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156

Article: Album Review

Bob Downes Open Music: New York Suite

Read "New York Suite" reviewed by Roger Farbey


British flautist/saxophonist Bob Downes recorded some compelling albums in the early '70s and then, coinciding with his permanent relocation to Germany at the end of the decade, disappeared from the UK jazz scene. The music didn't stop with his migration though, as he subsequently produced several solo flute albums for his own label, Openian.

51

News:

Machine Mass Trio to Release "As Real As Thinking" (MoonJune)

Originally born as a side-project of douBt, this new trio led by Tony Bianco (on drums and loops) and Michel Delville (on guitar, bouzouki and live effects) also includes emerging Belgian talent Jordi Grognard on saxophones, bass clarinet and flute. As Real as Thinking is an amazing mix of fiery licks, catchy themes, telepathic rhythms, shamanic ...

213

Article: Profile

Mike Westbrook: Art Wolf at 75

Read "Mike Westbrook: Art Wolf at 75" reviewed by Duncan Heining


Close your eyes for a moment. Imagine a jazz composer who began with Ellington and then moved on through Mingus. He soon encompassed rock music, Kurt Weill, Rossini, the traditions of English church music and the pastoralism of Vaughan Williams and Holst, but still found a place in his music for The Beatles, European political cabaret ...

307

Article: Interview

Barry Guy: Striving For Absolute Spontaneity

Read "Barry Guy: Striving For Absolute Spontaneity" reviewed by Maxim Micheliov


Barry Guy seems to be one of the most convincing figures in a long line of contemporary innovators whose discoveries possess everlasting value. Being a diverse improviser, a bassist of exceptional technique, an accomplished composer and a big band leader, this artist amazes by the scope of his interests and his variety of his accomplishments.

Article: Album Review

Free Jazz Quartet: Memories for the Future

Read "Memories for the Future" reviewed by AAJ Italy Staff


Nelle belle note di copertina del disco, registrato in concerto nel 1992 ma pubblicato solo ora, Brian Morton fa notare come la musica del Free Jazz Quartet esprima alcune caratteristiche assimilabili a una generica definizione di jazz, sebbene ogni definizione possa essere problematica a ambigua. Tali caratteristiche sono riconducibili a un approccio particolare alla creazione di ...

184

Article: Album Review

Paul Hubweber & Philip Zoubek: Archiduc Concert: Dansaert Variatiions

Read "Archiduc Concert: Dansaert Variatiions" reviewed by John Eyles


Trombonist Paul Hubweber has previously impressed in the trio PaPaJo, which he shares with bassist John Edwards and percussionist Paul Lovens, rightfully being compared with the late, great Paul Rutherford. Despite such comparisons, he draws from many sources. When practicing, he plays many Albert Mangelsdorff tunes, alongside Charlie Parker standards and J. S. Bach pieces.

244

Article: Album Review

Dreamtime: Double Trouble

Read "Double Trouble" reviewed by Nic Jones


Reel Recordings has excelled in the business of audio restoration, as this 2CD/DVD set goes to show. On one level, Dreamtime is no more than a footnote in British jazz, but not only did the band feature some potent soloists, it was one of the few to bridge the divide between composed and free music with ...

162

Article: Multiple Reviews

1970s Incus: Old and New

Read "1970s Incus: Old and New" reviewed by John Eyles


Coincidentally, two recent releases, one a reissue on Emanem, the second an album of previously unissued material on Incus, put the spotlight on the Incus label in the mid 1970s. This was a time when the so-called “second generation of free improvisers" was emerging. At the time, the first generation--including Incus proprietors guitarist Derek Bailey, saxophonist ...

384

Article: Album Review

Harris Eisenstadt: Woodblock Prints

Read "Woodblock Prints" reviewed by John Sharpe


Canadian drummer/composer Harris Eisenstadt is making a compelling case for complete player status. His name on the CD sleeve does not necessarily predict the contents. Examples include his joyous marriage of jazz and West African rhythms on Jalolu (CIMP, 2004) and Gewel (Clean Feed, 2008), his compositions for large ensembles such as Ahisma Orchestra (Nine Winds, ...

496

Article: Multiple Reviews

In Praise of John Russell

Read "In Praise of John Russell" reviewed by John Eyles


English guitarist John Russell is from the wave of free improvisers who came after the so-called first generation typified by such “founding fathers" as guitarist Derek Bailey, saxophonist Evan Parker, trombonist Paul Rutherford and drummer John Stevens. In his teens, Russell played at the Little Theatre Club, the cradle of free improv in London, and took ...


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