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Ahmad Jamal: Marseille
by Roger Farbey
There are few true jazz legends left alive now let alone still recording albums of the calibre of Marseille. Ahmad Jamal is one such venerable figure and the octogenarian (born July 2, 1930) has recorded an album of consistent brilliance. Jamal prefers to refer to his playing as American classical music rather than jazz and he's ...
Hampshire And Foat: Galaxies Like Grains Of Sand
by Roger Farbey
Greg Foat has been making waves on the British jazz scene for several years now with albums such as Dancers At The End Of Time prime examples of his creative originality. He's a big fan of the “golden age" of British jazz spanning the 1960s and 70s but his compositions are never derivative. Foat has teamed-up ...
Verneri Pohjola: Pekka
by Roger Farbey
The highly-anticipated follow-up to Verneri Pohjola's widely acclaimed 2015 album Bullhorn consolidates his position as Finland's foremost jazz musician. His prodigious talent is hardly surprising given that his late father was the internationally acclaimed jazz-influenced prog-rock bassist and composer Pekka Pohjola, who died in 2008 aged just 56. This album is a reworking of some of ...
Urbanity: Urban Soul
by Roger Farbey
Urbanity, an Australian duo comprising keyboardist Phil Turcio and guitarist Albare (Albert Dadon) started collaborating 27 years ago and Urban Soul follows hot on the heels of Turcio's Signals and Albare's Dreamtime. It's a fairly undemanding set but undemanding doesn't automatically equate to unattractive. Indeed the album clearly demonstrates what can be produced by just two ...
Hanging Hearts: Into A Myth
by Roger Farbey
Hanging Hearts pack quite a punch for a trio, a bass-less trio at that. Saxophonist Chris Weller takes the lead on “Return Of Saturn" with guttural tenor, after which an anthemic ensemble melody is established. There's a real sense of jazz rock here, but undoubtedly erring on the side of jazz. Cole DeGenova establishes a keyboard ...
Quinsin Nachoff's Ethereal Trio: Quinsin Nachoff's Ethereal Trio
by Roger Farbey
Unlike Canada-raised/New York-based reedman Quinsin Nachoff's previous recordings--Flux, Magic Numbers, Horizons Ensemble, FoMo and 5 New Dreams--this is a trio album. “Clairvoyant Jest" benefits from a buoyant head which initially propels the number, as Nachoff's improvisatory talent manifests in his soloing, a marriage of Albert Ayler's meanderings with Sonny Rollins' fluid articulacy. “Imagination Reconstruction" ...
The Charlie Bates Big Band: Silhouettes
by Roger Farbey
Born in Essex in 1994, British jazz pianist Charlie Bates was introduced to jazz in his teens and later studied for a BMus Jazz degree at the Birmingham Conservatoire. In June 2016, Bates won the Birmingham Conservatoire Jazz Composition prize with an arrangement of Cole Porter's “Everything I Love," adjudicated by Tim Garland. This ...
Matt Chandler: Astrometrics
by Roger Farbey
The concept of the organ trio in jazz is well-established and often provides a dynamism that even some big bands struggle to manifest. Happily this is one such trio album. Dispensing with the pedantic formalities first, the quirky title of this album is actually an anagram derived from the first names of each of the band ...
Hayden Prosser: Tether
by Roger Farbey
Born in Somerset, England in 1990 and now based in Berlin, Hayden Prosser studied jazz at Middlesex University before leaving England and teaming-up with New York pianist Elias Stemeseder along with tenor saxophonist Philipp Gropper and drummer Max Santner.“Undo" is characterised by an unrelenting astringency, the melodic element consolidating towards the end of this ...
Möbius Strip: Möbius Strip
by Roger Farbey
The progressive-meets-jazz nexus has traversed many incarnations since its inception in the heady mid-late 1960s with Soft Machine and Caravan being two classic exemplars of the Canterbury wing of Prog. All were characterised by their adherence to the rock element of prog, whilst embellishing it with jazzy overtones. This tack is at odds with bands populated ...
