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Hampton Hawes: For Real!
by Richard J Salvucci
There are, Scott Fitzgerald famously wrote, no second acts in American life. For pianist Hampton Hawes, born in 1928, there was scarcely a first. No sooner was he established as an up-and-coming talent than he was drafted into the Army. When he got out, he tried to pick up where he left off. A heroin habit ...
Emilio Reyna: Los Niños Perdidos
by Richard J Salvucci
If one were to use this recording for a blindfold test, it would be interesting to see what emerged. Pianist (composer?) has an affinity for minor harmonies and repeated figures. Somewhere, deep in the background, there are echoes of Maiden Voyage (Blue Note, 1965). Band is all good players, post-bop, for sure. So, what ...
Dominik Schürmann: The Seagull's Serenade
by Richard J Salvucci
Insularity is a funny thing. With globalization on everyone's mind--one way or another--it is ironic that parochialism affects the fine arts in any important way. It is not as if Pablo Picasso or Gustav Mahler were merely local celebrities. In classical music, composers have long been peripatetic figures--think of G.F. Handel, as likely regarded as British ...
Albert Vila: Reality Is Nuance
by Richard J Salvucci
Notwithstanding a sojourn at the Manhattan School of Music, Albert Vila is better known in European jazz circles than in the U.S.A.. A native of Barcelona, Vila does his touring in Europe but the appeal of his playing is much broader. If there ever was a jazz guitarist “deserving of wider recognition" in US circles, it ...
The Fox
by Richard J Salvucci
There was once a legendary trumpet player named Jack Purvis who was a disciple of Louis Armstrong. Purvis was an excellent player, but he was in and out of trouble for most of his life. So he spent some time in jail. In fact, so much time that Purvis once led (documented in the Fort-Worth Star ...
Wanted: For Being Hip—Willie Colon, Hector Lavoe and the Birth of Salsa
by Richard J Salvucci
It may require some effort to imagine that there were once no Latin Grammy awards. The albums reviewed here truly appeared in a different world. Until 1970, there was, with one brief exception, no systematic attempt to compute the size of the Latino population of the United States. The first effort did not go well. The ...
Chris Mondak: Blank With Colour
by Richard J Salvucci
Chris Mondak is a fine, NEC-trained bassist who works in a variety of genres. But this recording really has him in a secondary role, as part of the rhythm section of what must be a version of his working band. The band is good; funky from soft to shout, turn up the volume. Dan Hitchcock's lead ...
Shelly Manne and His Men at the Black Hawk 1
by Richard J Salvucci
For many years, but certainly for most of the '50s and '60s, the top jazz drummer--by public opinion--was Shelly Manne. Although he was typically associated with West Coast Jazz, (a term he disliked), Manne had come West from New York City in the '50s and settled in Los Angeles in the halcyon days of the post-war ...
In With The In Crowd: Popular Jazz in 1960s Black America
by Richard J Salvucci
In With The In Crowd Mike Smith232 Pages ISBN: 978-1496851154 University Press of Mississippi/Jackson 2024 There is a legal adage that hard cases make bad law. Extreme circumstances make it difficult to accommodate less fraught or complex situations. Histories of jazz in the United States can be a bit ...
Art Pepper: Smack Up
by Richard J Salvucci
There are certain players and recordings that make an indelible first impression. The circumstances usually involve a degree of ignorance: Who is that? What is he (or she) doing? How did this recording escape notice when so many others did not? A very personal reaction to Art Pepper. Urgency. Intensity. Listen to me. Before ...
