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Rabih Abou-Khalil al Festival della Pace di Palermo
 
			
				by Maurizio Zerbo
				
							
Rabih Abou-Khalil Teatro Jolly Festival della Pace Palermo 2 ottobre 2025 Organizzata dall' Associazione Catania Jazz," la rassegna Jazz for Peace" si è conclusa come meglio non si poteva, a dimostrare la natura inclusiva della musica, espressione artistica che non conosce barriere politiche, etniche e religiose che siano. Un quartetto internazionale con un libanese residente in Germania (Rabih Abou-Khalil: oud), due polacchi (Mateusz Smoczynski: violino Krzysztof Lenczowski: violoncello) e uno statunitense (Jarrod ...
Continue ReadingEuropean Jazz Conference 2017
 
			
				by Ian Patterson
				
							
European Jazz Conference 2017 Cankarjev dom Ljubljana, Slovenia September 21-24, 2017 The snow-capped mountains flanking Ljubljana form a natural border between Slovenia and Italy and provided a picturesque backdrop to the 4th annual European Jazz Conference. For the record two hundred and twenty conference attendees [Europe Jazz Network members and guests] the sun shone and the air was cool. The handsome Slovenian capital, with its bicycle-friendly, litter-free streets felt serene as tourists strolled through ...
Continue ReadingRabih Abou Khalil: Bridging Cultural Divides
 
			
				by Nenad Georgievski
				
							
Rabih Abou Khalil is one of the most respected virtuoso oud players and composers whose wide range of interests and insatiable curiosity for new music from around the globe has significantly enriched his own work. His music is his own universe where an ongoing dialogue between Khalil and the rest of the world has been occurring. He was born and raised in the cosmopolitan climate of Beirut, Lebanon, before the civil war that ravaged his homeland forced him to leave ...
Continue ReadingRabih Abou Khalil and Penelope X at the Bitola World Music Festival 2013
 
			
				by Nenad Georgievski
				
							
Rabih Abou Khalil/Penelope X Bitola World Music Festival NU Centar za Kultura Bitola, Macedonia November 9, 2013 Bitola, one of the most beautiful cities in southeastern Europe, is a place that ignites the imagination immediately. With its tasteful and stylish architecture reflected in multicolored facades and European honorary consulates, it displays the city's rich history that stretches back into ancient times. The city blossomed most during the rule of the ...
Continue ReadingRabih Abou-Khalil: Em Portugues
 
			
				by Ian Patterson
				
							
Musical alchemist, oud virtuoso and springer of surprises, Rabih Abou-Khalil has never been shy about immersing himself into challenging musical environments. So the suggestion by Ricardo Pais, director of the Teatro Nacional Sao Joao, Porto to have Abou-Khalil write music to the words of five Portuguese poets represented an irresistible challenge. The project sees Abou-Khalil utilizing a singer for the first time--the impressive fadoist Ricardo Ribeiro. Em Portugues however, is not fado, but a marriage between its poetic, blues spirit ...
Continue ReadingRabih Abou-Khalil: Songs For Sad Women
 
			
				by Ian Patterson
				
							
Showing respect and audacity in equal measure, the music of Lebanese oud player/composer Rabih Abou-Khalil has always stretched musical boundaries and traversed time. His is a music which embraces tradition, and challenges it. On Songs for Sad Women Abou-Khalil marshals a stripped-down ensemble which plays with air akin to intimate chamber music, yet with the soul of timeless folk music.
The combination of Armenian 'duduk,' (a double-reed instrument related to the cornet whose origins pre-date both Christianity and Islam), the ...
Continue ReadingRabih Abou-Khalil: Songs for Sad Women
 
			
				by AAJ Italy Staff
				
							
C’è sempre la solita elegiaca “bellezza” mielosa nei dischi di Rabih Abou-Khalil, libanese trapiantato a Monaco di Baviera dai tempi della guerra civile di trent’anni fa e discusso suonatore di oud dei tempi che corrono. Bella la copertina, come quasi tutte le precedenti quindici della sua storia discografica, belli i “suoni”, come in quasi tutti i precedenti quindici lavori, intelligente la scelta dei musicisti che lo accompagnano, come quasi tutte le precedenti quindici volte, divertente ed irriverente l’humour che lo ...
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