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Francois Carrier: Out Of Silence
by Mark Corroto
There is this phenomena that is becoming apparent (at least to me) in the music of free jazz musicians. It is a deep-rooted insecurity. First I thought it was a component of the music, a certain stability in instability. But spinning the latest release from saxophonist François Carrier and drummer Michel Lambert, one gets the sense ...
Cortex: Avant-Garde Party Music
by Mark Corroto
Do you have Blue Zone envy? You know the places where people live the longest and happiest lives on the planet. They seem to get more physical activity then we do, eat better, love their communities and politicians. Politicians? I know. They even make some of the best modern jazz. Case in point the Norwegian quartet ...
Evan Parker
by John Eyles
In his biography of Robert Wyatt, Different Every Time (Serpent's Tail, 2015), author Marcus O'Dair describes Evan Parker as “perhaps the finest British free-jazz saxophonist of his generation." The only words in that phrase that seasoned Parker followers might take issue with are “perhaps," “British" and “free-jazz," preferring just to describe him as the finest improvising ...
Dan Phillips Quartet: Converging Tributaries
by Mark Corroto
Sorry New York, but Chicago jazz hits harder. And maybe it always has, with players like Gene Ammons, Von Freeman, Fred Anderson and today's stars, Dave Rempis, Frank Rosaly, Hamid Drake, and Fred Lonberg-Holm, to name just a few musicians. Maybe it is the winters, or is it the searing heat of summer that mutates the ...
Konstrukt: L.O.T.U.S.
by Mark Corroto
With each new Konstrukt release I get anxious, wondering just where these Istanbul musicians, and current bearers of the free jazz banner, are headed next? To our Western ears, they seemingly arrived from nowhere. Turkish free jazz, really? But it didn't take long before we became familiar with names like guitarist Umut Çağlar, saxophonist Korhan Futacı, ...
Eric Revis: Sing Me Some Cry
by Mark Corroto
Only a bassist like Eric Revis with a background in the origins of jazz (that is, New Orleans), hardcore, funk, and post-bop can pull off such a big project as Sing Me Some Cry. Not big as in impenetrable, but circus tent big--assimilating all his experiences. From Betty Carter and Lionel Hampton to his long-standing tenure ...
Paul Rutherford: The Conscience
by John Sharpe
Recorded in 1999, but previously unissued, The Conscience unites iconoclastic English trombonist Paul Rutherford and Japanese drummer Sabu Toyozumi. It constitutes the first in a series of ten or so sessions from the Japanese Chap Chap label to be released by the Lithuanian NoBusiness imprint through to 2018. Both men were among the first generation of ...
Jazz em Agosto 2017
by Mike Chamberlain
Jazz em Agosto Lisbon, Portugal July 28-August 6, 2017 Where to start with my description of the Jazz em Agosto experience? The gorgeous setting of the amphitheater in the garden of the Calouste Gulbenkian Foundation (Fundacão Calouste Gulbenkian) in central Lisbon? The musical highlights of the fourteen concerts over ten ...
Craig Taborn and his multiple motion
by Giuseppe Segala
Craig Taborn is among the most creative musicians on today's scene. His music is shaped by a deep intellectual curiosity towards a wide range of artistic forms and sources of knowledge. His technical, stylistic, emotional and mental versatility have allowed him to collaborate with a large range of recognized masters in diverse styles of contemporary jazz. ...
Sven-Åke Johansson's Blue For A Moment
by Mark Corroto
Sven-Åke Johansson Blue for a Moment NI VU NI CONNU 2017 In conjunction with the film of the same name, the LP boxset Blue for a Moment was prepared as a limited release (250 signed copies) of Swedish musician Sven-Åke Johansson's music. It is in no way a complete retrospective. ...
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