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About Pete Fountain
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Pete Fountain
Born:
Peter Dewey Fountain, Jr. was born July 3, 1930 in New Orleans, the cradle of American music, Jazz. He was a skinny kid who spent too much time hanging around the front stoop of the Top Hat Dance Hall near his home. The Top Hat was a stronghold of Dixieland Jazz and Jazz already had a strong hold on Pete Fountain. But, oh the sounds! This was music straight from the soul. Sounds that would never be written in stone, that would always be brand new because they were purely personal. Pete heard all the greats in New Orleans and he knew he wanted to play Jazz. After endless hours of practicing and listening to the recordings of Benny Goodman and Irving Fazola, the personal sound of Pete Fountain began to emerge and it was "Fat." By the time Pete was 16, he had already gained a reputation on Bourbon Street
The Top 25 Songs Featuring Clarinet
by Dean Nardi
As Ian Dury might have sung had he played the clarinet, “Hit me with your licorice stick." (That is “rhythm stick" for those not fluent in punk rock.) From the intricacies of classical music to the smooth swing of jazz to Klezmer--the folk music of the Eastern European Jewish population--the instrument resonates throughout a good portion ...
James Danderfer: If Not Now
by Jack Bowers
The clarinet, which once was commonplace in jazz (think Benny Goodman, Artie Shaw, Woody Herman, Pee Wee Russell, Tony Scott, Buddy DeFranco, Jimmy Giuffre, Pete Fountain, Bob Wilber and many others), is all but absent these days save for a handful of adamant diehards such as Paquito D'Rivera, Eddie Daniels, Don Byron and Ken Peplowski. That ...
Norman David: Forty-Year Wizard of The Eleventet
by Victor L. Schermer
A few years ago, a musician friend suggested I go hear a band that was playing at a place in Bella Vista, Philadelphia, a neighborhood with a significant jazz history (violinist Joe Venuti and guitarist Eddie Lang lived there and are honored with several plaques and a mural) -but not much current music to speak of. ...
Monty Alexander, Trombone Shorty, Bonerama And More
by Joe Dimino
This week we open with a titan in the world of jazz, Monty Alexander. He does his rendition of “Day O Banana Boat" and discusses his latest Monk album and so much more. We also feature a Frank Sinatra tune to memorialize a big moment in the life of Monty. From there, we focus on the ...
Dave Weckl: The Cymbal of Excellence
by Jim Worsley
Attention to details and impeccable standards coupled with a desirous curiosity and a wealth of talent have served Dave Weckl well. The savvy and astute musician has meticulously traversed the jazz and fusion world over the past few decades. Weckl is on a very short list when the topic of drumming icons is broached. Perhaps best ...
New Orleans Jazz and Heritage Festival 2018
by Mark Robbins
Yes, Virginia, there is jazz at the New Orleans Jazz and Heritage Festival. From it's inception in 1970, George Wein, mastermind of the Newport Jazz Festival and the Newport Folk Festival, created a festival that was indigenous with New Orleans. Whether it was the music, food, arts and crafts everything was New Orleans. That first year ...
Preserving the Cradle of Jazz: The New Orleans Jazz Museum
by Karl Ackermann
The New Orleans Jazz Club's beginnings, according to a 1950s edition of their bi-monthly newsletter, sprang from a sidewalk meeting of four jazz fans on Mardi Gras in 1948. The impromptu gathering intended to listen to the marching band called King Zulu's. One member of that group inspired the others to begin a club for jazz ...
Doc: Pete Fountain
Most people who grew up in the rock era viewed clarinetist Pete Fountain the same way they did Al Hirt—a bearded New Orleans traditional jazz player who turned up on lots of variety shows in the late 1960s and '70s, and whose pop and honky-tonk albums were marketed largely to older folks with a bland taste ...
Pete Fountain
As I prepared to leave Ystad, I learned that clarinetist Pete Fountain died on Saturday in New Orleans. By way of his recordings and television exposure, he became an unofficial and effective cultural spokesman for his beloved hometown and was happy to return there following his years in the 1950s with Lawrence Welk’s TV show. Despite ...
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