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4

Article: Album Review

Tim Berne's Snakeoil: Shadow Man

Read "Shadow Man" reviewed by Troy Collins

by Troy Collins

New York-based alto saxophonist Tim Berne has long been regarded one of the Downtown scene's most forward-thinking bandleaders. Among his peers, no other artist has so often fostered the creative talent of subsequent generations; multi-instrumentalist Chris Speed, keyboardist Craig Taborn and drummer Jim Black all spent their formative years playing alongside the veteran saxophonist. Likewise, Berne ...

8

Article: Extended Analysis

Jakob Bro: December Song

Read "Jakob Bro: December Song" reviewed by Henning Bolte

by Henning Bolte

December Song is the final part of a trilogy which started with Balladeering (2009) and continued with Time (2011). It started with the fivesome of Jakob Bro himself, Bill Frisell, Lee Konitz, Ben Street and the late Paul Motian. When Time was recorded in September 2011 at Avatar, Thomas Morgan subbed for Ben Street. Paul Motian ...

6

Article: Album Review

Tim Berne's Snakeoil: Shadow Man

Read "Shadow Man" reviewed by John Kelman

by John Kelman

When Tim Berne released his ECM debut, Snakeoil in 2012, it quickly garnered some of the best reviews of the saxophonist/composer's career, ending up on a number of year-end best of lists. And why not? With a group already together for a couple years (as Los Totopos), Snakeoil represented a major step forward for Berne, both ...

2

Article: Take Five With...

Take Five With Cheryl Pyle

Read "Take Five With Cheryl Pyle" reviewed by AAJ Staff

by AAJ Staff

Meet Cheryl Pyle:The versatile flutist Cheryl Pyle received her BA in Music from the University of California at Berkeley in 1976, having received her Associates Degree from Mesa College in 1974. Her teachers included Merrill Jordan, Janet Maestre, Francis Watson, and Jayn Rosenfeld. She took Master classes with Jean-Pierre Rampal, Julius Baker, and James ...

3

Article: Album Review

Mintz Quartet: Mintz Quartet

Read "Mintz Quartet" reviewed by Dan McClenaghan

by Dan McClenaghan

The jazz world is packed with dynamic drummers, and players who raise the job of timekeeping--and beyond--to a fine art. And then there are the supreme poets of the drum kit: The late Paul Motian, with his gentle orchestra of textures, colors, and diaphanous accents; Jack De Johnette, with his bustling undercurrents and rock steady grooves; ...

4

Article: Album Review

Samuel Blaser Consort in Motion: A Mirror to Machaut

Read "A Mirror to Machaut" reviewed by Glenn Astarita

by Glenn Astarita

Swiss trombonist Samuel Blaser's largely mellower and investigative Consort in Motion differs from his acclaimed quartet's often hard- hitting and somewhat deviously entertaining persona for the hatOLOGY record label, partly due to French guitarist Marc Ducret's electrifying assaults. Thus, A Mirror to Machaut sheds additional light on Blaser's approach to composition, that coincides with a band ...

4

Article: Extended Analysis

Samuel Blaser Quartet: As the Sea

Read "Samuel Blaser Quartet: As the Sea" reviewed by Dave Wayne

by Dave Wayne

Since bursting on the the international jazz scene in the mid-2000s, Swiss trombonist Samuel Blaser has established himself as one of his instrument's foremost practitioners. His playing combines the precision and detail of a top-flight classical instrumentalist with the unfettered, emotionally direct and rhythmically rich approach that characterizes the best jazz players. Blaser--still in his early ...

3

Article: Album Review

Samuel Blaser Consort in Motion: A Mirror to Machaut

Read "A Mirror to Machaut" reviewed by Troy Collins

by Troy Collins

Over the last few years Swiss trombonist Samuel Blaser has established himself as a significant presence in the international jazz scene. Recent activity features no less than three consecutive releases; A Mirror to Machaut is the latest in a series of engaging albums, following One From None (Fresh Sound New Talent, 2013), the debut of his ...

14

Article: Album Review

Ralph Alessi: Baida

Read "Baida" reviewed by John Kelman

by John Kelman

With 2013 heading into fall, it's a good time to take stock of a label that has all too often been (falsely) accused of minimizing the country where jazz began. Excluding reissues, this year's ECM regular series releases represent about thirty percent American leadership; given jazz's increasingly global nature, hardly a bad number--and better still, when ...

14

Article: Album Review

The Swallow Quintet: Into the Woodwork

Read "Into the Woodwork" reviewed by John Kelman

by John Kelman

In the press sheet for Steve Swallow's Into the Woodwork, the award-winning electric bassist is quoted, saying: “Good humor before and after the red light goes on is very important. Music-making should be fun, after all." Those fortunate enough to see Swallow with Steve Kuhn and Joey Baron this past summer--including a memorable stop at the ...


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