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Jackie Cain & Roy Kral: A Wilder Alias
by Chris May
Jackie Cain & Roy KralA Wilder AliasCTI Masterworks2011 (1974) Producer Creed Taylor's 1970s' label, CTI, has had a controversial history. Some of its detractors, averse to the lush sound and embrace of fusion, have been reluctant even to recognize CTI as a jazz label. The New Grove ...
Randy Weston: Blue Moses
by Chris May
Randy WestonBlue MosesCTI Masterworks2011 (1972) Sony's program of reissues from CTI--the label set up by producer Creed Taylor in the late 1960s, post Impulse!, which he also founded, and post Verve, where he had moved on leaving Impulse!--continues with one of the brightest jewels in the CTI ...
Newport Jazz Festival 2011, 4-7 de agosto
by Joan A. Cararach
Newport Jazz FestivalDel 4 al 7 de agosto, 2011Newport, Rhode Island, Estados Unidos Prólogo: como Moisés en Fort Adams (y cantando con Pete Seeger) Un carrito de golf se detiene en la entrada del túnel que lleva del llamado escenario Quad al Harbor Stage. Chubasqueros y paraguas se detienen ante ...
First Time on CD: Sony Masterworks Jazz Releases More Classic Reissues
Masterworks Jazz continues its celebration of the 40th Anniversary of CTI Records with reissues of four more classic CTI albums available on August 9. Available for the first time on CD are Airto's Fingers, Jackie Cain & Roy Kral's A Wider Alias, Joe Farrell's Outback and Randy Weston's Blue Moses. All four releases have been remastered ...
Newport Jazz Festival: Newport, RI, Saturday, August 6, 2011
by Timothy J. O'Keefe
Natixis Newport Jazz FestivalFort Adams State ParkNewport, RIAugust 6, 2011 On a hazy Saturday that started hot and grew more humid, violin and accordion walked a melody as Regina Carter's Reverse Thread opened the main stage at the 2011 Newport Jazz Festival. Will Holshouser's accordion puffed sounds inspired by zydeco ...
Modern Jazz Quartet: The Complete Atlantic Studio Recordings 1956-64
by Eugene Holley, Jr.
The Modern Jazz Quartet The Complete Atlantic Studio Recordings of The Modern Jazz Quartet 1956-64 Mosaic Records 2011 They were diverse in talent and temperament. John Lewis, the quiet and determined westerner, who told sound stories with his linear and logical blues-based pianisms; Milt “Bags" Jackson, the baggy eyed, Motor ...
Randy Weston All Nite Soul 2011 Honoree at Saint Peter’s Church Sunday, October 9th
On this, the 41st anniversary of All Nite Soul, the Jazz Ministry of Saint Peter's Church—the Jazz Church—is thrilled to honor Randy Weston, NEA Jazz Master, composer and pianist. On Friday, October 7 at 4 PM, in preparation for All Nite Soul, David Schroeder interviews Randy Weston with a book signing of Weston's autobiography African Rhythms. ...
Big Band Jazz: It's Not Just for Guys Anymore
by Jack Bowers
Back in the early '90s, Stanley Kay, one-time back-up drummer for the incomparable Buddy Rich, later a manager of such artists as Maurice Hines, Michelle Lee and Paul Burke and the entertainment director for the New York Yankees, had a good idea: the time had come, he reasoned, to assemble an all-woman big band that would ...
A Merger In Jazz Education
by Ed Hamilton
A musical merger of higher education has been established at the last university to include jazz into their curriculum--UCLA. Jazz Studies, under Director/guitarist Dr. Kenny Burrell, The Herb Alpert School of Music , and the Thelonious Monk Institute, guided by Herbie Hancock, have all joined jazztistical bonds in providing not only jazz but all-around musical learning ...
Gary Giddins on Ignored Black Jazz Writers
by Greg Thomas
In the first essay for the Race and Jazz column, I gave a first-person account of how my love and appreciation of certain “white" saxophonists served to safeguard me from the temptation of racism back in college during the early-to-mid-'80s. My second essay privileged culture over race, and told the story of how attorney and constitutional ...
