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Walt Weiskopf: Overdrive
by David A. Orthmann
Here's a proposition for anyone who is about to plunk down their hard earned dollars on Steely Dan's Jamalot Ever After Tour. For a mere fraction of the cost of a ticket you can invest in a copy of Overdrive, the recently released set of original music by Walt Weiskopf, the band's longtime tenor saxophonist. A ...
Brian Charette: Square One
by Mark F. Turner
It is said that imitation is the sincerest form of flattery but that can be a double edged sword with respect to self-expression and individuality. Reverence to past influences such as the pioneering organists Larry Young and Jimmy Smith is commonly heard in many contemporary jazz organ players including New York based Brian Charette who breathes ...
Walt Weiskopf: Overdrive
by Dan Bilawsky
After a string of well-received dates on the Criss Cross imprint, and a one-off for the Capri label, tenor saxophonist Walt Weiskopf arrives at Posi-Tone with this pleasing sextet date. The music on Overdrive is all original, save for the penultimately-placed cover of Michel Legrand's “What Are You Doing The Rest Of Your Life?," and it ...
Ralph Bowen: Standard Deviation
by Glenn Astarita
Tenor saxophonist Ralph Bowen (Out Of The Blue, Horace Silver, Michel Camillo) is a highly regarded New York-based artiste and an idea man who can stand with the best of them. With his fifth solo venture for Posi- Tone Records Bowen tackles standards, and as the title intimates, he often deviates from the norm.
Orrin Evans' Captain Black Big Band: Mother's Touch
by Jack Bowers
New York-based pianist / composer (and two-time Grammy Award nominee) Orrin Evans served notice with his first big-band album for Posi-Tone Records that there was an impressive new ensemble on the scene, a message that is firmly underscored by the second, the cryptically named Mother's Touch, whose tone and temperament mirror Evans' contemporary point of view. ...
Peter Brendler: Outside The Line
by Bruce Lindsay
Thirteen years after graduating from Berklee and over a decade into his career as a professional bassist, Peter Brendler has taken the plunge and released his first album as leader, Outside The Line. Look before you leap, as they say. Wise advice, if the quality of this debut is anything to go by.Brendler has ...
Orrin Evans' Captain Black Big Band: Mother’s Touch
by Dan Bilawsky
The studio-versus-stage argument will forever rage on in music, but it really shouldn't. Each setting has its advantages and disadvantages. The jazz community has forever favored the stage, as many feel that jazz is meant to be experienced and created in the moment, with artist(s) feeding off the room and creating here-and-gone sounds. That preference is ...
Orrin Evans' Captain Black Big Band: Mother's Touch
by Mark Corroto
Nobody does big bands these days. Nobody. Not without institutional support like a university or a foundation. Not unless you are Orrin Evans. The Philadelphia pianist writes and arranges music so appealing, a revolving cast of musicians can't resist playing his music. While we will never see an independent outfit like the Captain Black Big Band, ...
Will Bernard: Just Like Downtown
by Angelo Leonardi
A partire dalla fine degli anni novanta, ovvero dal tempo dei suoi esordi da leader, Will Bernard s'è caratterizzato per il contagioso groove della sua musica, in uno spettro di situazioni che va dalle contaminazioni contemporanee al classico organ trio, reso celebre da Jimmy Smith, Wes Montgomery o Jack McDuff. A differenza di ...
Steve Davis: For Real
by Bruce Lindsay
For lovers of straight-ahead jazz the Posi-Tone record label is a pretty safe bet, a mark of quality. Label owner and producer Marc Free seems to possess a knack for combining excellent musicians and high quality studios (aided and abetted by engineer Nick O'Toole) to create fresh and rewarding music.Trombonist Steve Davis is one ...
