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Peter Brotzmann/Keiji Haino/Jim O'Rourke: Two City Blues 2
by Mark Corroto
The music of legendary jazz saxophonist Peter Brötzmann is at its finest when the great man has something to push against. Typically these performances find him collaborating with drummers like Hamid Drake, Paal Nilssen-Love, Steve Noble, or Nasheet Waits. The music is built upon a power-versus-power formula. The drummer bloodies his nose, and he's off--throwing roundhouse ...
12 Points 2015
by Ian Patterson
12 Points 2015 Project Arts CentreDublin, IrelandApril 15-18, 2015 In an international calendar absolutely bulging with jazz festivals, 12 Points--conceived in Dublin by Improvised Music Company in 2007--stands out as one of the more original. It's not just the diversity and quality of the music that sets Twelve Points apart, after ...
Various Artists: I Never Meta Guitar Three
by Glenn Astarita
Few would be more equipped to produce this series of various guitarists parading their avant-garde stuff other than New York City-based, and world-renown experimental guitar acolyte, Elliot Sharp. This third installment of the ongoing extravaganza showcases the far-flung imaginations of 18 artists, continuously pushing the envelope via a kaleidoscopic presentation sketched with unconventional acoustic-electric tone poems. ...
Decoy with Joe McPhee: Spontaneous Combustion
by John Sharpe
In spite of its relatively recent vintage, Oto (Bo' Weavil, 2010), the first encounter between Joe McPhee and British improvising trio Decoy, has quickly become one of the veteran multi-instrumentalist 's most popular recordings. By way of follow up Spontaneous Combustion first released as a LP, but now reissued as a double CD with added tracks, ...
Konstrukt and William Parker: Live At NHKM
by Mark Corroto
Let me propose the notion that American poet Emily Dickinson was a free jazz fan. Sure, you have to look past the fact that she died in 1886, when Buddy Bolden was but nine years old. But consider her words: “The worthlessness of Earthly things/The Ditty is that Nature Sings -/And then -enforces their delight/Til Synods ...
Ziga Koritnik and The Eye
by John Kelman
In a time when cameras are more pervasive and invasive than they've ever been--with iPhones, iPads, Androids and low-price point-and-shoot devices lending the impression that everyone is a photographer--photo artists like Žiga Koritnik, paradoxically, stand out more than ever. Sure, anyone can take a picture, but to get to the heart of a subject and truly ...
Ant Law: Zero Sum World
by Phil Barnes
The idea of the “Zero Sum Game" originates in economic game theory--in essence a situation in which gains or losses made by one participant when combined with those of all other participants sum to nil. So the cake is finite and if one person takes more, less is available to others. Guitarist and composer Ant Law ...
Agustí Fernández / Niels Lyhne Løkkegaard / Bjørn Heebøll: Amaranth
by Mark Corroto
To call Spanish pianist Agustí Fernández an inside/outside player isn't to suggest that he dabbles in both straight-ahead and free jazz. As a free, improvising pianist, he is one of the most sensitive players in today's scene. No, calling Fernández an inside/outside player literally means he can often be found playing his instrument both from the ...
Dialoghi ai confini del suono
by AAJ Staff
Un paio di duetti avventurosi pubblicati dalla Relative Pitch Records. Questione di irriducibilità. Ai generi, alle mode, alla convenienza (quale essa sia). Paul Flaherty, Randall Colbourne Ironic Havoc Relative Pitch Records (2013) * * * ½ Il primo. Paul Flaherty e ...
Exhaustion / Kris Wanders: Exhaustion / Kris Wanders
by Mark Corroto
The marriage of punk rock to free jazz is a natural fit. Both art forms are DIY; punk a rejection of corporate rock-n-roll of the 1970s and free jazz, the stasis of jazz, some fifty years post-birth. Today, we find Sonic Youth's Thurston Moore playing with The Thing, Borbetomagus, The Ex and Ken Vandermark, John Zorn's ...
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