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6

Article: From the Inside Out

Requiems, Remodels & Remembrances

Read "Requiems, Remodels & Remembrances" reviewed by Chris M. Slawecki


Michael BurksShow of StrengthAlligator Records2012 Michael “Iron Man" Burks grew up playing guitar. A quick study, he soon began leading the blues, rhythm and blues and soul house bands that backed O.V. Wright, Johnnie Taylor and other stars as they passed through the ...

8

Article: Interview

Lionel Loueke: Creating His Own Lines

Read "Lionel Loueke: Creating His Own Lines" reviewed by R.J. DeLuke


Lionel Loueke, the guitarist from Benin in West Africa who brings to jazz music rich melodic and rhythmic sensibilities influenced from his homeland, always had an eye for inventing his own lines; injecting his own persona into the music even when it was against the rules. Even when he didn't yet realize the magical sounds he ...

2

Article: Album Review

Nicolas Bearde: Visions

Read "Visions" reviewed by Chris Mosey


First the good news: Nicolas Bearde, former back-up singer with Bobby McFerrin, is blessed with a deep, dark, romantic voice reminiscent of Lou Rawls and on this album, which seeks to blend soul with jazz, he is backed by some of the best studio musicians on the West Coast. Now the bad news: ...

14

Article: Record Label Profile

Half Note Records: Live from the Blue Note

Read "Half Note Records:  Live from the Blue Note" reviewed by Bob Kenselaar


Jeff Levenson has been at the helm of Half Note Records since 2002, just a few years after it got off the ground. Through a combination of his leadership and vision and the great artistry of the musicians represented in its catalog--including McCoy Tyner, Elvin Jones, Lee Konitz and many others--the label has clearly made its ...

3

Article: Interview

John Beasley: Everyone Loves John

Read "John Beasley: Everyone Loves John" reviewed by Scott Mitchell


Keyboardist John Beasley (aka “The Bease" to friends and family) is a musician's musician and one of the busiest professionals in the game. His biography and list of credits are so broad and deep that they could fill an NFL playbook.If NASA or MIT were to invent a device that could measure creative and ...

8

Article: Interview

Dick Hyman: The Beat Goes On

Read "Dick Hyman: The Beat Goes On" reviewed by Chris M. Slawecki


Composer, arranger, bandleader, pianist, soloist and accompanist Dick Hyman has already lived several jazz lifetimes, and as he contemplates his 86th birthday in March 2013, his career shows no sign of slowing down.A New York City native, Hyman served as pianist with a Dixieland band and with Lester Young at the December 1949 opening ...

10

Article: Big Band Report

"Lone Wolf" Finds Plenty to Chew On

Read ""Lone Wolf" Finds Plenty to Chew On" reviewed by Jack Bowers


With Betty sidelined by a bad cough, it was up to me to seek out local jazz events in February, and I managed to find a couple of pretty good ones, starting February 7 at the University of New Mexico's Keller Hall where SuperSax New Mexico performed for the third time in Albuquerque. As you may ...

20

Article: Meet the Staff

Meet Carl L. Hager

Read "Meet Carl L. Hager" reviewed by AAJ Staff


I currently live in: Los Angeles, CAI joined All About Jazz in: 2009What made you decide to contribute to All About Jazz? I've been a writer and editor most of my life, and I love jazz. One day after I'd been reading All About Jazz for a few months, I inquired to ...

5

Article: Extended Analysis

Orchestre National de Jazz: Piazzolla!

Read "Orchestre National de Jazz: Piazzolla!" reviewed by Jeff Dayton-Johnson


The Argentinian composer, bandoneón player and tango revolutionary Astor Piazzolla (1921-1992) was no stranger to jazz. As a music student in Paris in the mid-1950s, he was inspired by the joyous improvisation he witnessed in the effervescent Left Bank jazz scene. He would go on to collaborate with baritone saxophonist Gerry Mulligan (Summit/Reunion Cumbre, Erre, 1974) ...

1

News: Interview

Interview: Australian Blues Vocalist Dee Lavell

Q: When did you begin to sing? Who were your musical inspirations? A: It wasn't until I was in my 20s when friends started to tell me that I had a good voice and ought to go and get with a band. I loved soul and funk music, especially the black female singers, so I listened ...


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