Home » Search Center » Results: Rodrigo Amado
Results for "Rodrigo Amado"
Rodrigo Amado This Is Our Language Quartet: Let The Free Be Men
by Mark Corroto
If you are not hip to Portuguese saxophonist Rodrigo Amado, where, as they say, have you been? He has garnered acclaim for many years now, with his own Motion Trio, Lisbon Improvised Players, The Wire Quartet, Luís Lopes' Humanization 4tet, and in duos with Chris Corsano and trios with Kent Kessler and Paal Nilssen-Love. If, though, ...
RED Trio & Celebration Band: Suite 10 Years Anniversary
by John Sharpe
Since its inception in 2008 the RED Trio has been one of Portugal's foremost improvising ensembles. Pianist Rodrigo Pinheiro, bassist Hernani Faustino and drummer Gabriel Ferrandini stand upon the shoulders of the egalitarian trio legacy of pianists Bill Evans, Paul Bley and Howard Riley; no-one leads, no-one follows, but, paradoxically, all three move as one. To ...
Luís Lopes: Believe, Believe
by Angelo Leonardi
Dopo aver debuttato dodici anni fa con la Clean Feed (Humanization 4tet) e inciso due dischi con la francese Ayler Records (Electricity del 2010 e Live in Madison del 2013) il gruppo texano-portoghese torna a pubblicare con l'etichetta di Pedro Costa, riproponendo la vibrante e infuocata miscela di free jazz storico con sonorità heavy metal, noise ...
Believe, Believe
By Luís Lopes
Label: Clean Feed Records
Released: 2020
Track listing: Eddie Harris/Tranquilidad Alborotadora; Replicate I; Engorged Mosquitoes; She; Brainlust Distraction; Replicate II.
José Lencastre / Hernâni Faustino / Vasco Furtado: Vento
by Mark Corroto
It would be interesting to learn the order in which the six tracks on this recording were laid down. Not so much that it would make for a better listening experience, because this is a thrilling debut, but it would give us clues into the organization and presentation of music by this new label, Phonogram Unit. ...
Festa do Jazz 2020
by Henning Bolte
Centro Cultural Belem Festa do Jazz 2020 Lisbon September 12-13, 2020 Festa do Jazz, celebration of jazz, is the annual meeting of the Portuguese jazz community. It is normally held end of March/begin of April. For many years it took place in old glory theatre São Luis Municipal in the Baixa-Chiado ...
Heavy Rotation For A Pandemic Summer
by Mark Corroto
In the summer of 2020 one result of the COVID-19 isolation, and artists inability to tour and perform is that they have time to deal with projects halted by this pandemic. Musicians, producers, and engineers have mixed, mastered and released an abundance of music. Many of the titles have been, and will be covered by our ...
Luis Lopes Humanization 4tet: Believe, Believe
by John Sharpe
For a multinational unit to persist, it must offer sufficient justifications to outweigh the logistical challenges. For Portuguese guitarist Luís Lopes, his Humanization Quartet clearly earns its existence. Believe, Believe is the outfit's fourth album since the recording of its debut in 2007, even though it is some years since the third Live In Madison (Ayler, ...
Clean Feed’s Latest Releases
by Maurice Hogue
This episode digs into a number of fine new releases from Clean Feed Records. You'll hear tracks from the Simon Nabatov Quintet, the Scandinavian group Inland Empire (featuring Kris Davis), legendary singer Patty Waters, pianist Kaja Draksler, and the hard-nosed Luis Lopes Humanization Quartet (featuring saxophonist Rodrigo Amado). Also new is the Itaca 4et, a joint ...
Results for pages tagged "Rodrigo Amado"...
Rodrigo Amado
Born:
For Portuguese saxophonist Rodrigo Amado, improvisation isn’t only a process of making music, but an end in itself and a cause he pursues with great passion. His long span project Lisbon Improvisation Players and other groups he formed with, for instance, Ken Filiano, Steve Adams, Dennis Gonzalez, Carlos Zíngaro, Kent Kessler, Paal Nilssen-Love, Miguel Mira or Gabriel Ferrandini, all share the same method of opening the concept of real-time composition to as many perspectives as possible. With one foot in modern jazz and the other in free improvisation, what he likes most is to play in the jazz idiom, without any tunes or preconceived structures, but forging a work of strong structure, clear direction and deep meaning, in real-time
