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About Pete Rodriguez
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Pete Rodriguez
Born:
Trumpeter, vocalist, and percussionist Pete Rodríguez carries the bloodline of Nuyorican salsa as he takes his unique brand of jazz to exciting new places. Son of salsa singer Pete “El Conde” Rodriguez and godson of Fania Records bandleader Johnny Pacheco, Rodríguez cut his teeth playing with some of the greatest names in Latin music. By age 19, he was musical director of his father’s band. As a vocalist, he sang on Tito Puente's Grammy-award winning Mambo Birdland. As an instrumentalist, he's appeared with legends including Celia Cruz, Chico O'Farrill, Bebo Valdez and Eddie Palmieri, including performing on the Brian Lynch/Eddie Palmieri Project’s Grammy-winning release, Simpatico. As a bandleader, Rodriguez draws on his diverse upbringing—including living through the birth of Hip Hop in the Bronx and becoming an accomplished classical trumpeter as an adolescent Puerto Rico—to create his own brand of jazz that defies categorization. The result is music that has been praised as “not only instrumentally ferocious, but texturally rich and at times profoundly intimate,” with compositions “rich in musical depth, tone and beauty, as well as rhythm and melody… giving his music an appeal beyond genres.” (Downbeat). His music demonstrates his aptitude for hard-driving, modern post-bop jazz, as much as melodic Latin variants and R&B-tinged grooves. Rodriguez has released a series of acclaimed albums as a leader, including Mind Trip, The Alchemist, Caminando con Papi (Destiny Records), El Conde Negro (Destiny Records), Obstacles (Sunnyside Records), and his most recent, I’m Pete Rodríguez, Vol. 1 (Sunnyside Records), named one of the Best of 2024 by the New York City Jazz Record. His forthcoming I’m Pete Rodríguez, Vol. 2 continues his exploration of identity, resilience, and innovation.
Jazz Continuum Latin Edition
by David Brown
This week, we're featuring the Jazz Continuum Latin Edition. Let's dive into some Latin sounds from NYC, starting with Pete Rodriguez's I Like It (I Like It Like That)," followed by the Joe Cuba Sextet and Nuyorican percussionist Ray Barretto. We'll also spotlight two albums from this weekend in history: Kenny Dorham's Afro-Cuban (1955) and McCoy ...
Hayoung Lyou, Pete Rodriguez, Kika Sprangers, Eric Person & More
by Ludovico Granvassu
As temperatures keep dropping, we must rely on music to get the heat we need. Enjoy a playlist that should bring you a welcome degree of warmth and introspection.Happy listening!Playlist Ben Allison Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 Peter Somuah Conqueror" Highlife (ACT) 0:16 Host talks 4:18 Pete ...
I'm Pete Rodriguez, Vol. 1
Label: Sunnyside Records
Released: 2024
Track listing: Jesus Said Show Affection to Your Enemies, I Say F**k That; They Smile in Your Face (the Backstabbers); Don't Help
Me, Help the Bear; The End; Mi Corazon; When You Just Need a Vibe; Raining; The Opposite Way (Alicia's Tune); Mi
Corazon (Instrumental)
Archive Music From Gordon Beck And Brand New Releases
by Bob Osborne
This week we focus on a new release from the excellent Jazz In Britain label. The Progress Box Set from Gordon Beck's Gyroscope is a compilation of studio, live, radio and rehearsal session recordings from the tape archives of Ron Mathewson and Gordon. The release provides a chronological audio history of Gyroscope's formation and development, indeed ...
Festive Interplay
By John Mills
Label: Self Produced
Released: 2021
Track listing: Why Not; Collective Cha; Dreaming In Bomba; Festive Interplay; Never Fair; Not Sure So Sure; 3
Sisters; The Quest; Indi-Go-Go (Alegria); Who Knows Maybe Tomorrow.
Reconnected
Label: Next Level
Released: 2021
Track listing: Chance
Links
Desnudo
A Modern Memory
Tenderly
Reaching Out for More
I Hear a Rhapsody
Reconected
Obstacles
Label: Sunnyside Records
Released: 2021
Track listing: 50; Abraham; El Proceso; Academic Backstabbing 101; Mi Ritmo; Triple Positive; Austin & Ally; Obstacles; Someone
Else; Mary Dick Ellen; FU John
Ludovico Granvassu's 2021 Sonic Delights
by Ludovico Granvassu
Jazz is not a competitive sport and Best Ofs" are misnomers. End of the year listicles have no bearing on the artistic standing of the albums they include, or on those they neglect, just like a five star review doesn't make the album it graces any better than it already is. But, apparently, humans ...



