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Tomoko Omura: Post Bop Gypsies

by Dan Bilawsky
Think about your favorite jazz violinist. Now think about what style or sub-category of jazz that person would most easily fall into. Was your answer bebop? Probably not, I would venture to guess. It's not that I know your answer. This isn't a magic trick. For all I know it could've been Stéphane Grappelli, Jenny Scheinman, ...
Kenny Burrell: Unlimited 1, Live at Catalina's

by Jack Bowers
Guitarist Kenny Burrell, who isn't generally known for hanging out with big bands, now has one of his own: the Los Angeles-based Jazz Orchestra Unlimited, for which he serves as music director on its debut album, Unlimited 1, Live at Catalina's. While the ensemble is splendid, individually and collectively, there's no doubt that Burrell is the ...
Ab Baars e il Questionario di Proust

by AAJ Staff
All About Jazz: Il tratto principale della mia musica. Ab Baars: Allegramente ostinata. AAJ: La qualità che desidero nei musicisti che suonano con me. A.B.: Grandi orecchie e una storia da raccontare. AAJ: Come musicista, il momento in cui sono stato più felice. A.B.: ...
Rex Richardson: Bugles Over Zagreb: The Music of Doug Richards and Blue Shift

by Ken Hohman
Rex Richardson Bugles Over Zagreb: The Music of Doug Richards Self Produced 2014 Master class trumpeter virtuoso Rex Richardson is one of a rare breed of jazz musicians who can successfully straddle the worlds of classical and jazz without sounding like he's a mere overnight guest when performing in ...
Nora Germain: Little Dipper

by C. Michael Bailey
Jazz fiddlers are not exactly household renowned. Joe Venuti, Ray Nance, Stephane Grappelli, Michal Urbaniak, Svend Asmussen, Jean-luc Ponty and Regina Carter pop to the forefront, but then the list falls off quickly. Presently there emerges one Nora Germain (a name made to be in lights if there ever was one) who not only fiddles but ...
Monday Recommendation: Ahmed Abdul-Malik

Ahmed Abdul-Malik, Spellbound (Status) Of Sudanese heritage, the bassist Ahmed Abdul-Malik (1927-1993) was born Jonathan Timms in Brooklyn. After working with Art Blakey and Thelonious Monk, among others, Abdul-Malik studied music of other cultures. He was among the first to incorporate Middle Eastern and Indian influences into jazz. Except for a straight-ahead blues, this 1965 album ...
The Scottish National Jazz Orchestra: In the Spirit of Duke

by Dan McClenaghan
Another tribute to bandleader/composer/pianist Duke Ellington? Is this necessary? Pulling from the archive a few recent nods to one of America's musical icons reveals 1997's elegant Count Plays Duke (Mama Records), by the Count Basie Orchestra; Don Sebesky's unabashedly gorgeous Joyful Noise (RCA Victor, 1999); and pianist Ted Howe's excellent trio affair, Ellington (Summit Records, 2005). ...
Jenny Scheinman: Some Serious Mischief

by Ian Patterson
It's often the case that the most interesting music is made by musicians with a broad musical palette and openness to new paths and horizons. Violinist/composer Jenny Scheinman certainly qualifies in both regards. Equally at home playing folk tunes or working in essentially modern jazz setups, Scheinman also jumps at the chance to play with classical ...
Terell Stafford: Trial and Inspiration

by Andrew J. Sammut
Terell Stafford is as likely to credit his influences as he is to impress his listeners. Coming to jazz comparatively later than many players, and even with his busy schedule as a sideman, leader and educator, he remains devoted to exploring the music's roots, while expressing a relentless desire to learn more. Stafford ...
George Russell: The Story of an American Composer

by Duncan Heining
This article, adapted by the author, appears in Chapter 4 of George Russell: The Story of an American Composer, by Duncan Heining (Scarecrow Press, 2010). New York, NY It was May 1945, the war was still on, Bebop was at its height in New York and George Russell and his two ...