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Tom Skinner: Voices Of Bishara
by Chris May
Voices Of Bishara is one of the top three jazz albums of 2022 so far and it would take the second comings of John Coltrane, Charles Mingus, Horace Silver and Lee Morgan to threaten to dislodge it. Before going into the particulars, the backstory.... An epically cross-genre drummer, Skinner has lit up avantist ...
Szun Waves: Earth Patterns
by Gareth Thompson
The second Szun Waves album, New Hymn To Freedom (The Leaf Label, 2018), was a critical smash that united fans of Radiohead and Pharoah Sanders alike. Media types drowned in a torrent of adjectives such as gleaming, sparkling and rippling, as if the combo of brass and electronics could produce anything else. Unless, of course, it ...
Joyce Cheung, Daniel Chu, Bowen Li and Patrick Lui at Youth Square
by Rob Garratt
Joyce Cheung, Daniel Chu, Bowen Li and Patrick Lui Y Theatre, Youth Square Jazz World Live Series: Our Jazz Pianists Chai Wan, Hong Kong July 4, 2021 There was a proud sense of ownership evident in dubbing this event Our Jazz Pianists. Hong Kong's Jazz World ...
Moers Festival 2021
by Phillip Woolever
Moers Festival Moers, Germany May 21-24, 2021 In a year that passed since the previous Moers Festival, the Covid 19 pandemic caused a lot of bad news regarding concert cancellations, closed venues, and further issues in the already challenging lives of professional musicians around the world. Thus, the success of this ...
Sam Newbould: Bogus Notus
by Chris May
Sam Newbould is a British-born alto saxophonist and composer who has since 2016 been based in Amsterdam, where he leads the Sam Newbould Quintet. The group debuted on record with the self-produced Blencathra in 2019. Bogus Notus is the follow-up. The album is a substantial piece of work, a collection of eight originals which, ...
Logan Richardson: To Boldly Go Where No Jazz Has Gone Before
by Chris May
In a 2016 interview, Kansas City-born alto saxophonist Logan Richardson said: “Jazz will constantly change because there's constantly a new us, new times. There will always be a fight from the conformists--but they don't represent where the tradition is coming from." Richardson was talking not long after the release of his adventurous Blue Note album, Shift, ...
Logan Richardson: AfroFuturism
by Chris May
In a 2016 interview, Kansas City-born alto saxophonist Logan Richardson said: “Jazz will constantly change because there's constantly a new us, new times. There will always be a fight from the conformists--but they don't represent where the tradition is coming from." Richardson was talking not long after the release of his adventurous Blue Note album, Shift. ...
Joe Downard: Seven Japanese Tales
by Chris May
Up-and-coming London bassist Joe Downard's debut album is an ambitious affair which winningly blends intricate soundscapes created by retro-modern analog synthesisers with the two-horns-and-a-rhythm-section acoustic jazz tradition. Downard's sextet includes five other rising stars of the London scene, prominent among them trumpeter James Copus, tenor saxophonist Alex Hitchcock (whose self-titled album debut with his band AuB ...
Rob Luft: Life Is The Dancer
by Chris May
British guitarist Rob Luft's debut album, Riser (Edition, 2017), was greeted with huge acclaim. Some observers likened his arrival to the emergence of Wes Montgomery or Pat Metheny. The music world is used to hyperbole, but for once the praise is justified. For anyone yet to hear Luft, a useful yardstick is the pianist Bill Evans: ...
Daniel Karlsson: Fuse Number Eleven
by Emmanuel Di Tommaso
Fuse Number Eleven rappresenta una svolta per il trio di Daniel Karlsson e, in generale, per il jazz scandinavo: giunto al sesto disco in studio, il pianista originario di Kristinehamn nel Sud della Svezia, insieme a Christian Spering al contrabbasso, a Fredrik Rundqvist alla batteria e al contributo alla produzione di Goran Petersson, riprende i sentieri ...
