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1,070

Article: Interview

Jeff Richman: Solo Artist, Entrepreneur, or Chatterbox?

Read "Jeff Richman: Solo Artist,  Entrepreneur, or Chatterbox?" reviewed by Phil DiPietro


Guitarist Jeff Richman has worked in the highest echelons of electric jazz for the last two decades, distinguishing himself over a productive career that has spawned more than twelve solo titles and twice as many guest appearances. Recently, he's found a new niche; mastermind producer / arranger / player / instigator of the electric jazz tribute/compilation. ...

474

Article: Interview

Giuseppe Continenza: Italian Bop Guitarist

Read "Giuseppe Continenza: Italian Bop Guitarist" reviewed by Phil DiPietro


I'm proud of my Italian-American heritage, but not because of bruschetta and olive oil. Some of the greatest bop guitarists ever are Italian-Americans: from Pat Martino to Joe Pass, Joe Diorio to Tommy Tedesco, or Jimmy Bruno to Gene Bertocini. So I decided to reach back to the mother land and track down a relatively new ...

406

Article: Album Review

Gilfema: Gilfema

Read "Gilfema" reviewed by Phil DiPietro


Gilfema, or more properly GilFeMa, is made up of three extraordinary players who are the unlikeliest of collaborators given their geographical origins. Guitarist Lionel Gilles Loueke, 30, hails from Benin in West Africa; drummer Ferenc Nemeth, 29, is a product of the jazz hotbed of Keszthely, Hungary; and acoustic bassist Massimo Biolcati, 33 is a Sweden-born ...

1,083

Article: Interview

Adam Rogers Discusses His Imminent Debut Release and More

Read "Adam Rogers Discusses His Imminent Debut Release and More" reviewed by Phil DiPietro


Unlike many musicians who ply their trade in New York, Adam Rogers has been doing it all his life, being, as he is, a lifelong resident of Manhattan. Since 1990, he has appeared a on over fifty recordings so diverse, that many fans know him as an expert player in different genres. For example, his gigging ...

427

Article: Album Review

Nelson Cascais: Nine Stories

Read "Nine Stories" reviewed by Phil DiPietro


Like the country itself, the jazz scene in Portugal is small, but its exquisite aesthetics are quickly revealed to those with only the willingness to explore. Your faithful musical travel guide points you in the direction of bassist Nelson Cascais and this exquisite slice of elegantly arranged small-group jazz modernity, one devoid of any obvious Latin ...

261

Article: Album Review

Tim Miller: Trio

Read "Trio" reviewed by Phil DiPietro


Tim Miller's third indie effort stands out by manifesting his influences as an aural whole. Compositionally, the freedom and openness in the music reflects the deep influence of Keith Jarrett, while sonically, the air-infused yet electric guitar sound dances with bass and drums mixed in a pastoral acoustic style. Even with headphones, the listener hears the ...

223

Article: Album Review

Jef Lee Johnson (and the Wordy Mimes): Hellion

Read "Hellion" reviewed by Phil DiPietro


A 2002 AAJ interview with Jef Lee Johnson, who can virtuosically play anything with strings on it, showed that in conversation and in music, he's an eclectic, ripping headlong through a gamut of free-associations and precise distillations. Here's one capped with an analogy musicians should swear by: “I have to put these records out myself. The ...

244

Article: Album Review

Waking Vision: Into High Selva

Read "Into High Selva" reviewed by Phil DiPietro


Waking Vision is about all that is natural--not in the crunchy-earthy world of the neo-hippie jam, but in the sense of emotional transparency and oneness in nature that aspires to a higher plane--one they're capable of reaching, transporting us with them, through their music. In 2001, this trio of Pittsburgh's John Shannon on guitar, Long Island's ...

1,317

Article: Interview

Steve Lehman: Grooving Not Repeating

Read "Steve Lehman: Grooving Not Repeating" reviewed by Phil DiPietro


While many lament the current state of jazzy affairs, a closer look reveals a scene bursting with talent and potential, some of it more fully realized earlier than others. In 2004, no younger hopes for the future of jazz burned as brightly as the 26-year old alto saxophone phenom Steve Lehman. With what many thought was ...

1,000

Article: Extended Analysis

Mystery to Me-Live in New York

Read "Mystery to Me-Live in New York" reviewed by Phil DiPietro


Janek Gwizdala roars out of 2005's gate with a debut CD that not only handily establishes him, at 26, as 2005's best new talent on electric bass but more importantly, should garner him serious consideration for the debut jazz recording of the year. Self-released, self-financed, self-produced and self-penned, there's not an element of this project that's ...


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