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Orlando le Fleming: From Brooklyn with Love
by Raul d'Gama Rose
From the very first hearing it becomes clear that From Brooklyn with Love--Orlando Fleming's hard-swinging debut as a leader--is likely to be the start of a long upwardly mobile career for this young, Birmingham, England-born bassist, demonstrating all the makings of a pilot project that heralds the unfolding of a major talent with the keenest of ...
Alex Brown: Pianist
by Raul d'Gama Rose
Even for a pianist with as prodigious a talent as Alex Brown, having a heavyweight in the music pantheon such as Paquito D'Rivera produce the debut album, must have largely been a dream. However, to pull off a debut as fine as this is a feat in itself. As a pianist, Brown has remarkable technique. Although ...
Harvie S: Cocolamus Bridge
by Raul d'Gama Rose
The re-imagining of a traditional Irish ballad, “Eili Gheal Chiuin," does more than define the breathtaking skills of bassist Harvie S, as he takes wing on Cocolamus Bridge. It sets him apart as one of the very few virtuoso bassists of today. He has courage way beyond the narrow definition of the word, and has a ...
The Ullmann/Swell 4: News? No News!
by Raul d'Gama Rose
There is a marvelous gravitas that emanates from the musical waves that rush onward and beat the inner ear, spreading colors and textures like brilliant volatile smears on the music's canvas. The awesome density of Steve Swell's trombone carving the air in great circles of sound, swirling around the growling of Gebhard Ullmann's tenor saxophone brings ...
George Brooks Summit: Spirit and Spice
by Raul d'Gama Rose
The road taken by saxophonist, George Brooks on Spirit and Spice may not be new, and is far from the glamorous one that guitarist John McLaughlin blazed through in the 1970s and '80s, with various incarnations of the Mahavishnu Orchestra. However, it remains a significant one if a musician playing in a Western idiom is willing ...
Steve Swell: Steve Swell's Slammin' The Infinite
by Raul d'Gama Rose
Using something that Walt Whitman said about prolific writing, trombonist Steve Swell posits that the more he creates--the more he writes and therefore performs--the more likely he is to produce something worthwhile. Although he does not mention it, this also suggests pushing the boundaries and being nonjudgmental about any of his work until he arrives at ...
Guillermo Klein: Domador de Huellas - Music of "Cuchi" Leguizamon
by Raul d'Gama Rose
Guillermo Klein's third album for Sunnyside Records is also one of his most beguiling--and, very possibly, one of the most memorable tribute albums of the year. Domador de Huellas, literally “the tamer of the footprints," has a deeply significant meaning. The “footprints" in question are a visceral element of a history that is close to disappearing. ...
Dan Willis and Velvet Gentlemen: The Satie Project
by Raul d'Gama Rose
French composer Erik Satie (1866--1925), a contemporary of Claude Debussy, was often scorned and, had it not been for his friend, Debussy would have been largely ignored as well by his generation. Debussy not only supported Satie, but championed his work as well, and saw to it that some very forward thinking pieces, such as the ...
Dan Willis: The Voice of a Tone Poet
by Raul d'Gama Rose
There is an ancient Latin aphorism that was often central to a debate among philosophers discussing art. The debate itself began earlier than the time of Augustan Rome, and over time raged on, occupying the philosophers of Greece as much as it occupied the classicists. It addressed the question of whether poetry was a gift of ...
Multi-Reedman Dan Willis Interviewed at All About Jazz...and More!
For the past several years, multi-reedman Dan Willis—as prone to play Armenian duduk as he is a saxophone or clarinet—has been exploring the music of renegade classical composer Erik Satie, first with his 2006 Omni-Tone release, Velvet Gentlemen, and now, with his 2010 Daywood Drive follow-up, The Satie Project. In both cases he finds the perfect ...
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