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Blues For Lopes
Album: Phil & Bill
By Phil Woods
Label: Palmetto Records
Released: 0
Duration: 5:57
Ryan Truesdell: The Gil Evans Project
by Victor L. Schermer
Imagine the commotion when previously unknown manuscripts of Beethoven or Bach were discovered. In the jazz world, the equivalent of such an event might occur with regard to the music of innovators like Duke Ellington or Gil Evans. Indeed, that is exactly what composer-arranger-conductor-producer Ryan Truesdell has uncovered with Evans' music. He researched and found a ...
Recent Listening: Woods and Mays
Phil Woods, Bill Mays, Phil & Bill (Palmetto). A couple of years ago, Mays succeeded Bill Charlap as the pianist in Woods' quintet. He had melded nicely with the alto saxophonist in casual playing encounters over the years. Regular exposure to one another in the working band deepened their empathy, as this collection of nine duets ...
Toots Thielemans Honored at San Sebastian Jazz Festival
Since 1994, the San Sebastian Jazz Festival (now Heineken Jazzaldia) has honored an outstanding musician or impresario for his or her contribution to jazz. This year, Toots Thielemans joins previous award winners: Doc Cheatham (1994), Phil Woods (1995), Hank Jones (1996), Steve Lacy (1997), Chick Corea (1998), Max Roach and Clark Terry (1999), Kenny Barron (2000), ...
Phil Woods and Bill Mays: Woods & Mays
by Dan Bilawsky
Putting two musicians of this caliber in a room and recording the results is a surefire recipe for success. Pianist Bill Mays and saxophone icon Phil Woods have little to prove at this point in their respective careers and their music isn't about defying expectations. Both men, on the contrary, carry the reputations that they do ...
Stan Kenton Orchestra - DePaul University Jazz Ensemble / Captain Black Big Band / Washington State University
by Jack Bowers
Stan Kenton Orchestra / DePaul University Jazz EnsembleDouble Feature, Vol. 1Tantara Productions2010 Some of us are old enough to remember double features, but they were in movie theatres, not concert halls or recording studios, and, as memory serves, were never quite as enchanting or memorable as this ...
Marty Nau Group: Mood Ebony
by Greg Simmons
An all-clarinet album is a rare thing in jazz these days. The B-flat clarinet has an old-fashioned sound, ubiquitous in the early days of jazz, but gradually replaced by the bigger, deeper, and often more aggressive reed sound of the saxophones. Early New Orleans bands at the birth of the form almost always featured the stick," ...
"What Could Be"- The New Release for the N. Glenn Davis Trio Featuring Mark Soskin and Peter Dominguez
Drummer and composer N. Glenn Davis leads this swinging trio of talented veteran jazz musicians for his third release as a leader. This recording continues the classic tradition of the piano trio performing creative music that will appeal to listeners on many levels. Featured here are three new original compositions by N. Glenn Davis and three ...
Jon Eardley and Phil Woods: Pot Pie
Jazz was so crowded with talent in the 1950s that it's easy for great artists from the decade to slip into obscurity today. This is especially true of trumpet players. We fixate on Miles Davis, Chet Baker, Kenny Dorham and Clifford Brown, not to mention Dizzy Gillespie, Harry Sweets" Edison and Roy Eldridge. Rightfully so, but ...
Joseph Polisi: Juilliard Jazz Hits Ten
by Greg Thomas
He's been president of the Juilliard School, the most prestigious performing arts institution in America, since 1984. Also an accomplished bassoonist, Dr. Joseph Polisi has performed as both soloist and chamber musician throughout the United States, as well as at The Juilliard School, Alice Tully Hall, Weill Recital Hall at Carnegie Hall, and Avery Fisher Hall. ...





