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Playland at the Beach: Dave Brubeck's Early Octet and Trio
Chances are you've heard Dave Brubeck before, even if you're not a jazz fan. His 1959 album Time Out has sold over a million copies and “Take Five," written by longtime Brubeck collaborator and saxophonist Paul Desmond, became a hit single and cultural musical staple. Brubeck made the cover of Time Magazine in 1954, did global ...
Argenti & Rosa: Boston Gig
by C. Michael Bailey
When Hank Mobley's “Funk in the Deep Freeze" and Eddie Harris' “Freedom Jazz Dance" are brought close together on a recording, hard bop critical mass occurs, giving rise to music like guitarist Enrico Rosa's “Stress Me" that opens the Argenti/Rosa recording, Boston Gig. But this is a controlled detonation. So breezy and strolling ...
Jazz Musician of the Day: Paul Desmond
All About Jazz is celebrating Paul Desmond's birthday today! Paul DesmondHe is revered for the pure, gentle tone of his alto saxophone, and the elegant lyricism of his improvisations. For seventeen years he was the lead soloist in the most commercially successful jazz combo ever, the Dave Brubeck Quartet... more
Danilo Perez Trio Meets Thelonious Monk: Live at the Kimmel Center
by Victor L. Schermer
Danilo Perez TrioKimmel Center for the Performing Arts, Perelman Theater Philadelphia, PANovember 13, 2010Thelonious Monk was a remarkable figure, and his music continues well beyond his lifetime to influence musicians on many levels. Truly “An American Original," as the subtitle of Robin D.G. Kelley's definitive biography calls him, he took stride ...
Masterworks Jazz Celebrates Dave Brubeck's 90th Birthday With Two New Releases
In celebration of jazz legend Dave Brubeck's 90th birthday on December 6, Masterworks Jazz released two new titles from the Original Album Classics series: Dave Brubeck and The Dave Brubeck Quartet—TIME, available November 2. Both releases are specially-priced 5-CD collections of Brubeck's classic albums. Each box set contains essential titles in their original album format, packaged ...
Hubert Nuss: The Book of Colours
by Dan McClenaghan
Music is a treat for the ears, for the sense of hearing. But are the borders separating the senses permeable? Can Red Garland's piano notes be said to “sparkle?" Can Paul Desmond's alto saxophone have the sound of a dry martini? Are these metaphors, perhaps, based to some extent on realities along a continuum of sensory ...
Mike Pride’s From Bacteria to Boys: Betweenwhile
by Mark Corroto
Certainly, any attempt to pigeonhole this drummer is a lesson in failure; priding himself in his diverse interests, whether recording a duet album of free improvisation with Jon Irabagon, on I Don”t Hear Nothin' But The Blues (Loyal Label, 2009), or playing with punk band Millions Of Dead Cops, Mike Pride he has also distinguished himself ...
The Glenious Inner Planet: The Glenious Inner Planet
by C. Michael Bailey
This is not yourt parent's Dave Brubeck. For that matter, if you put Brubeck in the Telepod from the 1958 film The Fly, with the spirit of Shawn Lane, and teleported them into the future, that might come closest to describing this “Blue Rondo a la Raad." Brubeck is replaced by Chris Cortez's precisely reverberated electric ...
August 2010
by Fradley Garner
Two East Coast Big Bands specialize in music of the 1920s and '30s. Vince Giordano and His Nighthawks share the pre-Swing era with Long Island trombonist Ray Osnato and his South Shore Syncopators, a 10-piece band with five singers whose performances mimic a 1930s radio show, complete with honey-tongued announcer. Like Giordano, Osnato started young, collecting ...
Introducing Anthony Braxton
by Robert Levin
[Editor's Note: This article first appeared in Jazz & Pop Magazine, 1970]To anyone still questioning the validity of the systems and methods at which Cecil Taylor and Ornette Coleman arrived, I would first of all recommend that he listen more attentively to the work of those men. But I'd also suggest that he make ...
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