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Peter Brotzmann / Steve Noble: I Am Here Where Are You
by Mark Corroto
The greatest artists in history have never been able to capture the immensity of the American sequoia trees. Like the Grand Canyon, their gargantuan size cannot successfully be reduced to canvas by painters like Albert Bierstadt or Thomas Hill, nor captured on gelatin silver prints by photographers like Ansel Adams. Seeing is, indeed, believing. Just like ...
Black Motor with Verneri Pohjola at the 2013 Flow Festival
by Anthony Shaw
Black Motor with Verneri PohjolaFlow Festival, The Balloon StageHelsinki, FinlandAugust 11, 2013On the last day of the summer holidays, and under what's typical seasonally unpredictable weather, a large crowd gathered in downtown Helsinki for Scandinavia's urban music event, Flow Festival. Black Motor Trio began its set with a tunes featuring its ...
Joe McPhee: Sonic Elements
by Mark Corroto
Ernest Hemingway might have said it best: “All you have to do is write one true sentence. Write the truest sentence that you know." For musician Joe McPhee, delivering that one true sentence has been his motivation since the 1960s.An in-demand improviser, he can be heard in multiple settings including the bands of Peter ...
Taking stock, a year half over
by Mark Corroto
This month, at the halfway point in the year of music, we are taking stock, and there have been so many great discs released. Here is my list (in no particular order) of the best albums so far. I predict many of these will make final top ten 2013 lists. Sorry, I couldn't keep my list ...
Joshua Abrams Quartet: Unknown Known
by John Sharpe
"There are known knowns; there are things we know that we know. There are known unknowns; that is to say, there are things that we now know we don't know. But there are also unknown unknowns--there are things we do not know we don't know." Strangely, Donald Rumsfeld didn't mention the unknown known: the things we ...
Sophie Agnel/ John Edwards/ Steve Noble: Meteo
by Mark Corroto
The liner notes said it best, ..."listening is a form of improvisation." To be sure, no two listeners come away from Meteo with the same experience. This single track (38:25) live recording from the 2012 Festival Météo in Mulhouse France is a first time meeting of the French pianist Sophie Agnel and the British rhythm section ...
Vole: The Hillside Mechanisms
by John Sharpe
Three stalwarts of the London Improvisers Orchestra come together on the debut outing of the genre-mashing Vole. When playing credits number saxophone iconoclasts Peter Brotzmann, Evan Parker and Ingrid Laubrock, bassist Simon Fell and pianist Alexander Hawkins, then energy and imagination can be almost guaranteed. What's fascinating is how they align improv with noise, heavy metal ...
Marco Eneidi: Pallettes of Color & Sound
by Anna Poczatek
Marco Eneidi seems to become a forgotten artist. Which is odd, at the very least, because his improvisation workshops are attended by the first seat of the Tonkünstler-Orchester Niederösterreich, and because, in just the past few years, the saxophonist has played with artists including pianist Cecil Taylor, guitarist Joe Morris, reed multi-instrumentalists Roscoe Mitchell, Peter Brötzmann ...
Art Strike!
by Mark Corroto
"Would you support an art strike?" That's the question I've been asking musicians for the past few months. “Will you agree to stop writing and performing music for one year?" In 1990 the London artists Stewart Home and Mark Pawson proposed that all artists cease to “make, exhibit, distribute, sell, or discuss their work" for three ...
Babel Label: More Songs from the Tower of Sound
by Jakob Baekgaard
In a time of financial crisis in the world in general and in the music business in particular, the natural thing to do would be to cut down the number of releases and concentrate on safe and palatable productions that cater to a major audience with a predefined taste. However, Oliver Weindling's Babel Label has always ...
