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Dragonfly Breath III: Live at the Stone: Megaloprepus Caerulatus
by Mark Corroto
Today's zen koan: why does a watched pot never boil? The answer to that question is found in the music of Dragonfly Breath III: because it is always boiling. The roil we speak of comes from the quartet of saxophonist Paul Flaherty, trombonist Steve Swell, violinist C. Spencer Yeh, and drummer Weasel Walter. The ...
Barry Guy / Marilyn Crispell / Paul Lytton: Deep Memory
by John Sharpe
Bassist Barry Guy took a key role in pianist Howard Riley's groundbreaking trio in the late 60s, early 70s. And while that early experience has in no way defined him, it means it perhaps comes as less of a surprise that he has increasingly turned to the format in the latter part of his career. One ...
Bojan Vuletić / Nate Wooley / Zeena Parkins / Vera Westera: Fugitive Beauté
by Karl Ackermann
On Fugitive Beauté, Serbian composer Bojan Vuletić wrote thirteen pieces inspired by the French poet/writer Charles Baudelaire who, among other accomplishments, is credited with coining the term “modernity" to describe the brief, transient nature of Parisian life during the period of industrialization in the nineteenth century. Baudelaire's poetry has inspired many musical adaptations in the forms ...
Protean Reality (feat. Chris Pitsiokos, Noah Punkt & Philipp Scholz): Protean Reality
by Karl Ackermann
An increasing presence on the downtown NYC circuit, alto saxophonist Chris Pitsiokos has worked with a number of free jazz luminaries such as Joe Morris, Nate Wooley, Peter Evans and Paul Lytton. He and Tyshawn Sorey joined the promising bassist Brandon Lopez as the Undermine Trio for a number of recent NYC performances. What stands the ...
Nate Wooley: Seven Storey Mountain V
by Karl Ackermann
Nate Wooley has a fairly traditional early background having played trumpet in his father's big band as a teenager. His departure from convention was quite radical as he went on to work with the likes of John Zorn, Anthony Braxton, Ken Vandermark and Evan Parker. Wooley is one of an innovative strain of trumpeters who view ...
Nate Wooley Makes America Great Again
by Mark Corroto
In his excellent book of literary and cultural criticism, The Grey Album: On the Blackness of Blackness, Kevin Young describes the term Jazz as both a noun and a verb. He further explains that jazz from the time of its origins through, let's say the 1980s, was a word used to describe action. Such as the ...
Ai Confini tra Sardegna e Jazz - XXX Edizione
by Paolo Peviani
Sant'Anna Arresi, 01-06.09.2015 Bentornato Butch A Sant'Anna Arresi, Butch Morris era di casa. In occasione della XXX Edizione, il festival Ai Confini tra Sardegna e Jazz gli ha reso giustamente e doverosamente omaggio costruendo una programmazione completamente incentrata sulla sua figura. C'era la Nublu Orchestra (Kenny Wollesen, ...
Stefan Keune/Dominic Lash/Steve Noble: Fractions
by John Sharpe
German reedman Stefan Keune has shown a strong affinity for British improv since making a connection with drummer Paul Lytton in 1990. Since then his discography records a number of dates with guitarist John Russell, including appearances at London's now dormant Freedom of the City festival. This limited edition LP, recorded at Russell's Mopomoso gathering at ...
Dre Hocevar Trio: Coding Of Evidentiality
by Mark Corroto
Given the title of drummer Dre Hocevar's recording, the question arises: can one classify or identify a system's disorder, i.e. entropy? The liner notes give us a hint. Laurence Donohue-Greene writes, this trio of Hocevar, pianist Bram De Looze and cellist St.Louis, “develop each improvisation compositionally and with tenacious unity." I suspect, when there is human ...
Agustí Fernández / Niels Lyhne Løkkegaard / Bjørn Heebøll: Amaranth
by Mark Corroto
To call Spanish pianist Agustí Fernández an inside/outside player isn't to suggest that he dabbles in both straight-ahead and free jazz. As a free, improvising pianist, he is one of the most sensitive players in today's scene. No, calling Fernández an inside/outside player literally means he can often be found playing his instrument both from the ...
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