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Musician

Rabih Abou-Khalil

Born:

The oud virtuoso Rabih Abou Khalil was born in Beirut Lebanon in 1957 and grew up during the two decades when Beirut was on of the most cosmopolitan of all cities. He studied traditional Arabic music on the oud, western classical music on the flute and was exposed at home to both rock and jazz. In 1978 he moved to Munich Germany due to the Lebanese civil war and continued his study of classical flute. In fact he played flute on his first albumcalled Compositions & Improvisations recorded in 1981 but shortly afterwards he switched to the oud which he plays on all his subsequent recordings. The oud is a traditional Arab musical instrument and is the predecessor to both the lute and the guitar. It looks like a lute with 5-6 double strings of either nylon or gut

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Article: Profile

A Brief Guide To Lebanese Jazz

Read "A Brief Guide To Lebanese Jazz" reviewed by Ian Patterson


Lebanon is known for many things--its lush valleys, a fertile coastal plain and a 170 km-long mountain range carpeted with cedar, oak and pine. Beirut, Tripoli, Sidon, Tyre, Byblos and Baalbek--its cities' names resonate with history's vibrations. These are cities that have borne more history than most. It is a country renowned for its ...

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Article: Live Review

Vilnius Mama Jazz Festival 2024

Read "Vilnius Mama Jazz Festival 2024" reviewed by John Sharpe


Vilnius Mama Jazz Festival National Drama Theater Vilnius, Lithuania May 23-26, 2024 Intro As every year since 2002, the cosmopolitan Lithuanian capital Vilnius once again hosted the Mama Jazz Festival. While customarily booking acts that might please a wide range of music lovers, the bill this year was one of ...

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Article: Live Review

Yazz Ahmed with Emel and Rabih Abou-Khalil at Barbican Hall

Read "Yazz Ahmed with Emel and Rabih Abou-Khalil at Barbican Hall" reviewed by Chris May


Yazz Ahmed With Emel And Rabih Abou-Khalil Barbican Hall London 13 December, 2022 The intersection of jazz and classical Arabic music, both of which have improvisation and rhythm at their core, has long been fertile ground for exploration. Tonight's concert featured two adepts in the field, the British-Bahraini trumpeter Yazz Ahmed ...

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Article: Radio & Podcasts

Yes, Yes Nonet

Read "Yes, Yes Nonet" reviewed by Patrick Burnette


We've made it nine years—four years more than Ziggy Stardust promised us, thank you very much—and to celebrate we're once again discussing ensembles the numerical size of which matches our anniversary. That means, my friends, nonets, and of course we'll start with the most famous jazz nonet of all, that one that birthed a hundred West ...

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Article: Live Review

Enjoy Jazz 2019

Read "Enjoy Jazz 2019" reviewed by Henning Bolte


Alte Feuerwache and other venues Enjoy Jazz And More Mannheim, Heidelberg, Ludwigshafen, Germany October 27--November 1, 15-16, 2019 Enjoy Jazz And More this year lead me through two sections of its seven-week concert-series in October/November, with a great diversity of concerts ranging from seasoned German clarinet master Rolf Kühn to advanced ...

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Article: From Far and Wide

Refugee Music in Europe: Migration, Asylum, Soundroutes, and Arab Jams

Read "Refugee Music in Europe: Migration, Asylum, Soundroutes, and Arab Jams" reviewed by Arthur R George


World conflicts do not spare musicians. They are among the millions of displaced persons upon the planet. A refugee assistance organization in Europe which has assisted hundreds said an accurate total is impossible to know; one estimate put the number into the thousands. Many had been privileged in their home countries, highly-educated, middle class or more. ...

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Article: Live Review

A to JazZ Festival 2019

Read "A to JazZ Festival 2019" reviewed by Ian Patterson


A to JazZ Festival 2019 South Park II Sofia, Bulgaria July 5-7, 2019 Jazz on a summer's day. There's nothing quite like it. To see Sofia's South Park II packed with somewhere between fifteen and twenty thousand people for three days of jazz, where a veritable sea of good vibes ...

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Article: Album Review

Marja Mortensson: Mojhtestasse

Read "Mojhtestasse" reviewed by Ian Patterson


The passing on of musical tradition is fundamental to any culture, but so too is innovation, which breathes new life into old ways. Mojhtestasse, the second album by Norwegian south Saami singer Marja Mortensson, continues her revival of the yoik tradition--a unique, chant-like vocalisation--that has been dormant in her family for several generations. Mortensson's wordless chant-cum-improvisations ...

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Article: Live Review

Jazz Migration 2018

Read "Jazz Migration 2018" reviewed by Henning Bolte


Le Dynamo-Banlieu BleueJazz Migration Paris December 3, 2018 Selection/support of talent Jazz Migration started in 2002 to foster, accompany and support the professional career of selected young talent in jazz. Coaching is an important aspect of it and at the core stands the organization and procurement of concerts, nationally and internationally, ...


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