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Michael Dease: Grove's Groove
by Richard J Salvucci
The story of Michael Dease's journey from sax to trombone and back again is one any parent of a musically talented child could recognize. Dease started out as an alto saxophonist in middle school. Sometime later, he wanted to switch to the baritone sax. He worked at it. And worked at it some more. His combination ...
John Ambrosini: Songs for You
by Richard J Salvucci
John Ambrosini is a New York City-based pianist, composer and arranger. He has a number of recordings to his credit and this one, strictly speaking, is a bit of a departure. Ambrosini's band is populated by a number of well-known jazz professionals in and around the city. So the music swings and the solos--including piano--are all ...
Bruce Lofgren: Earthly and Cosmic Tales
by Richard J Salvucci
Long-time fans of SoCal guitarist and arranger Bruce Lofgren are going to find this recording something of a departure. More akin to a chamber group than Lofgren's past forays into standards and big band jazz, the characterization of the recording as “instrumental adventures" is really quite apt. Clarinet, cello, bass, vibes and percussion are what Lofgren ...
Michael Sarian: Live at Cliff Bell's
by Richard J Salvucci
This is music for the adventurous, especially those with the ears to deal with unusual harmonies. Michael Sarian is a now-Canadian trumpet player in the mold of Enrico Rava. His gift is his sound: dark, burnished, probing, even tentative at times. He is fond of half-valve expeditions into the upper register, which, if executed properly, can ...
Dominik Schürmann: Forever
by Richard J Salvucci
Dominik Schürmann is a Swiss double bassist from Basle. At this point in his career, in 2024, he must surely be regarded as one of the best jazz players in Europe, a cautious assessment. On this recording, he is joined by pianist Tilman Günther and drummer Samuel Dühsler and the effect, overall, is a bit magical. ...
Isrea Butler: Congo Lament
by Richard J Salvucci
Well, this is the kind of recording that will start a war over who hears whom and what, all that jazz police kind of thing. Worry not. Whether you think this is a bop recording, rooted in swing, with more than a little of Al Grey's plunger mute on the trombone, or something entirely different, the ...
Peter DiCarlo: The Other Side
by Richard J Salvucci
On “The Other Side," Peter di Carlo plays a repeated figure that reminds one of John Coltrane trying to find “Giant Steps." Nonetheless, DiCarlo is an alto player, and more in the vein of Marc Russo or someone out of Tower of Power than a typical post-bop alto player. The figure, the shape and pacing of ...
Dave Stryker: Groove Street
by Richard J Salvucci
This is a throwback recording, but in a very good way. Time was someone could get in a car on a weekend morning, roll the window down, turn the FM up and drive to a happy place. It really did not matter much where: the music got you there because it was just that kind of ...
The Cry!
by Richard J Salvucci
This recording is, at first glance, a bit of an unusual choice by Craft Recording for its Contemporary Records Acoustic Sound Series audiophile vinyl series. Neither Prince Lasha (pronounced Lashay) nor Sonny Simmons make an appearance in Bill Kirchner's The Oxford Companion to Jazz (Oxford University Press, 2000). An earlier reviewer for AAJ allowed as how ...
Amber Weekes: A Lady With a Song
by Richard J Salvucci
It is difficult to know exactly what to do with a recording like this. Amber Weekes is a very good singer, and from the outset, she calls this a “celebration" of Nancy Wilson, not an imitation or a recreation. You can hear Wilson's influence throughout: her articulation, occasional staccato delivery, deep sincerity and emotional heft come ...
