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Daniel Chu at Freespace Jazz Festival 2021
by Rob Garratt
Freespace Ensemble x Daniel Chu—Game Play The Box, Freespace, West Kowloon Cultural Centre Freespace Jazz Festival 2021 Hong Kong October 29, 2021 The gods of gig scheduling work in mysterious ways and, by some strange twist of fate or malevolence, Hong Kong's two major jazz festivals ...
Hong Kong International Jazz Festival 2021
by Rob Garratt
Hong Kong International Jazz Festival 2021 Hong Kong City Hall October 27-28, 2021 Forced to restrict programming to locally based musicians, the always enjoyable Hong Kong International Jazz Festival's greatest surprise this year came early in Chi Chau's Choice, a super-ish group of HK luminaries assembled ...
Miles Davis: How 9 Jazz Icons Remember His Genius
by Rob Garratt
Like nearly every other jazz fan on the planet, I've long held an unshakeable fascination with the music of Miles Davis. Thirty years after his death, Miles's legacy, innovations and iconography continue to shape contemporary conceptions of the art form more than any other figure—his life and lessons simultaneously a road map, Holy Grail and high ...
Joyce Cheung, Daniel Chu, Bowen Li and Patrick Lui at Youth Square
by Rob Garratt
Joyce Cheung, Daniel Chu, Bowen Li and Patrick Lui Y Theatre, Youth Square Jazz World Live Series: Our Jazz Pianists Chai Wan, Hong Kong July 4, 2021 There was a proud sense of ownership evident in dubbing this event Our Jazz Pianists. Hong Kong's Jazz World ...
Patrick Lui Jazz Orchestra at Hong Kong City Hall
by Rob Garratt
Patrick Lui Jazz Orchestra Hong Kong City Hall French May June 17, 2021 Yes, that date above is correct--and if the world's ongoing global nightmare has offered any relief to musicians of late, it might be the fresh appreciation afforded often overlooked players in their own communities. Nightlife ...
Gary Bartz At 80: On Jazz Is Dead, Miles Davis And Why Improvisation Is A Dirty Word
by Rob Garratt
It's hard to talk to Gary Bartz about music. Not because he's a difficult or reluctant interviewee—quite the opposite. In fact, the 80-year-old saxophonist is refreshingly unguarded and garrulous when looking back over his formidable six-decade musical career. It's just finding the right words that's the tricky part. Like many musicians, jazz isn't one ...
Kari Ikonen: Impressions, Improvisations and Compositions
by Rob Garratt
Twentieth century artists were often known to power their creative process with a jazz soundtrack—Jackson Pollack's frenzied brushstrokes supposedly sparked by bebop horn spurts—while further back loftily enlightened Romantic composers often hoped to distill the essence of other mediums in their work—perhaps most famously with Mussorgsky's Pictures at an Exhibition. Jazz musicians ...
Analog Africa: digging deeper into gold mines of global groove
by Rob Garratt
For casual but curious collectors of eclectic sounds and global grooves, Analog Africa might be the Holy Grail. Since being founded in Germany by Samy Ben Redjeb in 2006, the Tunisian crate digger's deeply personal and highly idiosyncratic imprint has birthed a steady stream of 40 peerless releases and counting—carefully curated collections of rare and obscure ...
Takuya Kuroda: Fly Moon Die Soon's Delicious Future-Funk Throwback
by Rob Garratt
Last time All About Jazz spoke to Takuya Kuroda, just days after the release of his smoky, neo-soul-styled breakthrough Rising Sun (Blue Note, 2014), the Japanese trumpeter was asked what he wanted to record next. “I see myself doing more of a straight-ahead thing," he said at time. “I might do an album with strings."
Kendrick Scott: Making Walls into Bridges
by Rob Garratt
Kendrick Scott authored one of the most compelling jazz releases of last year with A Wall Becomes a Bridge (Blue Note, 2019), a nuanced meditation on identity, history and prejudice, shepherded under the direction of producer and former band mate Derrick Hodge. Pairing gorgeous, searching improvisatory canvases with break beat interludes and samples from guest DJ ...
