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Results for "Peter Brotzmann"
Decoy with Joe McPhee: Spontaneous Combustion
by John Sharpe
In spite of its relatively recent vintage, Oto (Bo' Weavil, 2010), the first encounter between Joe McPhee and British improvising trio Decoy, has quickly become one of the veteran multi-instrumentalist 's most popular recordings. By way of follow up Spontaneous Combustion first released as a LP, but now reissued as a double CD with added tracks, ...
Konstrukt and William Parker: Live At NHKM
by Mark Corroto
Let me propose the notion that American poet Emily Dickinson was a free jazz fan. Sure, you have to look past the fact that she died in 1886, when Buddy Bolden was but nine years old. But consider her words: “The worthlessness of Earthly things/The Ditty is that Nature Sings -/And then -enforces their delight/Til Synods ...
Ziga Koritnik and The Eye
by John Kelman
In a time when cameras are more pervasive and invasive than they've ever been--with iPhones, iPads, Androids and low-price point-and-shoot devices lending the impression that everyone is a photographer--photo artists like Žiga Koritnik, paradoxically, stand out more than ever. Sure, anyone can take a picture, but to get to the heart of a subject and truly ...
Ant Law: Zero Sum World
by Phil Barnes
The idea of the “Zero Sum Game" originates in economic game theory--in essence a situation in which gains or losses made by one participant when combined with those of all other participants sum to nil. So the cake is finite and if one person takes more, less is available to others. Guitarist and composer Ant Law ...
Agustí Fernández / Niels Lyhne Løkkegaard / Bjørn Heebøll: Amaranth
by Mark Corroto
To call Spanish pianist Agustí Fernández an inside/outside player isn't to suggest that he dabbles in both straight-ahead and free jazz. As a free, improvising pianist, he is one of the most sensitive players in today's scene. No, calling Fernández an inside/outside player literally means he can often be found playing his instrument both from the ...
Dialoghi ai confini del suono
by AAJ Staff
Un paio di duetti avventurosi pubblicati dalla Relative Pitch Records. Questione di irriducibilità. Ai generi, alle mode, alla convenienza (quale essa sia). Paul Flaherty, Randall Colbourne Ironic Havoc Relative Pitch Records (2013) * * * ½ Il primo. Paul Flaherty e ...
Exhaustion / Kris Wanders: Exhaustion / Kris Wanders
by Mark Corroto
The marriage of punk rock to free jazz is a natural fit. Both art forms are DIY; punk a rejection of corporate rock-n-roll of the 1970s and free jazz, the stasis of jazz, some fifty years post-birth. Today, we find Sonic Youth's Thurston Moore playing with The Thing, Borbetomagus, The Ex and Ken Vandermark, John Zorn's ...
John Coltrane and the Meaning of Life
by Douglas Groothuis
Few jazz musicians inspire more respect or demand more attention than John Coltrane. Elvin Jones, Coltrane's drummer in “The Classic Quartet" (1961-65), said that most people who listen seriously to John Coltrane's music eventually acquire all of his recordings. I find that those who hear Coltrane for who he was want to hear all that he ...
A dialogo con Alessandro Lanzoni
by Neri Pollastri
Classe 1992, Alessandro Lanzoni ha già alle spalle un percorso artistico di tutto rispetto, collaborazioni con artisti di primo piano (giovanissimo, aveva già registrato con Lee Konitz) e riconoscimenti importanti (lo scorso anno ha vinto il referendum di Musica Jazz come miglior nuovo talento italiano). Dopo averlo seguito in varie occasioni fin da quando ...
Music preview: Saxophone and trumpet duo travel beyond the jazz code
By Manny Theiner Chicago saxophonist Ken Vandermark is one of the most persuasive, personified arguments for why every state’s liquor laws should be amended to allow minors to attend concerts if accompanied by a parent or guardian. While still in his tweens, Ken was enjoying jazz clubs in his hometown of Boston at the side of ...
