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11

Article: Album Review

Rodrigo Amado Northern Liberties: We Are Electric

Read "We Are Electric" reviewed by John Sharpe

by John Sharpe

Portuguese saxophonist Rodrigo Amado hits the jackpot with the debut by his Northern Liberties quartet. He's found gifted collaborators in the Norwegian threesome of trumpeter Thomas Johansson, drummer Gard Nilssen and bassist Jon Rune Strøm. Amado's preferred domain is muscular free jazz. It's territory he's thoroughly explored with his Motion Trio, supplemented by guests like trumpeter ...

12

Article: Album Review

Mostly Other People Do the Killing: Disasters Vol. 1

Read "Disasters Vol. 1" reviewed by Karl Ackermann

by Karl Ackermann

Mostly Other People Do the Killing has a way of making great music sound accidental. So Disasters Vol. 1 is as suitable a name for this collection as it would be for any of their fourteen albums. In past versions, they have boasted big names such as Jon Irabagon, Peter Evans, and rising talents like guitarist ...

1

Article: Live Review

Jazz Juniors 2021

Read "Jazz Juniors 2021" reviewed by Martin Longley

by Martin Longley

Jazz Juniors Kraków, Poland October 6-9, 2021 Since your scribe last visited the Jazz Juniors competition in 2018, this steadily evolving festival has undergone further changes, not least the appointment of saxophonist Adam Pierończyk as artistic director. It's also had to deal with anti-virus restrictions, turning livestream in 2020, but ...

24

Article: Under the Radar

A Different Drummer, Pt. 6: Iberian Beats – Jorge Rossy & Pedro Melo Alves

Read "A Different Drummer, Pt. 6: Iberian Beats – Jorge Rossy & Pedro Melo Alves" reviewed by Karl Ackermann

by Karl Ackermann

The music of the Iberian Peninsula is as rich and diverse as any in the world. Its influences are many yet it developed in the pre-global bubble of geography. Early music of the peninsula was impacted by much of the known world in the primeval period and the Middle Ages. The peninsula was isolated by the ...

20

Article: Multiple Reviews

The Latest From Clean Feed Records

Read "The Latest From Clean Feed Records" reviewed by Mark Corroto

by Mark Corroto

2021 marks the twentieth year of Lisbon's Clean Feed Records. Listeners went from thinking ”who knew there was jazz in Portugal?" to acknowledging the label as the flag bearer of jazz' vanguard. Besides releasing music by Evan Parker, Mats Gustafsson, Steve Lehman, Julius Hemphill, Charles Gayle, Anthony Braxton, Elliott Sharp, Eric Revis, Harris Eisenstadt, and Kris ...

3

Article: Festivals Talking

Moers Festival Interviews: Matt Mottel & Kevin Shea

Read "Moers Festival Interviews: Matt Mottel & Kevin Shea" reviewed by Martin Longley

by Martin Longley

Improviser In Residence becomes Improvisers In Residence, for the 50th anniversary of the Moers Festival in Germany. Running since 2008, this has been a year-long in-house situation for invited artists, and usually offered to a single being. In 2021, we have the innovation of a twosome, in Matt Mottel (keyboards) and Kevin Shea (drums), who also ...

5

Article: Multiple Reviews

The Pandemic Sessions: Solos, Part 2

Read "The Pandemic Sessions: Solos, Part 2" reviewed by Mark Corroto

by Mark Corroto

Part 1 | Part 2 The entire world was in lockdown during the COVID-19 crisis, and of course, that included musicians. Unable to tour and record with their various ensembles, many artists prepared solo projects (some recorded before the virus struck). Most of the music is very personal, as if the artists are asking ...

Album

No Boundaries

By Andrew Bain

Label: Whirlwind Recordings
Released: 2020

3

Article: Album Review

João Almeida: Solo Sessions *||||

Read "Solo Sessions *||||" reviewed by Mark Corroto

by Mark Corroto

Listening to Solo Sessions *|||| by Portuguese trumpeter João Almeida, reminds one of a passage in Jack Kerouac's seminal novel On The Road, “The only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who ...

8

Article: Album Review

Cory Smythe: Accelerate Every Voice

Read "Accelerate Every Voice" reviewed by Karl Ackermann

by Karl Ackermann

Pianist/electronics artist/composer Cory Smythe's Pyroclastic Records debut Circulate Susanna (2018) was a tongue-in-cheek attribution to the inspiration of a fictional event. He returns to the Kris Davis run label with the intriguing, socially-conscious and genre-less Accelerate Every Voice. Inspired by an assortment of sources: Andrew Hill's Lift Every Voice (Blue Note, 1970), the work of Harlem ...


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