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455

Article: Record Label Profile

Blue Note at 70

Read "Blue Note at 70" reviewed by Joel Roberts


No label in jazz can match the history and legacy of Blue Note Records. Since its founding in New York in 1939 by German emigre Alfred Lion, Blue Note has been associated with an amazing assortment of jazz luminaries including Horace Silver, Art Blakey, Jimmy Smith, Lee Morgan, Freddie Hubbard, Joe Henderson, Herbie Hancock, Wayne Shorter, ...

237

News: Recording

Pianist/Arranger Bill Cunliffe Revisits a Jazz Classic with "The Blues and the Abstract Truth, Take 2"

Pianist/Arranger Bill Cunliffe Revisits a Jazz Classic with "The Blues and the Abstract Truth, Take 2"

With his new album, The Blues and the Abstract Truth, Take 2, pianist Bill Cunliffe doesn’t so much reinvent a modern jazz classic as open it for incisive interpretation. Working with clean, uncluttered arrangements and a stellar cast of improvisers, Cunliffe explores Oliver Nelson's beloved 1961 album for Impulse! And the results are consistently riveting. Putting ...

574

News: Award / Grant

Grammy Winner 2009: Jazz

Grammy Winner 2009: Jazz

= winner Category 45 Best Contemporary Jazz Album (For albums containing 51% or more playing time of INSTRUMENTAL tracks.) Randy In Brasil Randy Brecker [MAMA Records] Floating Point John McLaughlin [Abstract Logix] Cannon Re-Loaded: All-Star Celebration Of Cannonball ...

Album

Dream Flight

Label: FMP
Released: 2008

Album

Standards

Label: Fuzzy Music
Released: 2008
Track listing: The Way You Look Tonight; Dear Old Stockholm; Deep In A Dream; Con Alma; It Never Entered My Mind; Speak Low; I'm Glad There Is You; I Hear A Rhapsody; I'm Old Fashioned; I Could Have Danced All Night.

Album

Worth the Wait

Label: Fuzzy Music
Released: 2008
Track listing: Worth the Wait; You Should See My Office; Plan 9; First Jazz; Scotland, Africa; Reason To Believe; Drum Row.

437

Article: Album Review

Frank Macchia: Saxolollapalooza

Read "Saxolollapalooza" reviewed by Jeff Dayton-Johnson


Way in the background on some classic big band recordings, there is a high-pitched aural glow, a sustained, ethereal, almost liturgical hum coming from somewhere in the reeds section. Duke Ellington's “There Shall Be No Night," from the great Blanton/Webster Band box set (Bluebird, 1990), has it. Partly it's the recording technology of the time, sufficiently ...

1

Article: Album Review

E_L_B (Peter Erskine_Nguyen Le_Michel Benita): Dream Flight

Read "Dream Flight" reviewed by AAJ Italy Staff


Il trio E_L_B si ripresenta dopo l’ottimo esordio del 2000 (sempre per l’etichetta tedesca ACT) e aggiunge un altro colore alla sua tavolozza con l’ingresso, in qualità di ospite, del saxofonista francese Stephane Guillaume. Tutto continua a ruotare attorno alla batteria eccellente di Peter Erskine, sempre preciso e incalzante, carico di passione e di empatia. Il ...

276

Article: Album Review

Peter Erskine Tim Hagans & The Norrbotten Big Band: Worth The Wait

Read "Worth The Wait" reviewed by Michael P. Gladstone


The title of this album, Worth The Wait, is a specific reference for these two old pals, drummer Peter Erskine and trumpeter Tim Hagans, to join in one recording session with the Norrbotten Big Band. The origin of the title dates back to a 1974 musical meeting when Erskine was the drummer for the Stan Kenton ...

135

Article: Multiple Reviews

Peter Erskine: Worth The Wait & Standards

Read "Peter Erskine: Worth The Wait & Standards" reviewed by Budd Kopman


Drummer Peter Erskine broke into the music business in 1972 with the Stan Kenton Orchestra and has not stopped for breath since. He recorded five albums in his first four years, starting in 1978 with Weather Report, and both led and played on a large number of albums for the ECM label. As one can see ...


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