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Peter Brotzmann: Die Like A Dog
by Clifford Allen
Peter Brotzmann Die Like a Dog Jazzwerkstatt 2008 German reedman-composer Peter Brotzmann is, despite an immense catalog spanning over forty years of activity in free music, criminally underrepresented in the format of a “standard" piano-less quartet. From reed-heavy octets and orchestras to the winds-bass-drums power trio, not to mention a ...
John Butcher & Mark Sanders / Alex Ward & Roger Turner / John Tchicai & Tony Marsh: Treader Duos
by John Eyles
These three contrasting reeds/drums duos are a fine record of the concert at which they were recorded, in February 2008 at St Giles-in-the-Fields church, London. Each of the three tracks lasts about twenty five minutes, long enough for the duos to give a good account of themselves. The three tracks give an opportunity to hear some ...
Konnex Records
by Celeste Sunderland
One night in the early '70s, saxophonist Trevor Watts and drummer John Stevens were playing a concert in West Berlin. After the show, a tall, elegant, German man by the name of Manfred Schiek asked if he could buy one of their records. But they didn't have one. “There was an oil crisis at the time ...
Peter Brotzmann: Lost & Found
by Nic Jones
It's important to point out that this is Peter Brötzmann entirely solo on various reeds because, with this particular advocate of the free, the solo context has always amounted to something entirely different to his group work. As an unaccompanied soloist, he has always been an antithesis of Evan Parker's seamless flow on soprano sax in ...
Manfred Schoof: Resonance
by John Kelman
For every artist that has achieved international attention via the exposure of ECM Records, there are countless others who seem to have been lost beneath the cracks. German trumpeter Manfred Schoof, who recorded three superb albums for the ECM-affiliated JAPO label in the 1970s, was a member of the freewheeling Globe Unity Orchestra alongside Peter Brötzmann, ...
Fire!: You Liked Me Five Minutes Ago
by John Kelman
Mats Gustafsson and the word “accessible" are rarely found in the same sentence. For over two decades, this Swedish reed player has been mining the extreme end of free improvisation and cued composition with like-minded players including Peter Brötzmann, Ken Vandermark, and The Thing, his ongoing collective with bassist Ingebrigt Håker Flaten and drummer Paal Nilssen-Love. ...
Rodrigo Amado: The Abstract Truth
by Mark Corroto
Saxophonist Rodrigo Amado, bassist Kent Kessler, and drummer Paal Nilssen-Love is an international trio featuring players from Portugal, United States and Norway, respectively. But on its second recording, The Abstract Truth, the assemblage speaks the same language; its mother tongue being hard-hitting, concise improvisation. This disc follows the Teatro (European Echoes, 2006), the trio's ...
Han Bennink Trio: Parken
by David McLean
Han Bennink Trio Parken Ilk Music 2009 One of the most iconic players from the European free-music scene, Han Bennink's 50 plus year career has seen the Dutch master drummer traverse through a multitude of musical settings. Bennink's journey has embraced revolutionary, avant-jazz recordings such as saxophonist Peter ...
Amiri Baraka: Perspectives on Music and Race
by Lloyd N. Peterson Jr.
Amiri Baraka is the author of the insightful and comprehensive book, Blues People. It is a book that has opened many minds and readers to the African American Diaspora along with the history and roots of African American music. Baraka has now published a new book of essays titled, Digging (The Afro-American Soul of American Classical ...
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