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7

Article: Album Review

Alexander von Schlippenbach / Globe Unity Orchestra: Globe Unity - 50 Years

Read "Globe Unity - 50 Years" reviewed by Mark Corroto


Pianist Alexander von Schlippenbach's Globe Unity Orchestra (GUO) employs a similar head-scratching process to that utilized to make geuze, a much-treasured Belgian beer. Both elicit the “how did they do that?" question, and both seem to be a gift from Mother Nature. Schlippenbach brings together a choice assemblage of improvisers, like the ingredients of guesze (wheat ...

8

Article: Album Review

Tellef Øgrim: LAIV

Read "LAIV" reviewed by Mark Corroto


There are very good reasons not to approach animals in the wild. Chief among them is survival. Sure, all those nature documentaries and children's cartoons show the playful offspring romping in nature's glory. What they fail to reveal is the eviscerated body of the gentle nature photographer who got too close. You might not ...

23

Article: Album Review

Aruán Ortiz Trio with Brad Jones and Chad Taylor: Live in Zürich

Read "Live in Zürich" reviewed by Karl Ackermann


Live in Zürich is the twelfth album from Cuban avant-garde composer and pianist Aruán Ortiz. Of those recordings widely available in the US, Ortiz has worked with a variety of group formats. His quartet released Orbiting (Fresh Sound New Talent, 2013), was followed by a trio outing on Hidden Voices (Intakt Records, 2016) and two successive ...

1

Article: Album Review

Rudi Mahall / Alexander von Schlippenbach: So Far

Read "So Far" reviewed by Mark Corroto


The raw materials with which pianist Alexander von Schlippenbach and clarinetist (chiefly bass clarinetist) Rudy Mahall work on the free improvisation recording So Far, are best described as untreated, as opposed to unrefined, the other definition of raw. Their music is reduced to its essential components of sound, pulse, and interplay. The two German ...

44

Article: Under the Radar

Culture Clubs: Part IV: When Jazz Met Europe

Read "Culture Clubs: Part IV: When Jazz Met Europe" reviewed by Karl Ackermann


The Geography of Jazz--When Jazz Met Europe In 2004 Maureen Anderson, a researcher at Illinois State University contributed a dissertation to the journal, African American Review, titled The White Reception of Jazz in America. Ostensibly, her article deals with stories published in high profile periodicals and journals from 1917 and into the 1930s, written by white ...

2

Article: Album Review

Kjetil Møster: Ran Do

Read "Ran Do" reviewed by Mark Corroto


More than in any other American jazz scene, the musicians of Chicago have embraced and continue to embrace their colleagues in Europe and the UK. In the 1990s the Chicagoan Ken Vandermark began a long-standing association with Mats Gustafsson (Sweden) and Peter Brotzmann (Germany). And Hamid Drake has been crisscrossing the Atlantic for ages. These connections ...

Article: Album Review

Fred Van Hove, Roger Turner: The Corner

Read "The Corner" reviewed by Vincenzo Roggero


Uno è pianista da considerare tra i pionieri del free jazz in Europa (da ricordare la sua partecipazione negli anni sessanta ai gruppi di Peter Brotzmann e, in particolare, al fondamentale album Machine Gun) l'altro è batterista fin dagli anni settanta coinvolto nelle vicende più ispirate dell'avanguardia e dell'improvvisazione inglese. Parliamo di Fred Van Hove e ...

16

Article: Interview

William Parker: Embracing The Unknown

Read "William Parker: Embracing The Unknown" reviewed by Luke Seabright


His is one of the most distinctive and respected voices on double bass today. William Parker, the tireless composer, multi-instrumentalist, educator and poet, is still today omnipresent on the contemporary free jazz scene. What's more, he has been consistently for the last four decades. The William Parker Sessionography: A Work in Progress by Rick Lopez clocks ...

10

Article: Album Review

Liudas Mockūnas / Arnas Mikalkenas / Håkon Berre: Plunged

Read "Plunged" reviewed by John Sharpe


Recorded at the 2014 Vilnius Jazz Festival by a band comprising two Lithuanians and a Norwegian, which was one of the standouts of the 2017 Vilnius Mama Jazz Festival, Plunged proves an unexpected delight. Of the three participants, reedman Liudas Mockūnas is likely best known, having recorded with bassist Barry Guy, drummer William Hooker and saxophonist ...

1

Article: Album Review

Peter Brötzmann, Steve Swell, Paal Nilssen-Love: Live In Tel Aviv

Read "Live In Tel Aviv" reviewed by Enrico Bettinello


Un altro tassello si aggiunge alla già corposa discografia del sassofonista tedesco Peter Brötzmann, il terzo insieme a questo trio con il trombone di Steve Swell e la batteria di Paal Nilssen-Love. Rigorosamente dal vivo, catturato nel momento in cui questa materia incandescente viene lavorata dai tre musicisti. Un rituale sonoro ...


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