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300

Article: Album Review

Benny Reid: Escaping Shadows

Read "Escaping Shadows" reviewed by Woodrow Wilkins


To listen to Benny Reid's music is to hear a strong Pat Metheny influence. That's not a bad thing, but it is something the 28-year-old aims to move away from with Escaping Shadows, his second release as a leader. Reid graduated from the music program at Indiana University. In addition to Metheny, his influences ...

Article: Album Review

Phil Woods: The Children Suite

Read "The Children Suite" reviewed by AAJ Italy Staff


Winnie the Pooh e il bebop? Certo non è proprio un rapporto palese e intuitivo, ma il mondo anglofono ha un legame con le poesie per bambini di A.A. Milne ben diverso dal nostro, una realtà che apre possibilità espressive interessanti anche nel jazz. Phil Woods ha sempre amato i cicli poetici di Milne, tanto da ...

773

Article: Big Band Report

Deck the Halls with Big Band Carols

Read "Deck the Halls with Big Band Carols" reviewed by Jack Bowers


With the holiday season on track and hastening toward us like a runaway locomotive, it's time once again to hunker down and prepare for the annual onslaught of “Rudolph," “Frosty the Snowman," “I Saw Mommy Kissing Santa Claus," “Sleigh Ride," “Silver Bells," chestnuts roasting on an open fire and everyone's perennial favorite, “White Christmas." Not to ...

262

News: Interview

Baritone Saxophonist Gary Smulyan Interviewed at AAJ

Baritone Saxophonist Gary Smulyan Interviewed at AAJ

A baritone saxophonist who plays like Bird? And harvests more than a half-dozen Grammy awards in the process? That seeming contradiction characterizes the great successes of Gary Smulyan, one of today's most in-demand jazz performers, educators, and recording artists. AAJ Contributor Edward Bride spoke with Smulyan recently, and the saxophonist provides insight into his unique sound ...

1,148

Article: Interview

Gary Smulyan: Low Man Aims High

Read "Gary Smulyan: Low Man Aims High" reviewed by Edward Bride


A baritone saxophonist who plays like Bird? And harvests more than a half-dozen Grammy awards in the process? That seeming contradiction characterizes the great successes of Gary Smulyan, one of today's most in-demand jazz performers, educators, and recording artists. To be fair, Smulyan has his own voice, but he cites Charlie Parker ...

229

Article: Album Review

Mark Colby: Reflections

Read "Reflections" reviewed by Jack Bowers


Reflections, the eighth CD as leader or co-leader by one of the Chicago area's most undervalued treasures, tenor saxophonist Mark Colby, is a tribute, he writes, to “the things that shaped and moved me when I was just a kid," as well as to friends, family and artists who nourished his growth and served as a ...

79

News: Music Industry

The Jazz Audience

The Jazz Audience

When The National Endowment for the Arts study on Public Participation in the Arts came out a few weeks ago, the survey's bad news about the size of the jazz audience caused ripples of concern. It showed that over a six-year period, the number of Americans attending jazz events dropped to a low of 7.8%. In ...

135

News: Radio

Baby, It's Hep Jazz on Freedom Jazz Dance

This Sunday from 5 PM 7 PM EST 90.1 FM WDCE Richmond Listen online via live webcast Archived shows uploaded at freedomjazzdance.net two days after each live broadcast. Pacify your jazz pleasure by tuning in to Freedom Jazz Dance this Sunday... the unstoppable sound of freedom in the groove with the latest, ...

325

Article: Album Review

The Lanny Morgan Sextet: "6"

Read ""6"" reviewed by Edward Blanco


Years ago a jazz critic of the Hong Kong press referred to Lanny Morgan as the “old master," and the moniker has stuck ever since. Now, at the ripe young age of 75, the “old master" Morgan holds court yet again with a sextet of equal masters on a scintillating session of bebop burners, simply titled ...

449

Article: Album Review

Patricia Scot: Once Around the Clock

Read "Once Around the Clock" reviewed by Samuel Chell


This reissue has at least two pleasant surprises: first, the revelation that, before discovering and promoting the gold mine that came to be known as smooth jazz, Creed Taylor was a musician of impeccable taste and discrimination; second, the rediscovery of an original vocalist/pianist who once toiled in piano bars in the Chicago-Milwaukee corridor as well ...


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