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Scorpion
Album: Spiritual Nature
By Donald Vega
Label: Resonance Records
Released: 2012
Duration: 7:04
Donald Vega: Spiritual Nature
by Dan Bilawsky
Some musicians willingly praise anybody who simply picks up an instrument, but bassist Ron Carter isn't known to be one of them. The legendary bass master has incredibly high standards and a reputation for telling it like it is, so an endorsement from Carter really means something. The fact that he hails Donald Vega as “the ...
Bill Evans: Live at Art D'Lugoff's Top of the Gate
by AAJ Italy Staff
D'Lugoff's non è certo un nome facile da pronunciare per un italiano, eppure merita un piccolo sforzo, perché si tratta di un locale notevole. Era il club posto un piano sopra il più celebre Village Gate e per questo soprannominato “Top of the Gate". Accoglieva artisti dello stesso calibro e capitava spesso che il trio di ...
Kathy Kosins: To the Ladies of Cool
by C. Michael Bailey
Okay... first there came Kate McGarry's superb Girl Talk (Palmetto, 2012). Then Sara Gazarek followed her 2012 release with Triosence, Where Time Stands Still (Charleston Square) with Blossom &Bee (Palmetto, 2012). Now, vocalist Kathy Kosins follows up her excellent Mood Swings (Chiaroscuro, 2002) and inventive Vintage (Self Produced, 2005) with To the Ladies of Cool, a ...
Bill Evans: Live At Art D'Lugoff's Top of The Gate
by C. Michael Bailey
Why is pianist Bill Evans so important to jazz? it is simple: every pianist to hear and perform after him was influenced by him. Art Tatum and Oscar Peterson may have been technically more brilliant and extroverted, but it took first Bud Powell and then Evans to turn the creative tables toward the muted and introverted, ...
Bill Evans: Live at Art D'Lugoff's Top of the Gate
by Larry Taylor
The two-CD Bill Evans Live at Art D'Lugoff's Top of The Gate--a never-before-released recording of the Bill Evans Trio made over 50 years ago--consists of two sets recorded by then-college student George Klabin in the New York City club, October, 1968. Until now, the music has only been heard on a Columbia University radio show; now, ...
Bill Evans: Live At Art D'Lugoff's Top of The Gate
by Edward Blanco
Legendary jazz pianist Bill Evans has been gone since 1980; nevertheless, his music continues to inspire new generations of young musicians and remains an integral part of jazz history. Live At Art D'Lugoff's Top of The Gate celebrates Evans' memory, capturing the great pianist and his trio performing in the upstairs room--and separate club, called The ...
Wes Montgomery: Echoes of Indiana Avenue
by C. Michael Bailey
In welcome fits of serendipity, the manuscripts of previously unknown European classical compositions are found in attics, old churches or forgotten libraries and brought to light with no little fanfare. In the United States, there is an equivalent situation with hitherto previously unissued jazz recordings being revealed in the most unlikely places. In a recent example, ...
Wes Montgomery: Echoes of Indiana Avenue
by Dan Bilawsky
In the mid-twentieth century, Indianapolis was an incubator for jazz talent. Trombonist J.J. Johnson, trumpeter Freddie Hubbard and guitarist Wes Montgomery all began their individual ascents to stardom from the heart of Hoosier country. While the first two artists had long careers, Montgomery wasn't so lucky. This self-taught genius, who burst onto the national scene in ...
Kathy Kosins: To the Ladies of Cool
by Larry Taylor
Singers June Christy, Chris Connor, Anita O'Day and Julie London were prominent in the 1940s and '50s. Christy, O'Day and Connor all spent time with Stan Kenton's band, while the sultry London became a pinup as well as a big record seller. Popular with both jazz and pop fans, these singers could regularly be heard on ...
