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Laurence Hobgood / Charlie Haden / Kurt Elling: When The Heart Dances
by Chris May
Man, this is a beautiful album. How could it be otherwise? An intimate, unhurried conversation between Laurence Hobgood, since 1994 vocalist Kurt Elling's musical director, and one of the finest jazz pianists out there, and the magisterial Charlie Haden, featured bassist in bands led by saxophonist Ornette Coleman, pianist Keith Jarrett and guitarist Pat Metheny, among ...
J.D. Walter: Being a Verb
by Victor L. Schermer
J.D. Walter is a jazz singers' singer--a purist and an innovator. Although his style has been compared to many vocal titans, it is in the same breath, uniquely his own, and he has become a singular phenomenon on the music scene. Respected and lauded by the great musicians of the contemporary circuit, ...
CODONA: The CODONA Trilogy
by Jeff Stockton
CODONA The CODONA Trilogy ECM Records 2009 Somewhere along the way “world music" became a suspect term. Mixed up with the concept of “new age," it makes you think more about hemp clothing, crystal therapy and holistic healing than the sort of basic elemental sounds trumpeter Don Cherry pioneered in ...
Joseph C. Phillips, Jr.'s Numinous: Vipassana
by David Adler
Composer-conductor Joseph C. Phillips, Jr. has a way of making his ensemble, Numinous, sound even larger than its 25 pieces. Of the three wind players, Ed Xiques plays five different instruments, Dan Willis handles six, Ben Kono a grand total of eight. As a result, Vipassana, Phillips' sophomore recording, abounds with nearly every sort of flute, ...
Julian Lage and Jimmy Greene: The Delight in Sharing
by Martin Gladu
For an artist to belong to a tradition implies a certain indebtedness to an historic wealth of knowledge most often found in those somewhat advanced in years. That said, there will always be precocious newcomers who will drop into the scene and shake its contentions anew. Not that long ago, a young tenor saxophonist called Michael ...
Bud Shank: A Voice for the Ages
by Jack Bowers
I'll always have fond memories of the 2007 Prescott (Arizona) Jazz Summit, as it was the last time I had the great pleasure of seeing and hearing the phenomenal alto saxophonist Bud Shank doing what he did best: enfolding an entire audience in the palm of his hand with a seemingly endless stream of irrepressible notes ...
Mark O'Leary: Plucking the Flower
by Eyal Hareuveni
Irish guitarist Mark O'Leary emerged on the global improvised music scene in the last few years, pushing his bold vision and broad scope of musicality through constantly-changing collaborations. O'Leary can cross easily between genres, from progressive, synth-laden rock and seventies fusion to free jazz and abstract soundscapes.The guitarist's encyclopedic interests and remarkable prolificacy are ...
Barney McAll: Flashbacks
by John Kelman
Keeping up with the wealth of talent around the world is a challenge, but when it's someone as talented and distinctive as Australian pianist Barney McAll, it's well worth the effort. In addition to film scoring, McAll has built a small but substantial discography and reputation of merit over the past decade by exploring many junctures--Afro-Cuban ...
Tony Grey: Stepping out of the Shadows
by Ian Patterson
Since graduating from Berklee with honors in 2001, Tony Grey has earned a reputation as one of the most exciting bassists of his generation. His debut solo recording ...Moving (Self Produced, 2004) won enthusiastic reviews and revealed a musician gifted with a very strong sense of melody, and songwriting skills which drew from influences far beyond ...
Chuck Loeb: Between 2 Worlds
by Jeff Winbush
While no one was looking, Chuck Loeb was quietly becoming one of the most interesting guitarists making music today. Loeb kept working as a sideman, composer and arranger, making his own solo albums in a low-key way until he reached the point where any serious conversation about who's among the best in the business that doesn't ...
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