Results for "Phil Lesh"

Grateful Dead: American Beauty: 50th Anniversary Deluxe Edition

by Doug Collette
December 13, 2020

If it's true the Grateful Dead epitomize the counter culture of the Sixties, it's also true the iconic group embraced the following decade on its very own terms, at least at the outset of the period. Workingman's Dead (Warner Bros., 1970) represents an authoritative and confident statement of artistic purpose, while its companion piece, American Beauty ...

John Scofield: One For Swallow

by Ian Patterson
June 15, 2020

From time to time in his storied career John Scofield will take a look over his shoulder and re-examine some of the music that has fed into his own, personal brand of jazz. The influences are many, for no matter the context that Scofield engineers, his distinctive sound always carries something of the blues, a little ...

John Scofield As A Sideman: The Best Of…

by Ian Patterson
June 15, 2020

John Scofield is a modern-day jazz legend, one of the most instantly recognizable voices on the guitar, and an inspiration to many. In a solo career that began in earnest in 1977, Scofield has carved out his own sound on dozens of albums, including his tribute to Steve Swallow, Swallow Tales (ECM, 2020), a trio album ...

Phil Lesh

Born: March 15, 1940

Phil Lesh was an American musician best known as the bassist for the Grateful Dead, a band that became iconic in the rock and jam band scenes. Born on March 15, 1940, in Berkeley, California, Lesh played a crucial role in the band's experimental and improvisational approach to music, blending rock, jazz, and classical influences.

Lesh's innovative bass playing and harmony vocals contributed significantly to the Grateful Dead's signature sound. After the band dissolved in 1995, he continued to perform with various projects, including Phil Lesh & Friends, and participated in numerous tribute concerts and festivals celebrating the band's legacy

The New Riders of The Purple Sage: Thanksgiving in New York City

by Doug Collette
December 14, 2019

As preserved on Thanksgiving In New York City, The New Riders Of The Purple Sage were far more than just a mere offshoot of the Grateful Dead. Initially born in the folk surge of the late Sixties as the latter band's titular leader, Jerry Garcia, initially worked and learned with future NRPS chief songwriter John “Marmaduke" ...

SPHERES at Nublu 151

by Peter Jurew
August 18, 2019

SPHERES Nublu 151 New York, NY July 8 and August 6, 2019 SPHERES is a jazz collective recently started by keyboardist Jamie Saft and electric guitarist Chuck Hammer playing monthly gigs at Nublu, a loft-club showcase for new music in New York City's East Village. Taking inspiration as well as its ...

Anders Osborne: Buddha And The Blues

by Doug Collette
August 3, 2019

NOLA songwriter/musician Anders Osborne's frequent and diverse studio and stage collaborations, including but not limited to those with Luther and Cody Dickinson of the North Mississippi Allstars and Phil Lesh of the Grateful Dead, all lead back to solo work like Buddha and the Blues, self-composed tunes rendered all the more pungent through musicianship tuned to ...

The Branford Marsalis Quartet at Jazz Standard

by Peter Jurew
March 10, 2019

Branford Marsalis Quartet Jazz Standard New York, NY February 20, 2019 The Branford Marsalis Quartet came into New York's Jazz Standard in late February to showcase The Secret Between The Shadow And The Soul, their first new album release in seven years and, in marking the special occasion, ...

John Mayall: Nobody Told Me

by Doug Collette
March 9, 2019

Over the course of some fifty-plus years, the bands of John Mayall have served as a proving ground for some estimable guitarists. Eric Clapton, Mick Taylor and Peter Green are just the most famous axemen who've aided and abetted “The Godfather of British Blues." Yet, in all that extended time, he has never before had a ...

Particle: Accelerator

by Doug Collette
October 21, 2018

Contrary to prevailing popular opinion, electr(on)ic keyboards are not just for noodling in ever-so-cheesy, toy-like tones. In the hands of the titular leader of Particle, keyboardist/vocalist Steve Molitz, for instance, those instruments are lethal weapons with which, on the group's first album in fourteen years, he sets out to destroy preconceptions about what righteous creations can ...