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ArtistShare: A Record Label for the Digital Age
by Paul Naser
In the information age, as technology is transforming the way we share ideas, the creative artist seems to be in a dangerous situation. Peer-to-peer file sharing and free-streaming content are direct threats to an artists' livelihood. Combining this insight with a love for music and an appreciation for artists and the value of their work, Brian ...
Losen Records: New Norwegian Sounds
by Jakob Baekgaard
Mention the phrase “the Norwegian sound" and many listeners will get an image in their head. An image of a natural, deep echoing sound influenced by the mountains and hills of the Norwegian landscape. Such an image is, of course, a cliché, but to some critics it has stuck and distorted the rich fertility of the ...
Dreambox Media: The Philadelphia Jazz Label
by Mike Oppenheim
Any fan of the great American music that is jazz is surely aware that the art form's history depended on the convergence of geography, individual talents, and inspiration. Cities such as New Orleans, Kansas City, Chicago, and New York are synonymous with particular styles of jazz. One often overlooked city is Philadelphia, the birthplace and/or home ...
Dot Time Records: Placing the Artist in the Center
by Jakob Baekgaard
One of the problems with the record industry is the potential distance between label owners and artists. This is especially the case with major labels, where there are many people involved in music production who care more about sales than the vision of the artist. Then there's a label like Dot Time Records ...
Rivorecords: Blue Notes from Buenos Aires
by Jakob Baekgaard
In the New Grove Dictionary of Jazz, a blue note is defined as: “A microtonally lowered third, seventh, or (less commonly) fifth degree of the diatonic scale, common in blues, jazz and related musics." Moving beyond musical theory, the term is most commonly associated with the groundbreaking jazz label Blue Note, founded in 1939 ...
Big Jazz on SmallsLIVE
by Bob Kenselaar
Since its launch in 2010, the SmallsLIVE record label has been offering a substantial sampling of the outstanding jazz talent consistently featured at Smalls Jazz Club in New York City's Greenwich Village. Musicians who appear on the label range from the great veterans Harold Mabern and Jimmy Cobb to contemporary players at the top of their ...
Half Note Records: Live from the Blue Note
by Bob Kenselaar
Jeff Levenson has been at the helm of Half Note Records since 2002, just a few years after it got off the ground. Through a combination of his leadership and vision and the great artistry of the musicians represented in its catalog--including McCoy Tyner, Elvin Jones, Lee Konitz and many others--the label has clearly made its ...
Diatribe Records: Heart and Soul of the Music
by Ian Patterson
Whilst Ireland has long produced music of world renown, this tiny, most Westerly European nation has never been quite so famous for producing cutting edge jazz. However, as European jazz has gradually let slip the American accent--an evolution that perhaps gathered its greatest momentum with the birth of the ECM label--so, too, in Ireland, a new ...
More Fresh Sounds From Fresh Sound
by Bruce Klauber
The Fresh Sound record label has released another superb batch of late 1950s and early 1960s recordings by jazz legends, greats, near-greats and now obscure artists who, then and now, deserve wider recognition. As detailed in previous pieces, Fresh Sound is the only organization out there issuing these essential works, which otherwise would remain lost.
Fresh Sound Records and the Legacy of Recorded Jazz
by Bruce Klauber
If the importance and the contributions of jazz are measured by its recorded legacy, then Fresh Sound Records--and its founder, Jordi Pujol--must be duly recognized for rescuing a legacy that might otherwise be lost or nearly impossible to find, and for making it available to the public. Specifically, this legacy includes recorded works by ...
