. Some of this is probably due to his untimely death at age 36, just as he was reaching new creative peaks; and ...

6

Article: Multiple Reviews

CTI on BGO

Read "CTI on BGO" reviewed by Jakob Baekgaard


"It was the best of times, it was the worst of times." The echo of Charles Dickens' famous novel A Tale of Two Cities is suitable to describe the climate of jazz when Creed Taylor launched CTI. It was 1970 and acoustic jazz was in crisis. Following the invasion of rock, it had survived by becoming ...

51

Article: Under the Radar

Culture Clubs: A History of the U.S. Jazz Clubs, Part III: Kansas City, Philadelphia, Los Angeles & Beyond

Read "Culture Clubs: A History of the U.S. Jazz Clubs, Part III: Kansas City, Philadelphia, Los Angeles & Beyond" reviewed by Karl Ackermann


Beyond the Hubs While New Orleans, Chicago, Kansas City and New York City were the incubators of modern jazz, they were by no means the only locations with an appetite for live music. Jazz artists whose point of origin could not sustain multiple venues ventured to locations near and far to practice their trade. ...

4

Article: Album Review

Russell Malone: Time for the Dancers

Read "Time for the Dancers" reviewed by Jack Bowers


The flame lit so brightly many years ago by guitarist Wes Montgomery continues to burn with intensity thanks to gifted torch-bearers like Russell Malone whose third album for HighNote Records, Time for the Dancers, not only mirrors Montgomery's singular musical temperament but ushers it into aesthetic realms that would surely have had Wes nodding his approval. ...

11

Article: My Blue Note Obsession

Thad Jones-Mel Lewis Orchestra: Consummation – 1970

Read "Thad Jones-Mel Lewis Orchestra: Consummation – 1970" reviewed by Marc Davis


Blue Note was never home to many big bands, but the Thad Jones-Mel Lewis Orchestra recorded four albums for the label from 1967-70, and one is a certified classic. Consummation is the musical equivalent of Neapolitan ice cream--three flavors packed into one large container. The album contains three moods: soft and contemplative, sprightly and ...

Article: Multiple Reviews

Piani di Battaglia

Read "Piani di Battaglia" reviewed by Alberto Bazzurro


Un elemento che salta all'occhio, in Stefano Battaglia, è la discrezione, come artista e come uomo. Uno dei tanti modi in cui lo rivela è il grande rispetto che ha per la musica altrui. Una differenza, magari per molti impercettibile, che separa questi due album lo conferma una volta di più: nel primo, che ha per ...

10

Article: Live Review

Brisbane International Jazz Festival 2015

Read "Brisbane International Jazz Festival 2015" reviewed by Ian Patterson


Brisbane International Jazz Festival Various locations Brisbane, Australia June 3-8, 2015 Celebrating its third edition, the Brisbane International Jazz Festival may be one of Australia's youngest jazz festivals but the state of Queensland is no stranger to jazz. The non-profit organisation Jazz Queensland has been curating concerts, developing audiences and working ...

858

Article: Interview

A Remembrance of Percy Heath

Read "A Remembrance of Percy Heath" reviewed by R.J. DeLuke


This article was originally published at All About Jazz in May 2005. Percy Heath could play the hell out of that big contrabass. Played it for more than half a century. With Bird and Miles and Diz and 'Trane and Brownie and the venerable Modern Jazz Quartet and on and on. And ...

11

Article: Interview

Mark Sherman: Truth Of Who I Am

Read "Mark Sherman: Truth Of Who I Am" reviewed by DanMichael Reyes


Vibraphonist Mark Sherman likes using the term consummate to describe musicians and colleagues that he's played with. While it would be difficult to speak to every notable musician that Sherman's played for and ask about their opinion about Juilliard graduate and professor, it is safe to assume that they would also describe Sherman as a consummate ...


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