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Tutto Monk: l'omaggio di Miles Okazaki
by Giuseppe Segala
Monk con la chitarra? Perché no. Si era posto la stessa sferica domanda Elliott Sharp pochi anni fa, registrando in solo con l'acustica l'album Sharp? Monk? Sharp! Monk! per l'etichetta Clean Feed. Si trattava di una scelta di cinque brani, elaborati con il criterio della lunga divagazione e riflessione geniale. Inoltre, il discorso era stato affrontato ...
Francisco Mela: Ancestros
by Karl Ackermann
One of the many fine musicians coming out of Cuba, Francisco Mela is an accomplished drummer/percussionist and composer. On Ancestros, his debut on the vinyl-only subscription label Newvelle, he has contributed seven original compositions to a collection that includes covers from Andrew Hill and Paul Motian. The album name--and its title track--are appropriated from Mela's prior ...
Harvey Sorgen / Joe Fonda / Marilyn Crispell: Dreamstruck
by Dan McClenaghan
Drummer/composer/educator Harvey Sorgen boasts an impressive worked with/recorded with resume. His highest profile booster might be a handful of recordings with the Jefferson Airplane offshoot Hot Tuna, followed by a number of releases with bassist Joe Fonda and the Fonda/Stevens Group. With Fonda involved, you know you'll hear some left-of-center sounds. Dreamstruck teams Fonda with Sorgen, ...
(Not So) Standards
by Ludovico Granvassu
For decades jazz standards have provided improvisers with both a vehicle and a testing ground for their creativity. In some cases they have taken more liberties than others. This week we focus on not-so-standard renditions of jazz standards, from “Take Five" to “My Favorite Things," from “Mood Indigo" to “'Round Midnight," two hours of jazz played ...
Brad Mehldau / Charlie Haden: Long Ago and Far Away
by Luca Casarotti
Il 5 novembre 2007, il pianista Brad Mehldau e il contrabbassista Charlie Haden si esibiscono per la prima volta in duo alla Christuskirche di Mannheim, in Germania, in occasione dell'Enjoy Jazz Festival. A undici anni di distanza, la storica etichetta discografica Impulse! pubblica ora la registrazione di quel concerto, con il titolo Long Ago and Far ...
Andrew Cyrille: Lebroba
by Mario Calvitti
Il nuovo lavoro del batterista Andrew Cyrille per ECM, che segue di due anni The Declaration of Musical Independence, il suo debutto da leader per la label tedesca, lo vede nuovamente affiancato al chitarrista Bill Frisell, ma in un contesto strumentale abbastanza diverso. Non più un quartetto con contrabbasso e tastiere, ma un trio completato dalla ...
Matteo Bortone
by Vincenzo Roggero
1. Paul Bley, Closer (ESP, 1966). Esplorare senza paura di cadere nel vuoto. Barry Altschul incredibile. A mio avviso, uno dei migliori dischi di piano trio. 2. Elliott Smith, Either/Or (Kill Rock Stars, 1997). Cantautorato struggente post Nick Drake. ”Between the Bars” una delle mie preferite, se avessi una chitarra acustica ...
Meet Hiroyuki Masuko
by Tessa Souter and Andrea Wolper
Although the Super Fans column started out with a New York focus, we realize there's a world of jazz--and jazz fans--beyond. Since those first columns in 2016, we've presented Super Fans from across the United States, including some who live part-time in other countries. But now we've officially gone international, with our first Super Fan from ...
Gordon Grdina: Ejdeha
by Mike Jurkovic
Fifteen years into his study of Arabia's mysterious and resonant oud, Vancouver, Canada-based guitarist Gordon Grdina has released Ejdeha, with his equally mysterious and resonant ensemble, The Marrow. Expanding out from his debut, Think Like the Waves (Songlines, 2006), recorded with Gary Peacock and Paul Motian, Grdina takes his jazz improvisations further into the ...
Mike Lorenz: speak between
by Dan McClenaghan
A first impression: Guitarist Mike Lorenz has created, on Speak Between, a sound that runs in a parallel to some of the albums released by drummer Paul Motian, in his teamings with guitarist Bill Frisell and saxophonist Joe Lovano--It Should Have Happened A Long Time Ago (ECM Records, 1984) and Jack Of Clubs (Soul Note, 1984). ...
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