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John Butcher, John Edwards, Mark Sanders: Last Dream at the Morning
by Alberto Bazzurro
Radicalismo improvvisativo duro e puro, per questi tre senatori del ramo, appartenenti alla seconda generazione di musicisti inglesi specializzati nella pratica specifica. Il sassofonismo ispido e acuminato, esplicitamente antigrazioso, di John Butcher (espresso su tenore e soprano, guarda caso) s'ispira palpabilmente a Evan Parker, pontefice massimo in materia (con cui fra l'altro John Edwards ha collaborato ...
Crop Circles
By Sylvie Courvoisier/Mary Halvorson
Label:
Released: 2017
Track listing: La Cigale; Aftershock; Eclats for Ornette; Absent Across Skies; Downward Dog;
Your Way; Water Scissors; Woman in the Dunes; Double Vision; Bitter Apple.
Blind Curves and Box Canyons
By Thollem McDonas / Rob Mazurek
Label:
Released: 2017
Track listing: Shouts; Hollers; Howls.
Last Dream of the Morning
By John Butcher/John Edwards/Mark Sanders
Label: Relative Pitch Records
Released: 2017
Track listing: Lucid; Syphon; Sand Dance; Signal; Gridlocks.
Tempe Jetz
By Magda Mayas
Label: Relative Pitch Records
Released: 2017
Track listing: A Departure; Customs Declaration; In Transit; Arrival.
Last Dream at the Morning
By John Butcher
Label:
Released: 2017
Track listing: Lucid; Syphon; Sand Dance; Signal; Gridlocks.
Salt Task
By Chris Corsano/Sylvie Courvoisier/Nate Wooley
Label:
Released: 2017
Track listing: Salt Task; Last Stats; Tall Stalks; Stalled Talks.
The Out Louds: The Out Louds
by Don Phipps
The Out Louds want you to know -it's not about compositions -it's about collective improvisation based on evolving musical themes. Go where the feeling takes you. Listen and add your voice. Branch out and come back. Go under water. Crawl through dark tunnels. Run along city boulevards. Crash in one's own room, quiet in the darkness ...
Magda Mayas - Jim Denley: Tempe Jetz
by Glenn Astarita
Magda Mayas (Germany) performs on a 1970s manufactured clavinet with reedman Jim Denley (Australia), augmented by their use of field recordings, as they pay homage to a marginalized corner" of Sydney, Australia on this experimental and irrefutably adventurous improv fest. Yet I wouldn't be so bold to suggest that this is easy listening but for the ...
John Butcher/John Edwards/Mark Sanders: Last Dream of the Morning
by Mark Corroto
For good free improvisation three things are required. First, musicians who are masters of their instruments, next, players who have created their own language, and, finally, performers who are simpatico. The first prerequisite is obvious, unless of course you were able to appreciate Ornette Coleman when he took up the violin without first learning the instrument. ...



