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Results for "Philly Joe Jones"
Thelonious Monk / John Coltrane / Art Pepper / Dave Brubeck: Remastered Classics
by Chris May
An extension of the Original Jazz Classics series launched in 1982, the OJC Remasters strand applies the sonic benefits of modern remastering to albums in the OJC catalogue which were released on compact disc before 24-bit technology was available. On the first batch of Remasters, engineer Joe Tarantino's work adds new depth and presence to the ...
Mike Reed: The Drum Thing
by Gordon Marshall
There is not a name yet for what Mike Reed does on drums. Elvin Jones created polyrhythmics; Rashied Ali, multi-directionalism. Reed is delivering something related but distinct. It has as much to do with tonal complexity as with keeping the beat, but the complexity goes beyond that, into a recombination of the many drumming styles of ...
Paul F. Murphy: Playing Universally
by Dominic Fragman
Legendary drummer Paul F. Murphy has been involved with the high end of improvised music since the mid-1970s in San Francisco. He is most closely associated with the avant-garde of the '70s, '80s and '90s as a 12-year member of alto saxophonist Jimmy Lyons' band and a leader of several of his own groups, including Trio ...
Keeping Up With The Joneses: The Jones Name In Jazz
by Dan Bilawsky
"What's in a name?"This question, written by Shakespeare and spoken from the mouth of his Juliet, really touches on an important line of thought. Juliet continued and said, “That which we call a rose by any other name would smell as sweet." While she was dealing with the Montague/Capulet issue, she sought to downplay ...
George Cotsirilos Trio: Past Present
by C. Michael Bailey
Mainstream guitar trio jazz possesses a soundtrack quality that makes it perfect for sleek and sophisticated noir movies boasting sardonic shamuses and dangerous dames. George Cotsirilos typifies this type of jazz guitar playing. If jazz guitar had an aroma, Cotsirilos' brand would smell of Yardley Soap, single-malt scotch, and unfiltered cigarettes in close quarters: dark and ...
The State of Reissues 2010: Dave Brubeck, Art Pepper, Sonny Rollins, Thelonious Monk, John Coltrane and Joe Pass
by C. Michael Bailey
Formed by the merger of West Coast record labels Concord and Fantasy in 2004, the Concord Music Group possesses the largest catalog of recorded jazz earth-side. With such a rich basement, Concord can be expected to launch reissue series from time to time. The label's newest such program is the Original Jazz Classics Remasters series. Original ...
Take Five With Vinson Valega
by AAJ Staff
Meet Vinson Valega: Vinson grew up in a musical family near Washington, D.C., studying classical piano from age seven until switching to the drums when he was 12. He played drums for three years in the All-County Jazz Ensemble during high school and subsequently held the drum chair in the University of Pennsylvania Big ...
N. Glenn Davis: Come Right In
by John Patten
The N. Glenn Davis Quartet resurrects the sound of classic bebop on Come Right In, presenting a set of 10 tunes arranged by Davis, three enhanced by saxophone giant Phil Woods. Woods plays magnificently on two Davis originals--the opening “A Different Day" and “Just a Tadd," as well as “If You Could ...
Kurt Rosenwinkel: Reflections from Berlin
by Franz A. Matzner
Broadly acknowledged as one of jazz's foremost artists, Kurt Rosenwinkel has established a reputation as an innovator and constant seeker on the guitar. He has carved out a unique sound over many years of experiment and refinement and today commands respect for his singular voice as a player and bandleader. As a follow-up to ...
Tim Garland: Beyond the Frontier
by Ian Patterson
Composer, arranger and multi-reed virtuoso Tim Garland is a treasure the nation of the UK has yet to fully recognize. Having recorded a dozen albums in his own name, and arranged for and played in the groups of Chick Corea and Bill Bruford, Garland's pedigree as one of the leading jazz saxophonist/composers of his generation is ...
