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394

Article: Album Review

Mario Pavone Double Tenor Quintet: Ancestors

Read "Ancestors" reviewed by Troy Collins


Ancestors marks the debut of bassist Mario Pavone's Double Tenor Quintet. A tireless bandleader and endlessly resourceful composer, Pavone's nineteenth release as a leader is his tenth recording for guitarist Michael Musillami's Playscape label. Dedicated to iconic masters Andrew Hill and Dewey Redman, Pavone pays homage to their legacies with a robust, unflagging set rich in ...

271

Article: Album Review

Mario Pavone Double Tenor Quintet: Ancestors

Read "Ancestors" reviewed by Mark Corroto


It might be cliche to say that the recording Ancestors by Mario Pavone's Double Tenor Quintet has caught lightning in a bottle, but this is indeed a potent feat of extraordinary music making. The bassist/leader became famous as the primary accompanist for the late saxophonist Thomas Chapin. In the ten years since Chapin's death in 1998, ...

220

Article: Album Review

Mario Pavone: Trio Arc

Read "Trio Arc" reviewed by Robert Iannapollo


Bassist Mario Pavone's first recording was as a member of pianist Paul Bley's trio on the little-heard 1968 release Canada (Radio Canada International). This was when Bley's trio was at the peak of its acoustic glory, but Pavone's tenure was short-lived as Bley moved into an electronic phase shortly after. Pavone would go on after to ...

159

Article: Album Review

Mario Pavone: Trio Arc

Read "Trio Arc" reviewed by Nic Jones


This is a meeting of minds. Bassist Mario Pavone first worked with pianist Paul Bley some forty years ago, but there's something about the music they produce in this trio setting with drummer Matt Wilson that renders the issue of time irrelevant. What makes it so is the underlying impression that this is music destined never ...

212

Article: Album Review

George Schuller's Circle Wide: Like Before, Somewhat After

Read "Like Before, Somewhat After" reviewed by Karla Cornejo Villavicencio


This writer's familiarity with the physical concept known as dewpoint is as extensive as can be expected from someone who spent much of her science classes with a literary magazine hidden underneath her notebook. “Dewpoint," the appropriately titled opening track of the sophomore release of George Schuller's Circle Wide, is perhaps as elucidating as any semester-long ...

381

Article: Album Review

Mario Pavone: Trio Arc

Read "Trio Arc" reviewed by Troy Collins


Trio Arc is bassist Mario Pavone's 18th recording as a leader, and the first to consist entirely of totally improvised music. Reuniting with his former mentor, legendary pianist Paul Bley, for the first time in 35 years, this freewheeling session recalls the halcyon days of the early Loft Era of the 1970s. Pavone made his recording ...

126

Article: Album Review

George Schuller's Circle Wide: Like Before, Somewhat After

Read "Like Before, Somewhat After" reviewed by Nic Jones


"Dewpoint," the appropriately titled opening track of Like Before, Somewhat After, the sophomore release of George Schuller's work with Circle Wide, is perhaps as elucidating as any semester-long course in conveying what it means to reaching a threshold of precise saturation, neither failing to live up to the bar set high nor causing discomfort by reaching ...

165

Article: Album Review

George Schuller's Circle Wide: Like Before, Somewhat After

Read "Like Before, Somewhat After" reviewed by John Sharpe


It's now some thirty-one years since the demise of Keith Jarrett's “American Quartet," uniting Ornette Coleman alumni Dewey Redman and Charlie Haden with former Bill Evans drummer Paul Motian. That group's masterpiece and effective swansong was Survivors' Suite (ECM, 1976), and so it is fitting that two sections are reprised on drummer/composer George Schuller's affectionate tribute ...

122

Article: Album Review

George Schuller's Circle Wide: Like Before, Somewhat After

Read "Like Before, Somewhat After" reviewed by John Kelman


Despite Keith Jarrett's ongoing success as a solo improviser and standards interpreter, many bemoan his decision to stop writing in the mid-1970s. Improvisation may be spontaneous composition but, with his 1970s American and Scandinavian Quartets, the pianist created a songbook that remains influential to this day. George Schuller's Round 'Bout Now (Playscape, 2004) was a thoroughly ...

217

Article: Album Review

George Schuller's Circle Wide: Like Before, Somewhat After

Read "Like Before, Somewhat After" reviewed by Troy Collins


On Like Before, Somewhat After, drummer George Schuller reconvenes his group Circle Wide, last heard on its 2003 Playscape debut Round 'Bout Now, a tribute to the pre-fusion electro-acoustic work of Miles Davis. Once again tapping the 1970s for inspiration, Schuller delves into the discography of pianist Keith Jarrett's classic American Quartet, which featured Dewey Redman ...


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